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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 208 164 it is the complementary color RGB 24 47 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 208 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 231 208 164: RGB 236 208 159, RGB 253 226 178, RGB 255 244 197, RGB 255 255 216 and RGB 255 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 208 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 231 208 164: RGB 231 208 164, RGB 214 190 145, RGB 197 172 126, RGB 180 154 107 and RGB 163 136 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

Complementary color

CMYK 74 / 48 / 0 / 64

HEX #182F5B

RGB 24 47 91

HSL 219.4, 0.58%, 0.23%

LAB 19.97, 7.75, -29.11

 

CMYK 0 / 12 / 33 / 7

HEX #ECD09F

RGB 236 208 159

HSL 38.18, 0.67%, 0.77%

LAB 84.71, 2.77, 27.95

 

CMYK 0 / 11 / 30 / 1

HEX #FDE2B2

RGB 253 226 178

HSL 38.4, 0.95%, 0.85%

LAB 91, 2.33, 26.89

 

CMYK 0 / 4 / 23 / 0

HEX #FFF4C5

RGB 255 244 197

HSL 48.62, 1%, 0.89%

LAB 95.99, -3.54, 24.02

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 0 / 11 / 32 / 16

HEX #D6BE91

RGB 214 190 145

HSL 39.13, 0.46%, 0.7%

LAB 77.97, 1.92, 25.87

 

CMYK 0 / 13 / 36 / 23

HEX #C5AC7E

RGB 197 172 126

HSL 38.87, 0.38%, 0.63%

LAB 71.47, 2.41, 27.02

 

CMYK 0 / 14 / 41 / 29

HEX #B49A6B

RGB 180 154 107

HSL 38.63, 0.33%, 0.56%

LAB 64.86, 2.98, 28.23

 

CMYK 0 / 17 / 46 / 36

HEX #A38858

RGB 163 136 88

HSL 38.4, 0.3%, 0.49%

LAB 58.13, 3.66, 29.54

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 0 / 6 / 30 / 10

HEX #E6D9A2

RGB 230 217 162

HSL 48.53, 0.58%, 0.77%

LAB 86.53, -3.78, 28.76

 

CMYK 0 / 0 / 30 / 10

HEX #E6E5A2

RGB 230 229 162

HSL 59.12, 0.58%, 0.77%

LAB 89.61, -9.85, 32.89

 

CMYK 4 / 0 / 30 / 10

HEX #DCE6A2

RGB 220 230 162

HSL 68.82, 0.58%, 0.77%

LAB 89.12, -14.1, 32.09

 

CMYK 10 / 0 / 30 / 10

HEX #D0E6A2

RGB 208 230 162

HSL 79.41, 0.58%, 0.77%

LAB 88.26, -18.52, 30.8

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 0 / 11 / 30 / 89

HEX #1B1813

RGB 27 24 19

HSL 37.5, 0.17%, 0.09%

LAB 8.42, 0.36, 3.81

 

CMYK 0 / 10 / 29 / 69

HEX #4E4637

RGB 78 70 55

HSL 39.13, 0.17%, 0.26%

LAB 30.1, 0.63, 10.29

 

CMYK 0 / 10 / 29 / 49

HEX #81745C

RGB 129 116 92

HSL 38.92, 0.17%, 0.43%

LAB 49.41, 1.03, 15.12

 

CMYK 0 / 10 / 29 / 29

HEX #B4A280

RGB 180 162 128

HSL 39.23, 0.26%, 0.6%

LAB 67.35, 1.27, 20.1

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 25 / 0 / 30 / 10

HEX #ACE6A2

RGB 172 230 162

HSL 111.18, 0.58%, 0.77%

LAB 85.99, -31.13, 27.35

 

CMYK 22 / 30 / 0 / 10

HEX #B3A2E6

RGB 179 162 230

HSL 255, 0.58%, 0.77%

LAB 70.27, 20.11, -32.02

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 30 / 0 / 10 / 10

HEX #A2E6CE

RGB 162 230 206

HSL 158.82, 0.58%, 0.77%

LAB 86.37, -26.28, 4.88

 

CMYK 10 / 30 / 0 / 10

HEX #CEA2E6

RGB 206 162 230

HSL 278.82, 0.58%, 0.77%

LAB 72.68, 28.42, -28.11

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 25 / 0 / 30 / 10

HEX #ACE6A2

RGB 172 230 162

HSL 111.18, 0.58%, 0.77%

LAB 85.99, -31.13, 27.35

 

CMYK 30 / 19 / 0 / 10

HEX #A2BAE6

RGB 162 186 230

HSL 218.82, 0.58%, 0.77%

LAB 75.15, 1.79, -24.64

 

CMYK 4 / 30 / 0 / 10

HEX #DCA2E6

RGB 220 162 230

HSL 291.18, 0.58%, 0.77%

LAB 74.04, 32.84, -25.9

 

CMYK 0 / 10 / 29 / 9

HEX #E7D0A4

RGB 231 208 164

HSL 39.4, 0.58%, 0.77%

LAB 84.37, 1.49, 24.8

 

CMYK 30 / 0 / 25 / 10

HEX #A2E6AC

RGB 162 230 172

HSL 128.82, 0.58%, 0.77%

LAB 85.63, -32.72, 21.61

 

CMYK 30 / 19 / 0 / 10

HEX #A2BAE6

RGB 162 186 230

HSL 218.82, 0.58%, 0.77%

LAB 75.15, 1.79, -24.64

 

CMYK 0 / 30 / 4 / 10

HEX #E6A2DC

RGB 230 162 220

HSL 308.82, 0.58%, 0.77%

LAB 74.72, 34.22, -19.32

 

Description

Color code: RGB 231 208 164 | qconv.com Color code: RGB 231 208 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 208 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 208 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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