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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 223 204 it is the complementary color RGB 20 32 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 223 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 223 204: RGB 240 223 199, RGB 255 241 218, RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 223 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 223 204: RGB 235 223 204, RGB 218 205 185, RGB 201 187 166, RGB 184 169 147 and RGB 167 151 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

Complementary color

CMYK 61 / 37 / 0 / 80

HEX #142033

RGB 20 32 51

HSL 216.77, 0.44%, 0.14%

LAB 12.1, 1.54, -14.12

 

CMYK 0 / 7 / 17 / 6

HEX #F0DFC7

RGB 240 223 199

HSL 35.12, 0.58%, 0.86%

LAB 89.59, 1.99, 13.86

 

CMYK 0 / 5 / 15 / 0

HEX #FFF1DA

RGB 255 241 218

HSL 37.3, 1%, 0.93%

LAB 95.68, 1.01, 12.79

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 0 / 6 / 15 / 15

HEX #DACDB9

RGB 218 205 185

HSL 36.36, 0.31%, 0.79%

LAB 82.95, 1.21, 11.57

 

CMYK 0 / 7 / 17 / 21

HEX #C9BBA6

RGB 201 187 166

HSL 36, 0.24%, 0.72%

LAB 76.5, 1.49, 12.42

 

CMYK 0 / 8 / 20 / 28

HEX #B8A993

RGB 184 169 147

HSL 35.68, 0.21%, 0.65%

LAB 69.95, 1.79, 13.32

 

CMYK 0 / 10 / 23 / 35

HEX #A79780

RGB 167 151 128

HSL 35.38, 0.18%, 0.58%

LAB 63.27, 2.14, 14.28

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 0 / 3 / 14 / 8

HEX #EBE3CB

RGB 235 227 203

HSL 45, 0.44%, 0.86%

LAB 90.28, -1.24, 12.69

 

CMYK 0 / 1 / 14 / 8

HEX #EBE8CB

RGB 235 232 203

HSL 54.38, 0.44%, 0.86%

LAB 91.54, -3.79, 14.48

 

CMYK 2 / 0 / 14 / 8

HEX #E7EBCB

RGB 231 235 203

HSL 67.5, 0.44%, 0.86%

LAB 92.01, -6.72, 15.09

 

CMYK 4 / 0 / 14 / 8

HEX #E2EBCB

RGB 226 235 203

HSL 76.88, 0.44%, 0.86%

LAB 91.64, -8.48, 14.52

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 0 / 6 / 13 / 88

HEX #1F1D1B

RGB 31 29 27

HSL 30, 0.07%, 0.11%

LAB 10.92, 0.49, 1.72

 

CMYK 0 / 5 / 13 / 68

HEX #524E47

RGB 82 78 71

HSL 38.18, 0.07%, 0.3%

LAB 33.34, 0.24, 4.73

 

CMYK 0 / 5 / 14 / 48

HEX #857E73

RGB 133 126 115

HSL 36.67, 0.07%, 0.49%

LAB 53.11, 0.64, 6.93

 

CMYK 0 / 5 / 13 / 28

HEX #B8AFA0

RGB 184 175 160

HSL 37.5, 0.14%, 0.67%

LAB 71.82, 0.62, 8.83

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 11 / 0 / 14 / 8

HEX #D1EBCB

RGB 209 235 203

HSL 108.75, 0.44%, 0.86%

LAB 90.45, -14.34, 12.67

 

CMYK 11 / 14 / 0 / 8

HEX #D1CBEB

RGB 209 203 235

HSL 251.25, 0.44%, 0.86%

LAB 83.05, 8.17, -15.03

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 14 / 0 / 6 / 8

HEX #CBEBDE

RGB 203 235 222

HSL 155.63, 0.44%, 0.86%

LAB 90.5, -12.91, 2.78

 

CMYK 6 / 14 / 0 / 8

HEX #DECBEB

RGB 222 203 235

HSL 275.63, 0.44%, 0.86%

LAB 84.09, 12.4, -13.37

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 11 / 0 / 14 / 8

HEX #D1EBCB

RGB 209 235 203

HSL 108.75, 0.44%, 0.86%

LAB 90.45, -14.34, 12.67

 

CMYK 14 / 8 / 0 / 8

HEX #CBD8EB

RGB 203 216 235

HSL 215.63, 0.44%, 0.86%

LAB 85.91, -0.61, -10.8

 

CMYK 3 / 14 / 0 / 8

HEX #E4CBEB

RGB 228 203 235

HSL 286.88, 0.44%, 0.86%

LAB 84.59, 14.38, -12.57

 

CMYK 0 / 5 / 13 / 8

HEX #EBDFCC

RGB 235 223 204

HSL 36.77, 0.44%, 0.86%

LAB 89.3, 0.97, 10.77

 

CMYK 14 / 0 / 12 / 8

HEX #CBEBCE

RGB 203 235 206

HSL 125.63, 0.44%, 0.86%

LAB 90.12, -15.83, 10.59

 

CMYK 14 / 8 / 0 / 8

HEX #CBD8EB

RGB 203 216 235

HSL 215.63, 0.44%, 0.86%

LAB 85.91, -0.61, -10.8

 

CMYK 0 / 14 / 2 / 8

HEX #EBCBE7

RGB 235 203 231

HSL 307.5, 0.44%, 0.86%

LAB 85.07, 15.98, -9.66

 

Description

Color code: RGB 235 223 204 | qconv.com Color code: RGB 235 223 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 223 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 223 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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