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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 100 58 it is the complementary color RGB 16 155 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 100 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 100 58: RGB 244 100 53, RGB 255 118 72, RGB 255 136 91, RGB 255 154 110 and RGB 255 172 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 100 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 100 58: RGB 239 100 58, RGB 222 82 39, RGB 205 64 20, RGB 188 46 1 and RGB 171 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

Complementary color

CMYK 92 / 21 / 0 / 23

HEX #109BC5

RGB 16 155 197

HSL 193.92, 0.85%, 0.42%

LAB 59.51, -18.42, -30.99

 

CMYK 0 / 59 / 78 / 4

HEX #F46435

RGB 244 100 53

HSL 14.76, 0.9%, 0.58%

LAB 60.43, 52.92, 53.02

 

CMYK 0 / 54 / 72 / 0

HEX #FF7648

RGB 255 118 72

HSL 15.08, 1%, 0.64%

LAB 65.5, 49.31, 49.54

 

CMYK 0 / 47 / 64 / 0

HEX #FF885B

RGB 255 136 91

HSL 16.46, 1%, 0.68%

LAB 69.2, 41.52, 44.05

 

CMYK 0 / 40 / 57 / 0

HEX #FF9A6E

RGB 255 154 110

HSL 18.21, 1%, 0.72%

LAB 73.22, 33.63, 39

 

CMYK 0 / 33 / 49 / 0

HEX #FFAC81

RGB 255 172 129

HSL 20.48, 1%, 0.75%

LAB 77.49, 25.84, 34.44

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 0 / 63 / 82 / 13

HEX #DE5227

RGB 222 82 39

HSL 14.1, 0.73%, 0.51%

LAB 53.72, 52.7, 51.86

 

CMYK 0 / 69 / 90 / 20

HEX #CD4014

RGB 205 64 20

HSL 14.27, 0.82%, 0.44%

LAB 47.88, 53.91, 53.63

 

CMYK 0 / 76 / 99 / 26

HEX #BC2E01

RGB 188 46 1

HSL 14.44, 0.99%, 0.37%

LAB 42.23, 54.71, 54.39

 

CMYK 0 / 84 / 100 / 33

HEX #AB1C00

RGB 171 28 0

HSL 9.82, 1%, 0.34%

LAB 36.91, 54.81, 50.41

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 0 / 47 / 76 / 7

HEX #EE7E38

RGB 238 126 56

HSL 23.08, 0.84%, 0.58%

LAB 64.47, 38.27, 55.34

 

CMYK 0 / 34 / 76 / 7

HEX #EE9D38

RGB 238 157 56

HSL 33.3, 0.84%, 0.58%

LAB 71.27, 22.11, 61.98

 

CMYK 0 / 21 / 76 / 7

HEX #EEBB38

RGB 238 187 56

HSL 43.19, 0.84%, 0.58%

LAB 78.46, 6.29, 68.79

 

CMYK 0 / 9 / 76 / 7

HEX #EED938

RGB 238 217 56

HSL 53.08, 0.84%, 0.58%

LAB 86.05, -9.09, 75.78

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 0 / 57 / 77 / 86

HEX #230F08

RGB 35 15 8

HSL 15.56, 0.63%, 0.08%

LAB 6.47, 9.22, 6.58

 

CMYK 0 / 58 / 76 / 66

HEX #562415

RGB 86 36 21

HSL 13.85, 0.61%, 0.21%

LAB 21.19, 21.98, 20.84

 

CMYK 0 / 58 / 76 / 46

HEX #893921

RGB 137 57 33

HSL 13.85, 0.61%, 0.33%

LAB 34.71, 32.63, 31.23

 

CMYK 0 / 58 / 76 / 26

HEX #BC4F2E

RGB 188 79 46

HSL 13.94, 0.61%, 0.46%

LAB 47.6, 42.02, 40.51

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 32 / 0 / 76 / 7

HEX #A3EE38

RGB 163 238 56

HSL 84.73, 0.84%, 0.58%

LAB 86.61, -48.62, 74.42

 

CMYK 76 / 62 / 0 / 7

HEX #385AEE

RGB 56 90 238

HSL 228.79, 0.84%, 0.58%

LAB 44.7, 39.3, -77.73

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 76 / 0 / 60 / 7

HEX #38EE60

RGB 56 238 96

HSL 133.19, 0.84%, 0.58%

LAB 83.36, -72.22, 55.04

 

CMYK 60 / 76 / 0 / 7

HEX #6038EE

RGB 96 56 238

HSL 253.19, 0.84%, 0.58%

LAB 40.39, 62.39, -84.71

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 32 / 0 / 76 / 7

HEX #A3EE38

RGB 163 238 56

HSL 84.73, 0.84%, 0.58%

LAB 86.61, -48.62, 74.42

 

CMYK 76 / 16 / 0 / 7

HEX #38C7EE

RGB 56 199 238

HSL 192.86, 0.84%, 0.58%

LAB 74.74, -24.43, -29.96

 

CMYK 45 / 76 / 0 / 7

HEX #8438EE

RGB 132 56 238

HSL 265.05, 0.84%, 0.58%

LAB 44.1, 67.03, -78.48

 

CMYK 0 / 58 / 76 / 6

HEX #EF643A

RGB 239 100 58

HSL 13.92, 0.85%, 0.58%

LAB 59.68, 51.33, 49.58

 

CMYK 55 / 0 / 76 / 7

HEX #6CEE38

RGB 108 238 56

HSL 102.86, 0.84%, 0.58%

LAB 84.29, -65.65, 71.39

 

CMYK 76 / 16 / 0 / 7

HEX #38C7EE

RGB 56 199 238

HSL 192.86, 0.84%, 0.58%

LAB 74.74, -24.43, -29.96

 

CMYK 21 / 76 / 0 / 7

HEX #BB38EE

RGB 187 56 238

HSL 283.19, 0.84%, 0.58%

LAB 51.34, 75.93, -66.37

 

Description

Color code: RGB 239 100 58 | qconv.com Color code: RGB 239 100 58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 100 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 100 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 76 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 76% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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