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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 191 236 it is the complementary color RGB 17 64 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 191 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 191 236: RGB 243 191 231, RGB 255 209 250, RGB 255 227 255, RGB 255 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 191 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 191 236: RGB 238 191 236, RGB 221 173 217, RGB 204 155 198, RGB 187 137 179 and RGB 170 119 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

Complementary color

CMYK 73 / 0 / 70 / 75

HEX #114013

RGB 17 64 19

HSL 122.55, 0.58%, 0.16%

LAB 23.11, -26.48, 22.43

 

CMYK 0 / 21 / 5 / 5

HEX #F3BFE7

RGB 243 191 231

HSL 313.85, 0.68%, 0.85%

LAB 82.96, 25.02, -12.73

 

CMYK 0 / 18 / 2 / 0

HEX #FFD1FA

RGB 255 209 250

HSL 306.52, 1%, 0.91%

LAB 88.81, 22.85, -13.95

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 22 / 2 / 13

HEX #DDADD9

RGB 221 173 217

HSL 305, 0.41%, 0.77%

LAB 76.23, 24.79, -15.48

 

CMYK 0 / 24 / 3 / 20

HEX #CC9BC6

RGB 204 155 198

HSL 307.35, 0.32%, 0.7%

LAB 69.72, 25.37, -15.02

 

CMYK 0 / 27 / 4 / 27

HEX #BB89B3

RGB 187 137 179

HSL 309.6, 0.27%, 0.64%

LAB 63.1, 26.01, -14.54

 

CMYK 0 / 30 / 6 / 33

HEX #AA77A0

RGB 170 119 160

HSL 311.76, 0.23%, 0.57%

LAB 56.36, 26.69, -14.02

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 20 / 4 / 7

HEX #EDBEE4

RGB 237 190 228

HSL 311.49, 0.57%, 0.84%

LAB 82.07, 23.02, -12.51

 

CMYK 0 / 20 / 7 / 7

HEX #EDBEDC

RGB 237 190 220

HSL 321.7, 0.57%, 0.84%

LAB 81.84, 21.62, -8.57

 

CMYK 0 / 20 / 11 / 7

HEX #EDBED4

RGB 237 190 212

HSL 331.91, 0.57%, 0.84%

LAB 81.61, 20.28, -4.61

 

CMYK 0 / 20 / 14 / 7

HEX #EDBECC

RGB 237 190 204

HSL 342.13, 0.57%, 0.84%

LAB 81.4, 18.97, -0.62

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 21 / 0 / 87

HEX #221B22

RGB 34 27 34

HSL 300, 0.11%, 0.12%

LAB 10.85, 5.09, -3.53

 

CMYK 0 / 20 / 1 / 67

HEX #554454

RGB 85 68 84

HSL 303.53, 0.11%, 0.3%

LAB 31.13, 10.5, -6.8

 

CMYK 0 / 20 / 1 / 47

HEX #886D87

RGB 136 109 135

HSL 302.22, 0.11%, 0.48%

LAB 49.4, 15.48, -10.24

 

CMYK 0 / 20 / 1 / 27

HEX #BB96B9

RGB 187 150 185

HSL 303.24, 0.21%, 0.66%

LAB 66.43, 19.89, -12.91

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 15 / 20 / 7

HEX #EDC9BE

RGB 237 201 190

HSL 14.04, 0.57%, 0.84%

LAB 83.7, 11, 10.2

 

CMYK 20 / 0 / 7 / 7

HEX #BEEDDC

RGB 190 237 220

HSL 158.3, 0.57%, 0.84%

LAB 90.18, -18.41, 3.26

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 0 / 20 / 7

HEX #ECEDBE

RGB 236 237 190

HSL 61.28, 0.57%, 0.84%

LAB 92.63, -7.89, 22.72

 

CMYK 20 / 0 / 0 / 7

HEX #BEECED

RGB 190 236 237

HSL 181.28, 0.57%, 0.84%

LAB 90.35, -14.47, -5.37

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 15 / 20 / 7

HEX #EDC9BE

RGB 237 201 190

HSL 14.04, 0.57%, 0.84%

LAB 83.7, 11, 10.2

 

CMYK 20 / 0 / 19 / 7

HEX #BEEDC0

RGB 190 237 192

HSL 122.55, 0.57%, 0.84%

LAB 89.54, -23.56, 16.93

 

CMYK 20 / 5 / 0 / 7

HEX #BEE2ED

RGB 190 226 237

HSL 194.04, 0.57%, 0.84%

LAB 87.71, -9.41, -9.28

 

CMYK 0 / 20 / 1 / 7

HEX #EEBFEC

RGB 238 191 236

HSL 302.55, 0.58%, 0.84%

LAB 82.64, 24.25, -15.93

 

CMYK 0 / 9 / 20 / 7

HEX #EDD7BE

RGB 237 215 190

HSL 31.91, 0.57%, 0.84%

LAB 87.16, 3.69, 15.1

 

CMYK 20 / 0 / 19 / 7

HEX #BEEDC0

RGB 190 237 192

HSL 122.55, 0.57%, 0.84%

LAB 89.54, -23.56, 16.93

 

CMYK 20 / 11 / 0 / 7

HEX #BED4ED

RGB 190 212 237

HSL 211.91, 0.57%, 0.84%

LAB 84.04, -2.15, -14.75

 

Description

Color code: RGB 238 191 236 | qconv.com Color code: RGB 238 191 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 191 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 191 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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