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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 245 242 it is the complementary color RGB 23 10 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 245 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 245 242: RGB 237 245 237, RGB 254 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 245 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 245 242: RGB 232 245 242, RGB 215 227 223, RGB 198 209 204, RGB 181 191 185 and RGB 164 173 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

Complementary color

CMYK 0 / 57 / 43 / 91

HEX #170A0D

RGB 23 10 13

HSL 346.15, 0.39%, 0.06%

LAB 3.87, 5.22, 0.44

 

CMYK 3 / 0 / 3 / 4

HEX #EDF5ED

RGB 237 245 237

HSL 120, 0.29%, 0.95%

LAB 95.76, -4.06, 2.92

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 5 / 0 / 2 / 11

HEX #D7E3DF

RGB 215 227 223

HSL 160, 0.18%, 0.87%

LAB 89.26, -4.73, 0.55

 

CMYK 5 / 0 / 2 / 18

HEX #C6D1CC

RGB 198 209 204

HSL 152.73, 0.11%, 0.8%

LAB 82.9, -4.66, 1.18

 

CMYK 5 / 0 / 3 / 25

HEX #B5BFB9

RGB 181 191 185

HSL 144, 0.07%, 0.73%

LAB 76.43, -4.58, 1.82

 

CMYK 5 / 0 / 4 / 32

HEX #A4ADA6

RGB 164 173 166

HSL 133.33, 0.05%, 0.66%

LAB 69.85, -4.5, 2.49

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 5 / 0 / 0 / 4

HEX #E9F5F4

RGB 233 245 244

HSL 175, 0.38%, 0.94%

LAB 95.65, -4.12, -0.9

 

CMYK 5 / 0 / 0 / 4

HEX #E9F4F5

RGB 233 244 245

HSL 185, 0.38%, 0.94%

LAB 95.42, -3.43, -1.75

 

CMYK 5 / 1 / 0 / 4

HEX #E9F2F5

RGB 233 242 245

HSL 195, 0.38%, 0.94%

LAB 94.92, -2.41, -2.49

 

CMYK 5 / 2 / 0 / 4

HEX #E9F0F5

RGB 233 240 245

HSL 205, 0.38%, 0.94%

LAB 94.41, -1.4, -3.22

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 5 / 0 / 2 / 84

HEX #272928

RGB 39 41 40

HSL 150, 0.03%, 0.16%

LAB 16.36, -1.14, 0.34

 

CMYK 5 / 0 / 1 / 64

HEX #575C5B

RGB 87 92 91

HSL 168, 0.03%, 0.35%

LAB 38.61, -2.18, -0.11

 

CMYK 6 / 0 / 1 / 44

HEX #878F8D

RGB 135 143 141

HSL 165, 0.03%, 0.55%

LAB 58.71, -3.3, 0.05

 

CMYK 5 / 0 / 1 / 24

HEX #B8C2C0

RGB 184 194 192

HSL 168, 0.08%, 0.74%

LAB 77.63, -3.81, -0.19

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 5 / 4 / 0 / 4

HEX #E9EAF5

RGB 233 234 245

HSL 235, 0.38%, 0.94%

LAB 92.91, 1.68, -5.44

 

CMYK 0 / 3 / 5 / 4

HEX #F5EEE9

RGB 245 238 233

HSL 25, 0.38%, 0.94%

LAB 94.5, 1.49, 3.24

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 1 / 5 / 0 / 4

HEX #F2E9F5

RGB 242 233 245

HSL 285, 0.38%, 0.94%

LAB 93.34, 5.15, -4.72

 

CMYK 0 / 1 / 5 / 4

HEX #F5F2E9

RGB 245 242 233

HSL 45, 0.38%, 0.94%

LAB 95.5, -0.54, 4.68

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 5 / 4 / 0 / 4

HEX #E9EAF5

RGB 233 234 245

HSL 235, 0.38%, 0.94%

LAB 92.91, 1.68, -5.44

 

CMYK 0 / 5 / 4 / 4

HEX #F5E9EC

RGB 245 233 236

HSL 345, 0.38%, 0.94%

LAB 93.34, 4.57, -0.01

 

CMYK 0 / 0 / 5 / 4

HEX #F5F5E9

RGB 245 245 233

HSL 60, 0.38%, 0.94%

LAB 96.25, -2.06, 5.76

 

CMYK 5 / 0 / 1 / 4

HEX #E8F5F2

RGB 232 245 242

HSL 166.15, 0.39%, 0.94%

LAB 95.53, -4.81, -0.05

 

CMYK 4 / 5 / 0 / 4

HEX #ECE9F5

RGB 236 233 245

HSL 255, 0.38%, 0.94%

LAB 92.88, 3.17, -5.45

 

CMYK 0 / 5 / 4 / 4

HEX #F5E9EC

RGB 245 233 236

HSL 345, 0.38%, 0.94%

LAB 93.34, 4.57, -0.01

 

CMYK 1 / 0 / 5 / 4

HEX #F2F5E9

RGB 242 245 233

HSL 75, 0.38%, 0.94%

LAB 96.02, -3.08, 5.41

 

Description

Color code: RGB 232 245 242 | qconv.com Color code: RGB 232 245 242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 245 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 245 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 1% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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