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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 170 137 it is the complementary color RGB 21 85 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 170 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 234 170 137: RGB 239 170 132, RGB 255 188 151, RGB 255 206 170, RGB 255 224 189 and RGB 255 242 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 170 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 234 170 137: RGB 234 170 137, RGB 217 152 118, RGB 200 134 99, RGB 183 116 80 and RGB 166 98 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

Complementary color

CMYK 82 / 28 / 0 / 54

HEX #155576

RGB 21 85 118

HSL 200.41, 0.7%, 0.27%

LAB 33.91, -7.27, -24.36

 

CMYK 0 / 29 / 45 / 6

HEX #EFAA84

RGB 239 170 132

HSL 21.31, 0.77%, 0.73%

LAB 75.31, 20.91, 29.65

 

CMYK 0 / 26 / 41 / 0

HEX #FFBC97

RGB 255 188 151

HSL 21.35, 1%, 0.8%

LAB 81.54, 19.64, 28.19

 

CMYK 0 / 19 / 33 / 0

HEX #FFCEAA

RGB 255 206 170

HSL 25.41, 1%, 0.83%

LAB 86.16, 12.41, 24.46

 

CMYK 0 / 12 / 26 / 0

HEX #FFE0BD

RGB 255 224 189

HSL 31.82, 1%, 0.87%

LAB 90.89, 5.53, 21.07

 

CMYK 0 / 5 / 18 / 0

HEX #FFF2D0

RGB 255 242 208

HSL 43.4, 1%, 0.91%

LAB 95.71, -0.98, 17.99

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 0 / 30 / 46 / 15

HEX #D99876

RGB 217 152 118

HSL 20.61, 0.57%, 0.66%

LAB 68.4, 20.38, 27.62

 

CMYK 0 / 33 / 51 / 22

HEX #C88663

RGB 200 134 99

HSL 20.79, 0.48%, 0.59%

LAB 61.85, 21.43, 29.09

 

CMYK 0 / 37 / 56 / 28

HEX #B77450

RGB 183 116 80

HSL 20.97, 0.42%, 0.52%

LAB 55.21, 22.63, 30.72

 

CMYK 0 / 41 / 63 / 35

HEX #A6623D

RGB 166 98 61

HSL 21.14, 0.46%, 0.45%

LAB 48.49, 24.01, 32.51

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 0 / 21 / 41 / 8

HEX #EABA89

RGB 234 186 137

HSL 30.31, 0.7%, 0.73%

LAB 78.7, 10.97, 31.4

 

CMYK 0 / 14 / 41 / 8

HEX #EACA89

RGB 234 202 137

HSL 40.21, 0.7%, 0.73%

LAB 82.67, 2.59, 36.59

 

CMYK 0 / 7 / 41 / 8

HEX #EADA89

RGB 234 218 137

HSL 50.1, 0.7%, 0.73%

LAB 86.72, -5.62, 41.79

 

CMYK 0 / 0 / 41 / 8

HEX #EAEA89

RGB 234 234 137

HSL 60, 0.7%, 0.73%

LAB 90.85, -13.64, 46.99

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 0 / 27 / 40 / 88

HEX #1E1612

RGB 30 22 18

HSL 20, 0.25%, 0.09%

LAB 8.07, 3.25, 3.97

 

CMYK 0 / 27 / 42 / 68

HEX #513B2F

RGB 81 59 47

HSL 21.18, 0.27%, 0.25%

LAB 26.97, 7.84, 11.21

 

CMYK 0 / 27 / 42 / 48

HEX #84604D

RGB 132 96 77

HSL 20.73, 0.26%, 0.41%

LAB 43.96, 12, 16.59

 

CMYK 0 / 27 / 42 / 28

HEX #B7856B

RGB 183 133 107

HSL 20.53, 0.35%, 0.57%

LAB 59.8, 15.84, 21.57

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 22 / 0 / 41 / 8

HEX #B6EA89

RGB 182 234 137

HSL 92.16, 0.7%, 0.73%

LAB 87.29, -33.07, 41.75

 

CMYK 41 / 38 / 0 / 8

HEX #8990EA

RGB 137 144 234

HSL 235.67, 0.7%, 0.73%

LAB 62.68, 19.72, -46.32

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 41 / 0 / 27 / 8

HEX #89EAAA

RGB 137 234 170

HSL 140.41, 0.7%, 0.73%

LAB 85.54, -42.29, 22.32

 

CMYK 27 / 41 / 0 / 8

HEX #AA89EA

RGB 170 137 234

HSL 260.41, 0.7%, 0.73%

LAB 63.65, 32.52, -44.6

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 22 / 0 / 41 / 8

HEX #B6EA89

RGB 182 234 137

HSL 92.16, 0.7%, 0.73%

LAB 87.29, -33.07, 41.75

 

CMYK 41 / 14 / 0 / 8

HEX #89CAEA

RGB 137 202 234

HSL 199.79, 0.7%, 0.73%

LAB 78.17, -12.52, -22.32

 

CMYK 19 / 41 / 0 / 8

HEX #BD89EA

RGB 189 137 234

HSL 272.16, 0.7%, 0.73%

LAB 65.48, 37.88, -41.61

 

CMYK 0 / 27 / 41 / 8

HEX #EAAA89

RGB 234 170 137

HSL 20.41, 0.7%, 0.73%

LAB 74.86, 19.46, 26.28

 

CMYK 34 / 0 / 41 / 8

HEX #9AEA89

RGB 154 234 137

HSL 109.48, 0.7%, 0.73%

LAB 85.77, -42.52, 39.5

 

CMYK 41 / 14 / 0 / 8

HEX #89CAEA

RGB 137 202 234

HSL 199.79, 0.7%, 0.73%

LAB 78.17, -12.52, -22.32

 

CMYK 7 / 41 / 0 / 8

HEX #DA89EA

RGB 218 137 234

HSL 290.1, 0.7%, 0.73%

LAB 68.56, 46.31, -36.57

 

Description

Color code: RGB 234 170 137 | qconv.com Color code: RGB 234 170 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 170 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 170 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 41% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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