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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 133 0 it is the complementary color RGB 18 122 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 133 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 237 133 0: RGB 242 133 0, RGB 255 151 14, RGB 255 169 33, RGB 255 187 52 and RGB 255 205 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 133 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 237 133 0: RGB 237 133 0, RGB 220 115 0, RGB 203 97 0, RGB 186 79 0 and RGB 169 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

Complementary color

CMYK 93 / 52 / 0 / 0

HEX #127AFF

RGB 18 122 255

HSL 213.67, 1%, 0.54%

LAB 53.24, 23.01, -73.31

 

CMYK 0 / 45 / 100 / 5

HEX #F28500

RGB 242 133 0

HSL 32.98, 1%, 0.47%

LAB 66.25, 35.17, 72.62

 

CMYK 0 / 41 / 95 / 0

HEX #FF970E

RGB 255 151 14

HSL 34.11, 1%, 0.53%

LAB 71.84, 31.32, 75.19

 

CMYK 0 / 34 / 87 / 0

HEX #FFA921

RGB 255 169 33

HSL 36.76, 1%, 0.56%

LAB 75.91, 22.25, 74.34

 

CMYK 0 / 27 / 80 / 0

HEX #FFBB34

RGB 255 187 52

HSL 39.9, 1%, 0.6%

LAB 80.21, 13.35, 72.4

 

CMYK 0 / 20 / 72 / 0

HEX #FFCD47

RGB 255 205 71

HSL 43.7, 1%, 0.64%

LAB 84.68, 4.76, 69.84

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 0 / 48 / 100 / 14

HEX #DC7300

RGB 220 115 0

HSL 31.36, 1%, 0.43%

LAB 59.41, 35.52, 66.89

 

CMYK 0 / 52 / 100 / 20

HEX #CB6100

RGB 203 97 0

HSL 28.67, 1%, 0.4%

LAB 53.22, 37.88, 61.91

 

CMYK 0 / 58 / 100 / 27

HEX #BA4F00

RGB 186 79 0

HSL 25.48, 1%, 0.36%

LAB 47.02, 40.17, 56.96

 

CMYK 0 / 64 / 100 / 34

HEX #A93D00

RGB 169 61 0

HSL 21.66, 1%, 0.33%

LAB 40.85, 42.24, 52.05

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 0 / 28 / 100 / 8

HEX #EAA800

RGB 234 168 0

HSL 43.08, 1%, 0.46%

LAB 73.22, 13.43, 76.65

 

CMYK 0 / 12 / 100 / 8

HEX #EACF00

RGB 234 207 0

HSL 53.08, 1%, 0.46%

LAB 82.98, -6.85, 83.44

 

CMYK 5 / 0 / 100 / 8

HEX #DEEA00

RGB 222 234 0

HSL 63.08, 1%, 0.46%

LAB 89.1, -25.18, 87.45

 

CMYK 22 / 0 / 100 / 8

HEX #B7EA00

RGB 183 234 0

HSL 73.08, 1%, 0.46%

LAB 86.46, -40.86, 84.3

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 0 / 42 / 100 / 87

HEX #211300

RGB 33 19 0

HSL 34.55, 1%, 0.06%

LAB 7.13, 4.5, 10.76

 

CMYK 0 / 44 / 100 / 67

HEX #542F00

RGB 84 47 0

HSL 33.57, 1%, 0.16%

LAB 23.4, 13.35, 33.05

 

CMYK 0 / 44 / 100 / 47

HEX #874C00

RGB 135 76 0

HSL 33.78, 1%, 0.26%

LAB 38.41, 20.26, 47.76

 

CMYK 0 / 44 / 100 / 27

HEX #BA6800

RGB 186 104 0

HSL 33.55, 1%, 0.36%

LAB 52.22, 27.16, 60.04

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 75 / 0 / 100 / 8

HEX #3AEA00

RGB 58 234 0

HSL 105.13, 1%, 0.46%

LAB 81.7, -76.33, 78.55

 

CMYK 85 / 100 / 0 / 8

HEX #2300EA

RGB 35 0 234

HSL 248.97, 1%, 0.46%

LAB 30.15, 74.5, -99.56

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 100 / 0 / 45 / 8

HEX #00EA81

RGB 0 234 129

HSL 153.08, 1%, 0.46%

LAB 82.07, -69.94, 37.98

 

CMYK 45 / 100 / 0 / 8

HEX #8100EA

RGB 129 0 234

HSL 273.08, 1%, 0.46%

LAB 38.91, 78.92, -84.76

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 75 / 0 / 100 / 8

HEX #3AEA00

RGB 58 234 0

HSL 105.13, 1%, 0.46%

LAB 81.7, -76.33, 78.55

 

CMYK 100 / 55 / 0 / 8

HEX #0069EA

RGB 0 105 234

HSL 213.08, 1%, 0.46%

LAB 47.03, 25.22, -71.71

 

CMYK 25 / 100 / 0 / 8

HEX #AF00EA

RGB 175 0 234

HSL 284.87, 1%, 0.46%

LAB 45.71, 83.76, -73.35

 

CMYK 0 / 44 / 100 / 7

HEX #ED8500

RGB 237 133 0

HSL 33.67, 1%, 0.46%

LAB 65.58, 33.14, 71.86

 

CMYK 100 / 0 / 95 / 8

HEX #00EA0B

RGB 0 234 11

HSL 122.82, 1%, 0.46%

LAB 81.22, -80.59, 77.01

 

CMYK 100 / 55 / 0 / 8

HEX #0069EA

RGB 0 105 234

HSL 213.08, 1%, 0.46%

LAB 47.03, 25.22, -71.71

 

CMYK 0 / 100 / 5 / 8

HEX #EA00DE

RGB 234 0 222

HSL 303.08, 1%, 0.46%

LAB 54.83, 90.41, -51.32

 

Description

Color code: RGB 237 133 0 | qconv.com Color code: RGB 237 133 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 133 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 133 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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