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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 191 175 it is the complementary color RGB 20 64 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 191 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 191 175: RGB 240 191 170, RGB 255 209 189, RGB 255 227 208, RGB 255 245 227 and RGB 255 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 191 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 191 175: RGB 235 191 175, RGB 218 173 156, RGB 201 155 137, RGB 184 137 118 and RGB 167 119 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

Complementary color

CMYK 75 / 20 / 0 / 69

HEX #144050

RGB 20 64 80

HSL 196, 0.6%, 0.2%

LAB 24.94, -9, -14.05

 

CMYK 0 / 20 / 29 / 6

HEX #F0BFAA

RGB 240 191 170

HSL 18, 0.7%, 0.8%

LAB 81.12, 14.59, 17.27

 

CMYK 0 / 18 / 26 / 0

HEX #FFD1BD

RGB 255 209 189

HSL 18.18, 1%, 0.87%

LAB 87.26, 13.29, 16

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D0

RGB 255 227 208

HSL 24.26, 1%, 0.91%

LAB 92.02, 6.66, 12.78

 

CMYK 0 / 4 / 11 / 0

HEX #FFF5E3

RGB 255 245 227

HSL 38.57, 1%, 0.95%

LAB 96.87, 0.39, 9.85

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 0 / 21 / 28 / 15

HEX #DAAD9C

RGB 218 173 156

HSL 16.45, 0.46%, 0.73%

LAB 74.31, 13.96, 14.98

 

CMYK 0 / 23 / 32 / 21

HEX #C99B89

RGB 201 155 137

HSL 16.88, 0.37%, 0.66%

LAB 67.77, 14.61, 16.04

 

CMYK 0 / 26 / 36 / 28

HEX #B88976

RGB 184 137 118

HSL 17.27, 0.32%, 0.59%

LAB 61.12, 15.34, 17.19

 

CMYK 0 / 29 / 41 / 35

HEX #A77763

RGB 167 119 99

HSL 17.65, 0.28%, 0.52%

LAB 54.35, 16.19, 18.46

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 0 / 15 / 26 / 8

HEX #EAC7AD

RGB 234 199 173

HSL 25.57, 0.59%, 0.8%

LAB 82.57, 8.52, 17.61

 

CMYK 0 / 10 / 26 / 8

HEX #EAD2AD

RGB 234 210 173

HSL 36.39, 0.59%, 0.8%

LAB 85.3, 2.78, 21.41

 

CMYK 0 / 6 / 26 / 8

HEX #EADCAD

RGB 234 220 173

HSL 46.23, 0.59%, 0.8%

LAB 87.82, -2.37, 24.87

 

CMYK 0 / 2 / 26 / 8

HEX #EAE6AD

RGB 234 230 173

HSL 56.07, 0.59%, 0.8%

LAB 90.37, -7.45, 28.34

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 0 / 19 / 26 / 88

HEX #1F1917

RGB 31 25 23

HSL 15, 0.15%, 0.11%

LAB 9.39, 2.53, 2.5

 

CMYK 0 / 18 / 26 / 68

HEX #52433D

RGB 82 67 61

HSL 17.14, 0.15%, 0.28%

LAB 29.78, 5.35, 6.05

 

CMYK 0 / 19 / 26 / 48

HEX #856C63

RGB 133 108 99

HSL 15.88, 0.15%, 0.45%

LAB 47.77, 8.43, 8.76

 

CMYK 0 / 18 / 26 / 28

HEX #B89689

RGB 184 150 137

HSL 16.6, 0.25%, 0.63%

LAB 64.81, 10.7, 11.64

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 12 / 0 / 26 / 8

HEX #CEEAAD

RGB 206 234 173

HSL 87.54, 0.59%, 0.8%

LAB 89.39, -19.64, 26.66

 

CMYK 26 / 23 / 0 / 8

HEX #ADB5EA

RGB 173 181 234

HSL 232.13, 0.59%, 0.8%

LAB 74.74, 8.71, -27.35

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 26 / 0 / 19 / 8

HEX #ADEABD

RGB 173 234 189

HSL 135.74, 0.59%, 0.8%

LAB 87.68, -28.13, 15.72

 

CMYK 19 / 26 / 0 / 8

HEX #BDADEA

RGB 189 173 234

HSL 255.74, 0.59%, 0.8%

LAB 73.96, 17.95, -28.44

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 12 / 0 / 26 / 8

HEX #CEEAAD

RGB 206 234 173

HSL 87.54, 0.59%, 0.8%

LAB 89.39, -19.64, 26.66

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEA

RGB 173 218 234

HSL 195.74, 0.59%, 0.8%

LAB 84.47, -11.02, -12.63

 

CMYK 14 / 26 / 0 / 8

HEX #C9ADEA

RGB 201 173 234

HSL 267.54, 0.59%, 0.8%

LAB 74.98, 21.66, -26.8

 

CMYK 0 / 19 / 26 / 8

HEX #EBBFAF

RGB 235 191 175

HSL 16, 0.6%, 0.8%

LAB 80.75, 13.39, 14

 

CMYK 20 / 0 / 26 / 8

HEX #BBEAAD

RGB 187 234 173

HSL 106.23, 0.59%, 0.8%

LAB 88.17, -26.25, 24.81

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEA

RGB 173 218 234

HSL 195.74, 0.59%, 0.8%

LAB 84.47, -11.02, -12.63

 

CMYK 6 / 26 / 0 / 8

HEX #DCADEA

RGB 220 173 234

HSL 286.23, 0.59%, 0.8%

LAB 76.71, 27.68, -24.01

 

Description

Color code: RGB 235 191 175 | qconv.com Color code: RGB 235 191 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 191 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 191 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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