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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 45 46 it is the complementary color RGB 18 210 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 45 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 45 46: RGB 242 45 41, RGB 255 63 60, RGB 255 81 79, RGB 255 99 98 and RGB 255 117 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 45 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 45 46: RGB 237 45 46, RGB 220 27 27, RGB 203 9 8, RGB 186 0 0 and RGB 169 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

Complementary color

CMYK 91 / 0 / 0 / 18

HEX #12D2D1

RGB 18 210 209

HSL 179.69, 0.84%, 0.45%

LAB 76.57, -41.31, -11.59

 

CMYK 0 / 81 / 83 / 5

HEX #F22D29

RGB 242 45 41

HSL 1.19, 0.89%, 0.55%

LAB 52.86, 71.41, 51.5

 

CMYK 0 / 75 / 76 / 0

HEX #FF3F3C

RGB 255 63 60

HSL 0.92, 1%, 0.62%

LAB 57.21, 70.73, 46.81

 

CMYK 0 / 68 / 69 / 0

HEX #FF514F

RGB 255 81 79

HSL 0.68, 1%, 0.65%

LAB 59.63, 65.43, 39.13

 

CMYK 0 / 61 / 62 / 0

HEX #FF6362

RGB 255 99 98

HSL 0.38, 1%, 0.69%

LAB 62.56, 59.28, 32.1

 

CMYK 0 / 54 / 54 / 0

HEX #FF7575

RGB 255 117 117

HSL 0, 1%, 0.73%

LAB 65.96, 52.54, 25.83

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 0 / 88 / 88 / 14

HEX #DC1B1B

RGB 220 27 27

HSL 0, 0.78%, 0.48%

LAB 47.08, 68.94, 51.51

 

CMYK 0 / 96 / 96 / 20

HEX #CB0908

RGB 203 9 8

HSL 0.31, 0.92%, 0.41%

LAB 42.63, 66.67, 54.05

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 0 / 69 / 82 / 7

HEX #EC482B

RGB 236 72 43

HSL 9.02, 0.84%, 0.55%

LAB 54.7, 61.47, 51.8

 

CMYK 0 / 56 / 82 / 7

HEX #EC682B

RGB 236 104 43

HSL 18.96, 0.84%, 0.55%

LAB 59.81, 47.88, 56.48

 

CMYK 0 / 42 / 82 / 7

HEX #EC892B

RGB 236 137 43

HSL 29.22, 0.84%, 0.55%

LAB 66.44, 31.36, 62.42

 

CMYK 0 / 28 / 82 / 7

HEX #ECA92B

RGB 236 169 43

HSL 39.17, 0.84%, 0.55%

LAB 73.79, 14.47, 68.86

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 0 / 82 / 82 / 87

HEX #210606

RGB 33 6 6

HSL 0, 0.69%, 0.08%

LAB 4.22, 11.53, 4.06

 

CMYK 0 / 81 / 81 / 67

HEX #541010

RGB 84 16 16

HSL 0, 0.68%, 0.2%

LAB 16.95, 30.93, 18.86

 

CMYK 0 / 81 / 81 / 47

HEX #871A1A

RGB 135 26 26

HSL 0, 0.68%, 0.32%

LAB 29.32, 44.92, 29.44

 

CMYK 0 / 81 / 81 / 27

HEX #BA2324

RGB 186 35 36

HSL 359.6, 0.68%, 0.43%

LAB 40.85, 58.06, 38.8

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 15 / 0 / 82 / 7

HEX #C9EC2B

RGB 201 236 43

HSL 70.88, 0.84%, 0.55%

LAB 88.25, -33.91, 80.2

 

CMYK 82 / 47 / 0 / 7

HEX #2B7CEC

RGB 43 124 236

HSL 214.82, 0.84%, 0.55%

LAB 52.93, 16, -63.24

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 80 / 0 / 82 / 7

HEX #2FEC2B

RGB 47 236 43

HSL 118.76, 0.84%, 0.55%

LAB 82.25, -77.12, 72.59

 

CMYK 82 / 80 / 0 / 7

HEX #2B2FEC

RGB 43 47 236

HSL 238.76, 0.84%, 0.55%

LAB 35.21, 61.83, -92.27

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 15 / 0 / 82 / 7

HEX #C9EC2B

RGB 201 236 43

HSL 70.88, 0.84%, 0.55%

LAB 88.25, -33.91, 80.2

 

CMYK 82 / 0 / 1 / 7

HEX #2BECE9

RGB 43 236 233

HSL 179.07, 0.84%, 0.55%

LAB 85.19, -44.47, -11.47

 

CMYK 67 / 82 / 0 / 7

HEX #4F2BEC

RGB 79 43 236

HSL 251.19, 0.84%, 0.55%

LAB 36.83, 65.81, -89.51

 

CMYK 0 / 81 / 81 / 7

HEX #ED2D2E

RGB 237 45 46

HSL 359.69, 0.84%, 0.55%

LAB 51.93, 70.17, 47.74

 

CMYK 39 / 0 / 82 / 7

HEX #8FEC2B

RGB 143 236 43

HSL 88.91, 0.84%, 0.55%

LAB 85, -55.23, 76.1

 

CMYK 82 / 0 / 1 / 7

HEX #2BECE9

RGB 43 236 233

HSL 179.07, 0.84%, 0.55%

LAB 85.19, -44.47, -11.47

 

CMYK 42 / 82 / 0 / 7

HEX #892BEC

RGB 137 43 236

HSL 269.22, 0.84%, 0.55%

LAB 42.92, 71.95, -79.26

 

Description

Color code: RGB 237 45 46 | qconv.com Color code: RGB 237 45 46 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 45 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 45 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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