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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 106 14 it is the complementary color RGB 20 149 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 106 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 106 14: RGB 240 106 9, RGB 255 124 28, RGB 255 142 47, RGB 255 160 66 and RGB 255 178 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 106 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 106 14: RGB 235 106 14, RGB 218 88 0, RGB 201 70 0, RGB 184 52 0 and RGB 167 34 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

 

Complementary color

CMYK 92 / 38 / 0 / 5

HEX #1495F1

RGB 20 149 241

HSL 204.98, 0.89%, 0.51%

LAB 59.88, 1.25, -54.9

 

CMYK 0 / 56 / 96 / 6

HEX #F06A09

RGB 240 106 9

HSL 25.19, 0.93%, 0.49%

LAB 60.65, 47.82, 67.62

 

CMYK 0 / 51 / 89 / 0

HEX #FF7C1C

RGB 255 124 28

HSL 25.37, 1%, 0.55%

LAB 66.34, 45.09, 68.31

 

CMYK 0 / 44 / 82 / 0

HEX #FF8E2F

RGB 255 142 47

HSL 27.4, 1%, 0.59%

LAB 70.04, 36.55, 65.09

 

CMYK 0 / 37 / 74 / 0

HEX #FFA042

RGB 255 160 66

HSL 29.84, 1%, 0.63%

LAB 74.06, 27.95, 61.29

 

CMYK 0 / 30 / 67 / 0

HEX #FFB255

RGB 255 178 85

HSL 32.82, 1%, 0.67%

LAB 78.32, 19.49, 57.36

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 0 / 60 / 100 / 15

HEX #DA5800

RGB 218 88 0

HSL 24.22, 1%, 0.43%

LAB 53.9, 47.98, 63.56

 

CMYK 0 / 65 / 100 / 21

HEX #C94600

RGB 201 70 0

HSL 20.9, 1%, 0.39%

LAB 48, 49.85, 58.87

 

CMYK 0 / 72 / 100 / 28

HEX #B83400

RGB 184 52 0

HSL 16.96, 1%, 0.36%

LAB 42.23, 51.28, 54.28

 

CMYK 0 / 80 / 100 / 35

HEX #A72200

RGB 167 34 0

HSL 12.22, 1%, 0.33%

LAB 36.67, 51.96, 49.82

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 0 / 41 / 94 / 7

HEX #EC8B0D

RGB 236 139 13

HSL 33.9, 0.9%, 0.49%

LAB 66.77, 29.72, 70.71

 

CMYK 0 / 25 / 94 / 7

HEX #ECB00D

RGB 236 176 13

HSL 43.86, 0.9%, 0.49%

LAB 75.4, 10.19, 76.79

 

CMYK 0 / 10 / 94 / 7

HEX #ECD50D

RGB 236 213 13

HSL 53.81, 0.9%, 0.49%

LAB 84.72, -8.9, 83.61

 

CMYK 6 / 0 / 94 / 7

HEX #DDEC0D

RGB 221 236 13

HSL 64.04, 0.9%, 0.49%

LAB 89.58, -26.42, 86.74

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 0 / 55 / 94 / 88

HEX #1F0E02

RGB 31 14 2

HSL 24.83, 0.88%, 0.06%

LAB 5.51, 6.29, 7.54

 

CMYK 0 / 55 / 94 / 68

HEX #522505

RGB 82 37 5

HSL 24.94, 0.89%, 0.17%

LAB 20.55, 18.79, 27.88

 

CMYK 0 / 55 / 94 / 48

HEX #853C08

RGB 133 60 8

HSL 24.96, 0.89%, 0.28%

LAB 34.47, 28.55, 42.24

 

CMYK 0 / 55 / 94 / 28

HEX #B8530B

RGB 184 83 11

HSL 24.97, 0.89%, 0.38%

LAB 47.5, 37.53, 54.4

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 57 / 0 / 94 / 7

HEX #66EC0D

RGB 102 236 13

HSL 96.05, 0.9%, 0.49%

LAB 83.36, -68.04, 79.2

 

CMYK 94 / 94 / 0 / 7

HEX #0D0DEC

RGB 13 13 236

HSL 240, 0.9%, 0.49%

LAB 30.47, 72.57, -100.18

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 94 / 0 / 57 / 7

HEX #0DEC66

RGB 13 236 102

HSL 143.95, 0.9%, 0.49%

LAB 82.4, -74.28, 51.17

 

CMYK 57 / 94 / 0 / 7

HEX #660DEC

RGB 102 13 236

HSL 263.95, 0.9%, 0.49%

LAB 36.31, 75.67, -90.31

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 57 / 0 / 94 / 7

HEX #66EC0D

RGB 102 236 13

HSL 96.05, 0.9%, 0.49%

LAB 83.36, -68.04, 79.2

 

CMYK 94 / 38 / 0 / 7

HEX #0D93EC

RGB 13 147 236

HSL 203.95, 0.9%, 0.49%

LAB 58.98, 0.29, -53.57

 

CMYK 38 / 94 / 0 / 7

HEX #930DEC

RGB 147 13 236

HSL 276.05, 0.9%, 0.49%

LAB 42.07, 79.65, -80.6

 

CMYK 0 / 55 / 94 / 8

HEX #EB6A0E

RGB 235 106 14

HSL 24.98, 0.89%, 0.49%

LAB 59.89, 45.99, 65.84

RAL® 2012

CMYK 85 / 0 / 94 / 7

HEX #23EC0D

RGB 35 236 13

HSL 114.08, 0.9%, 0.49%

LAB 82.04, -79.31, 77.58

 

CMYK 94 / 38 / 0 / 7

HEX #0D93EC

RGB 13 147 236

HSL 203.95, 0.9%, 0.49%

LAB 58.98, 0.29, -53.57

 

CMYK 10 / 94 / 0 / 7

HEX #D50DEC

RGB 213 13 236

HSL 293.81, 0.9%, 0.49%

LAB 52.39, 88.25, -63.36

 

Description

Color code: RGB 235 106 14 | qconv.com Color code: RGB 235 106 14 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 106 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 106 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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