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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 190 189 it is the complementary color RGB 22 65 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 190 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 233 190 189: RGB 238 190 184, RGB 255 208 203, RGB 255 226 222, RGB 255 244 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 190 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 233 190 189: RGB 233 190 189, RGB 216 172 170, RGB 199 154 151, RGB 182 136 132 and RGB 165 118 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

Complementary color

CMYK 67 / 2 / 0 / 74

HEX #164142

RGB 22 65 66

HSL 181.36, 0.5%, 0.17%

LAB 24.78, -14.25, -5.05

 

CMYK 0 / 20 / 23 / 7

HEX #EEBEB8

RGB 238 190 184

HSL 6.67, 0.61%, 0.83%

LAB 81, 16.3, 9.57

 

CMYK 0 / 18 / 20 / 0

HEX #FFD0CB

RGB 255 208 203

HSL 5.77, 1%, 0.9%

LAB 87.33, 15.77, 8.71

 

CMYK 0 / 11 / 13 / 0

HEX #FFE2DE

RGB 255 226 222

HSL 7.27, 1%, 0.94%

LAB 92.1, 9.31, 5.59

 

CMYK 0 / 4 / 5 / 0

HEX #FFF4F1

RGB 255 244 241

HSL 12.86, 1%, 0.97%

LAB 96.95, 3.18, 2.74

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 0 / 20 / 21 / 15

HEX #D8ACAA

RGB 216 172 170

HSL 2.61, 0.37%, 0.76%

LAB 74.19, 15.74, 7.14

 

CMYK 0 / 23 / 24 / 22

HEX #C79A97

RGB 199 154 151

HSL 3.75, 0.3%, 0.69%

LAB 67.64, 16.33, 8.03

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 0 / 28 / 32 / 35

HEX #A57671

RGB 165 118 113

HSL 5.77, 0.22%, 0.55%

LAB 54.18, 17.74, 10.07

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 0 / 15 / 19 / 9

HEX #E9C5BD

RGB 233 197 189

HSL 10.91, 0.5%, 0.83%

LAB 82.34, 11.5, 8.75

 

CMYK 0 / 12 / 19 / 9

HEX #E9CDBD

RGB 233 205 189

HSL 21.82, 0.5%, 0.83%

LAB 84.31, 7.29, 11.55

 

CMYK 0 / 9 / 19 / 9

HEX #E9D4BD

RGB 233 212 189

HSL 31.36, 0.5%, 0.83%

LAB 86.05, 3.64, 14.02

 

CMYK 0 / 6 / 19 / 9

HEX #E9DBBD

RGB 233 219 189

HSL 40.91, 0.5%, 0.83%

LAB 87.81, 0.02, 16.49

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 0 / 17 / 17 / 89

HEX #1D1818

RGB 29 24 24

HSL 0, 0.09%, 0.1%

LAB 8.83, 2.48, 0.91

 

CMYK 0 / 19 / 19 / 69

HEX #504141

RGB 80 65 65

HSL 0, 0.1%, 0.28%

LAB 29.08, 6.47, 2.43

 

CMYK 0 / 18 / 19 / 49

HEX #836B6A

RGB 131 107 106

HSL 2.4, 0.11%, 0.46%

LAB 47.47, 9.34, 4.13

 

CMYK 0 / 19 / 19 / 29

HEX #B69494

RGB 182 148 148

HSL 0, 0.19%, 0.65%

LAB 64.37, 12.72, 4.8

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 4 / 0 / 19 / 9

HEX #DFE9BD

RGB 223 233 189

HSL 73.64, 0.5%, 0.83%

LAB 90.62, -10.71, 20.3

 

CMYK 19 / 12 / 0 / 9

HEX #BDCEE9

RGB 189 206 233

HSL 216.82, 0.5%, 0.83%

LAB 82.3, -0.16, -15.25

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 19 / 0 / 18 / 9

HEX #BDE9BE

RGB 189 233 190

HSL 121.36, 0.5%, 0.83%

LAB 88.36, -22.29, 16.29

 

CMYK 18 / 19 / 0 / 9

HEX #BEBDE9

RGB 190 189 233

HSL 241.36, 0.5%, 0.83%

LAB 78.01, 9.27, -21.72

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 4 / 0 / 19 / 9

HEX #DFE9BD

RGB 223 233 189

HSL 73.64, 0.5%, 0.83%

LAB 90.62, -10.71, 20.3

 

CMYK 19 / 0 / 0 / 9

HEX #BDE8E9

RGB 189 232 233

HSL 181.36, 0.5%, 0.83%

LAB 89.12, -13.6, -5.09

 

CMYK 15 / 19 / 0 / 9

HEX #C7BDE9

RGB 199 189 233

HSL 253.64, 0.5%, 0.83%

LAB 78.71, 12.09, -20.59

 

CMYK 0 / 18 / 19 / 9

HEX #E9BEBD

RGB 233 190 189

HSL 1.36, 0.5%, 0.83%

LAB 80.64, 15.21, 6.31

 

CMYK 10 / 0 / 19 / 9

HEX #D2E9BD

RGB 210 233 189

HSL 91.36, 0.5%, 0.83%

LAB 89.7, -15.3, 18.89

 

CMYK 19 / 0 / 0 / 9

HEX #BDE8E9

RGB 189 232 233

HSL 181.36, 0.5%, 0.83%

LAB 89.12, -13.6, -5.09

 

CMYK 9 / 19 / 0 / 9

HEX #D4BDE9

RGB 212 189 233

HSL 271.36, 0.5%, 0.83%

LAB 79.77, 16.25, -18.88

 

Description

Color code: RGB 233 190 189 | qconv.com Color code: RGB 233 190 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 190 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 190 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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