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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 252.8 215 it is the complementary color RGB 23 2.2 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 252.8 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 252.8 215 shade: RGB 237 252.8 210, RGB 254 255 229, RGB 255 255 248 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 252.8 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 252.8 215 shade: RGB 232 252.8 215, RGB 215 234.8 196, RGB 198 216.8 177, RGB 181 198.8 158 and RGB 164 180.8 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 252.8 215 shade: RGB 233 253 216, RGB 243 253 216, RGB 253 253 216, RGB 253 243 216 and RGB 253 234 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 252.8 215 shade: RGB 233 253 216, RGB 223 253 216, RGB 216 253 220, RGB 216 253 229 and RGB 216 253 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 252.8 215 shade matches the following richer shades: RGB 233 253 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 252.8 215 shade: RGB 233 253 216, RGB 233 250 220, RGB 233 246 223, RGB 234 243 226 and RGB 234 240 229

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 252.8 215 shade: RGB 252 253 216, RGB 243 253 216, RGB 233 253 216, RGB 223 253 216 and RGB 216 253 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 252.8 215 shade: RGB 188 249 138, RGB 210 251 177, RGB 233 253 216 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 252.8 215 shade: RGB 232 252.8 215, RGB 216 253 244 and RGB 253 216 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 252.8 215 shade: RGB 232 252.8 215, RGB 216 233 253 and RGB 253 216 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 252.8 215 shade: RGB 232 252.8 215, RGB 216 253 244, RGB 236 216 253 and RGB 253 216 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 252.8 215 shade: RGB 232 252.8 215, RGB 216 251 253, RGB 236 216 253 and RGB 253 218 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

Complementary color

CMYK 43 / 95 / 0 / 84

HEX #170228

RGB 23 2.2 40

HSL 273.02, 0.9%, 0.08%

LAB 3.46, 16.23, -19.58

 

CMYK 6 / 0 / 17 / 1

HEX #EDFCD2

RGB 237 252.8 210

HSL 82.15, 0.91%, 0.91%

LAB 97.14, -12.42, 18.77

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE5

RGB 254 255 229

HSL 62.31, 1%, 0.95%

LAB 99.32, -4.67, 12.31

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

CMYK 8 / 0 / 17 / 8

HEX #D7EAC4

RGB 215 234.8 196

HSL 90.62, 0.49%, 0.84%

LAB 90.66, -13.34, 16.65

 

CMYK 9 / 0 / 18 / 15

HEX #C6D8B1

RGB 198 216.8 177

HSL 88.34, 0.34%, 0.77%

LAB 84.33, -13.33, 17.53

 

CMYK 9 / 0 / 21 / 22

HEX #B5C69E

RGB 181 198.8 158

HSL 86.18, 0.27%, 0.7%

LAB 77.9, -13.32, 18.44

 

CMYK 9 / 0 / 23 / 29

HEX #A4B48B

RGB 164 180.8 139

HSL 84.11, 0.22%, 0.63%

LAB 71.37, -13.3, 19.41

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 4 / 0 / 15 / 1

HEX #F3FDD8

RGB 243 253 216

HSL 76.22, 0.9%, 0.92%

LAB 97.74, -9.51, 16.61

 

CMYK 0 / 0 / 15 / 1

HEX #FDFDD8

RGB 253 253 216

HSL 60, 0.9%, 0.92%

LAB 98.47, -6.02, 17.74

 

CMYK 0 / 4 / 15 / 1

HEX #FDF3D8

RGB 253 243 216

HSL 43.78, 0.9%, 0.92%

LAB 95.97, -1.01, 14.22

 

CMYK 0 / 8 / 15 / 1

HEX #FDEAD8

RGB 253 234 216

HSL 29.19, 0.9%, 0.92%

LAB 93.75, 3.57, 11.06

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 12 / 0 / 15 / 1

HEX #DFFDD8

RGB 223 253 216

HSL 108.65, 0.9%, 0.92%

LAB 96.37, -16.32, 14.48

 

CMYK 15 / 0 / 13 / 1

HEX #D8FDDC

RGB 216 253 220

HSL 126.49, 0.9%, 0.92%

LAB 96, -17.96, 11.85

 

CMYK 15 / 0 / 9 / 1

HEX #D8FDE5

RGB 216 253 229

HSL 141.08, 0.9%, 0.92%

LAB 96.21, -16.36, 7.51

 

CMYK 15 / 0 / 6 / 1

HEX #D8FDEF

RGB 216 253 239

HSL 157.3, 0.9%, 0.92%

LAB 96.44, -14.51, 2.71

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 7 / 0 / 12 / 2

HEX #E9FADC

RGB 233 250 220

HSL 94, 0.75%, 0.92%

LAB 96.35, -10.81, 12.5

 

CMYK 5 / 0 / 9 / 4

HEX #E9F6DF

RGB 233 246 223

HSL 93.91, 0.56%, 0.92%

LAB 95.4, -8.31, 9.59

 

CMYK 4 / 0 / 7 / 5

HEX #EAF3E2

RGB 234 243 226

HSL 91.76, 0.41%, 0.92%

LAB 94.77, -5.96, 7.15

 

CMYK 3 / 0 / 5 / 6

HEX #EAF0E5

RGB 234 240 229

HSL 92.73, 0.27%, 0.92%

LAB 94.09, -3.93, 4.61

 

CMYK 0 / 0 / 15 / 1

HEX #FCFDD8

RGB 252 253 216

HSL 61.62, 0.9%, 0.92%

LAB 98.39, -6.37, 17.62

 

CMYK 4 / 0 / 15 / 1

HEX #F3FDD8

RGB 243 253 216

HSL 76.22, 0.9%, 0.92%

LAB 97.74, -9.51, 16.61

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 12 / 0 / 15 / 1

HEX #DFFDD8

RGB 223 253 216

HSL 108.65, 0.9%, 0.92%

LAB 96.37, -16.32, 14.48

 

CMYK 15 / 0 / 13 / 1

HEX #D8FDDB

RGB 216 253 219

HSL 124.86, 0.9%, 0.92%

LAB 95.98, -18.13, 12.33

 

CMYK 24 / 0 / 45 / 2

HEX #BCF98A

RGB 188 249 138

HSL 92.97, 0.9%, 0.76%

LAB 91.81, -37.69, 47.05

 

CMYK 16 / 0 / 29 / 2

HEX #D2FBB1

RGB 210 251 177

HSL 93.24, 0.9%, 0.84%

LAB 94.26, -25.85, 31.27

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

CMYK 15 / 0 / 4 / 1

HEX #D8FDF4

RGB 216 253 244

HSL 165.41, 0.9%, 0.92%

LAB 96.57, -13.56, 0.31

 

CMYK 0 / 15 / 2 / 1

HEX #FDD8F7

RGB 253 216 247

HSL 309.73, 0.9%, 0.92%

LAB 90.19, 17.99, -10.34

 

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

CMYK 15 / 8 / 0 / 1

HEX #D8E9FD

RGB 216 233 253

HSL 212.43, 0.9%, 0.92%

LAB 91.67, -1.68, -11.58

 

CMYK 0 / 15 / 8 / 1

HEX #FDD8E9

RGB 253 216 233

HSL 332.43, 0.9%, 0.92%

LAB 89.8, 15.59, -3.55

 

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

CMYK 15 / 0 / 4 / 1

HEX #D8FDF4

RGB 216 253 244

HSL 165.41, 0.9%, 0.92%

LAB 96.57, -13.56, 0.31

 

CMYK 7 / 15 / 0 / 1

HEX #ECD8FD

RGB 236 216 253

HSL 272.43, 0.9%, 0.92%

LAB 88.94, 13.54, -15.51

 

CMYK 0 / 15 / 11 / 1

HEX #FDD8E1

RGB 253 216 225

HSL 345.41, 0.9%, 0.92%

LAB 89.59, 14.28, 0.36

 

CMYK 8 / 0 / 15 / 1

HEX #E8FCD7

RGB 232 252.8 215

HSL 93.02, 0.9%, 0.92%

LAB 96.9, -13.35, 15.82

 

CMYK 15 / 1 / 0 / 1

HEX #D8FBFD

RGB 216 251 253

HSL 183.24, 0.9%, 0.92%

LAB 96.28, -10.81, -4.75

 

CMYK 7 / 15 / 0 / 1

HEX #ECD8FD

RGB 236 216 253

HSL 272.43, 0.9%, 0.92%

LAB 88.94, 13.54, -15.51

 

CMYK 0 / 14 / 15 / 1

HEX #FDDAD8

RGB 253 218 216

HSL 3.24, 0.9%, 0.92%

LAB 89.85, 11.81, 5.46

 

Description

Color code: RGB 232 252.8 215 | qconv.com Color code: RGB 232 252.8 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 252.8 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 252.8 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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