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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 234 224 it is the complementary color RGB 18 21 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 234 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 234 224: RGB 242 234 219, RGB 255 252 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 234 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 234 224: RGB 237 234 224, RGB 220 216 205, RGB 203 198 186, RGB 186 180 167 and RGB 169 162 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

 

Complementary color

CMYK 42 / 32 / 0 / 88

HEX #12151F

RGB 18 21 31

HSL 226.15, 0.27%, 0.1%

LAB 6.9, 1.59, -7.41

 

CMYK 0 / 3 / 10 / 5

HEX #F2EADB

RGB 242 234 219

HSL 39.13, 0.47%, 0.9%

LAB 92.94, 0.18, 8.23

 

CMYK 0 / 1 / 7 / 0

HEX #FFFCEE

RGB 255 252 238

HSL 49.41, 1%, 0.97%

LAB 98.85, -1.37, 7.04

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 0 / 2 / 7 / 14

HEX #DCD8CD

RGB 220 216 205

HSL 44, 0.18%, 0.83%

LAB 86.37, -0.54, 5.89

 

CMYK 0 / 2 / 8 / 20

HEX #CBC6BA

RGB 203 198 186

HSL 42.35, 0.14%, 0.76%

LAB 79.97, -0.36, 6.62

 

CMYK 0 / 3 / 10 / 27

HEX #BAB4A7

RGB 186 180 167

HSL 41.05, 0.12%, 0.69%

LAB 73.46, -0.16, 7.38

 

CMYK 0 / 4 / 12 / 34

HEX #A9A294

RGB 169 162 148

HSL 40, 0.11%, 0.62%

LAB 66.83, 0.06, 8.18

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 0 / 0 / 6 / 7

HEX #ECEBDE

RGB 236 235 222

HSL 55.71, 0.27%, 0.9%

LAB 92.81, -1.9, 6.41

 

CMYK 0 / 0 / 6 / 7

HEX #EBECDE

RGB 235 236 222

HSL 64.29, 0.27%, 0.9%

LAB 92.98, -2.75, 6.66

 

CMYK 2 / 0 / 6 / 7

HEX #E8ECDE

RGB 232 236 222

HSL 77.14, 0.27%, 0.9%

LAB 92.76, -3.78, 6.31

 

CMYK 3 / 0 / 6 / 7

HEX #E6ECDE

RGB 230 236 222

HSL 85.71, 0.27%, 0.9%

LAB 92.61, -4.46, 6.08

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 0 / 0 / 6 / 87

HEX #21211F

RGB 33 33 31

HSL 60, 0.03%, 0.13%

LAB 12.67, -0.48, 1.35

 

CMYK 0 / 1 / 6 / 67

HEX #54534F

RGB 84 83 79

HSL 48, 0.03%, 0.32%

LAB 35.27, -0.43, 2.48

 

CMYK 0 / 1 / 5 / 47

HEX #878580

RGB 135 133 128

HSL 42.86, 0.03%, 0.52%

LAB 55.57, -0.21, 2.95

 

CMYK 0 / 1 / 5 / 27

HEX #BAB8B0

RGB 186 184 176

HSL 48, 0.07%, 0.71%

LAB 74.73, -0.74, 4.3

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 6 / 0 / 6 / 7

HEX #DFECDE

RGB 223 236 222

HSL 115.71, 0.27%, 0.9%

LAB 92.11, -6.83, 5.29

 

CMYK 4 / 6 / 0 / 7

HEX #E3DEEC

RGB 227 222 236

HSL 261.43, 0.27%, 0.9%

LAB 89.22, 4.24, -6.23

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 6 / 0 / 1 / 7

HEX #DEECE9

RGB 222 236 233

HSL 167.14, 0.27%, 0.9%

LAB 92.31, -5.17, -0.16

 

CMYK 1 / 6 / 0 / 7

HEX #E9DEEC

RGB 233 222 236

HSL 287.14, 0.27%, 0.9%

LAB 89.68, 6.23, -5.49

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 6 / 0 / 6 / 7

HEX #DFECDE

RGB 223 236 222

HSL 115.71, 0.27%, 0.9%

LAB 92.11, -6.83, 5.29

 

CMYK 6 / 5 / 0 / 7

HEX #DEE1EC

RGB 222 225 236

HSL 227.14, 0.27%, 0.9%

LAB 89.6, 1.03, -5.71

 

CMYK 0 / 6 / 0 / 7

HEX #EBDEEC

RGB 235 222 236

HSL 295.71, 0.27%, 0.9%

LAB 89.84, 6.9, -5.24

 

CMYK 0 / 1 / 5 / 7

HEX #EDEAE0

RGB 237 234 224

HSL 46.15, 0.27%, 0.9%

LAB 92.68, -0.71, 5.2

SW® 7008

CMYK 6 / 0 / 4 / 7

HEX #DEECE2

RGB 222 236 226

HSL 137.14, 0.27%, 0.9%

LAB 92.14, -6.45, 3.23

 

CMYK 6 / 5 / 0 / 7

HEX #DEE1EC

RGB 222 225 236

HSL 227.14, 0.27%, 0.9%

LAB 89.6, 1.03, -5.71

 

CMYK 0 / 6 / 2 / 7

HEX #ECDEE8

RGB 236 222 232

HSL 317.14, 0.27%, 0.9%

LAB 89.81, 6.52, -3.17

 

Description

Color code: RGB 237 234 224 | qconv.com Color code: RGB 237 234 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 234 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 234 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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