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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 97 28 it is the complementary color RGB 21 158 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 97 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 97 28: RGB 239 97 23, RGB 255 115 42, RGB 255 133 61, RGB 255 151 80 and RGB 255 169 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 97 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 97 28: RGB 234 97 28, RGB 217 79 9, RGB 200 61 0, RGB 183 43 0 and RGB 166 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

Complementary color

CMYK 91 / 30 / 0 / 11

HEX #159EE3

RGB 21 158 227

HSL 200.1, 0.83%, 0.49%

LAB 61.79, -9.07, -44.14

 

CMYK 0 / 59 / 90 / 6

HEX #EF6117

RGB 239 97 23

HSL 20.56, 0.87%, 0.51%

LAB 58.94, 51.76, 63.25

 

CMYK 0 / 55 / 84 / 0

HEX #FF732A

RGB 255 115 42

HSL 20.56, 1%, 0.58%

LAB 64.71, 49.68, 62.33

 

CMYK 0 / 48 / 76 / 0

HEX #FF853D

RGB 255 133 61

HSL 22.27, 1%, 0.62%

LAB 68.29, 41.55, 57.7

 

CMYK 0 / 41 / 69 / 0

HEX #FF9750

RGB 255 151 80

HSL 24.34, 1%, 0.66%

LAB 72.21, 33.27, 52.99

 

CMYK 0 / 34 / 61 / 0

HEX #FFA963

RGB 255 169 99

HSL 26.92, 1%, 0.69%

LAB 76.4, 25.05, 48.5

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 0 / 64 / 96 / 15

HEX #D94F09

RGB 217 79 9

HSL 20.19, 0.92%, 0.44%

LAB 52.25, 51.71, 60.59

 

CMYK 0 / 70 / 100 / 22

HEX #C83D00

RGB 200 61 0

HSL 18.3, 1%, 0.39%

LAB 46.47, 53.17, 58

 

CMYK 0 / 77 / 100 / 28

HEX #B72B00

RGB 183 43 0

HSL 14.1, 1%, 0.36%

LAB 40.89, 54.12, 53.55

 

CMYK 0 / 85 / 100 / 35

HEX #A61900

RGB 166 25 0

HSL 9.04, 1%, 0.33%

LAB 35.6, 54.08, 49.2

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 0 / 44 / 89 / 9

HEX #E9821A

RGB 233 130 26

HSL 30.14, 0.82%, 0.51%

LAB 64.45, 33.37, 66.08

 

CMYK 0 / 30 / 89 / 9

HEX #E9A41A

RGB 233 164 26

HSL 40, 0.82%, 0.51%

LAB 72.19, 15.42, 72.02

 

CMYK 0 / 15 / 89 / 9

HEX #E9C71A

RGB 233 199 26

HSL 50.14, 0.82%, 0.51%

LAB 80.87, -2.9, 78.75

 

CMYK 0 / 0 / 89 / 9

HEX #E9E91A

RGB 233 233 26

HSL 60, 0.82%, 0.51%

LAB 89.71, -19.85, 85.66

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 0 / 60 / 87 / 88

HEX #1E0C04

RGB 30 12 4

HSL 18.46, 0.76%, 0.07%

LAB 4.95, 6.89, 5.89

 

CMYK 0 / 58 / 88 / 68

HEX #51220A

RGB 81 34 10

HSL 20.28, 0.78%, 0.18%

LAB 19.7, 20.32, 24.84

 

CMYK 0 / 58 / 88 / 48

HEX #843710

RGB 132 55 16

HSL 20.17, 0.78%, 0.29%

LAB 33.3, 30.99, 38.22

 

CMYK 0 / 58 / 88 / 28

HEX #B74C16

RGB 183 76 22

HSL 20.12, 0.79%, 0.4%

LAB 46.03, 40.8, 49.82

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 47 / 0 / 89 / 9

HEX #7BE91A

RGB 123 233 26

HSL 91.88, 0.82%, 0.51%

LAB 83.21, -60.94, 77.69

 

CMYK 89 / 83 / 0 / 9

HEX #1A28E9

RGB 26 40 233

HSL 235.94, 0.82%, 0.51%

LAB 33.18, 63.48, -93.95

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 89 / 0 / 59 / 9

HEX #1AE95F

RGB 26 233 95

HSL 140, 0.82%, 0.51%

LAB 81.47, -73.63, 53.22

 

CMYK 59 / 89 / 0 / 9

HEX #5F1AE9

RGB 95 26 233

HSL 260, 0.82%, 0.51%

LAB 36.09, 71.86, -88.99

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 47 / 0 / 89 / 9

HEX #7BE91A

RGB 123 233 26

HSL 91.88, 0.82%, 0.51%

LAB 83.21, -60.94, 77.69

 

CMYK 89 / 30 / 0 / 9

HEX #1AA4E9

RGB 26 164 233

HSL 200, 0.82%, 0.51%

LAB 63.88, -10, -44.16

 

CMYK 42 / 89 / 0 / 9

HEX #881AE9

RGB 136 26 233

HSL 271.88, 0.82%, 0.51%

LAB 40.99, 75.71, -80.74

 

CMYK 0 / 59 / 88 / 8

HEX #EA611C

RGB 234 97 28

HSL 20.1, 0.83%, 0.51%

LAB 58.16, 50.04, 60.73

 

CMYK 74 / 0 / 89 / 9

HEX #3CE91A

RGB 60 233 26

HSL 110.14, 0.82%, 0.51%

LAB 81.46, -75.23, 75.51

 

CMYK 89 / 30 / 0 / 9

HEX #1AA4E9

RGB 26 164 233

HSL 200, 0.82%, 0.51%

LAB 63.88, -10, -44.16

 

CMYK 15 / 89 / 0 / 9

HEX #C71AE9

RGB 199 26 233

HSL 290.14, 0.82%, 0.51%

LAB 50.41, 84.12, -64.97

 

Description

Color code: RGB 234 97 28 | qconv.com Color code: RGB 234 97 28 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 97 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 97 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 88 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 88% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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