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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 200.2 145 it is the complementary color RGB 24 54.8 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 200.2 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 200.2 145 shade: RGB 236 200.2 140, RGB 253 218.2 159, RGB 255 236.2 178, RGB 255 254.2 197 and RGB 255 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 200.2 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 200.2 145 shade: RGB 231 200.2 145, RGB 214 182.2 126, RGB 197 164.2 107, RGB 180 146.2 88 and RGB 163 128.2 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 200.2 145 shade: RGB 231 201 146, RGB 231 178 146, RGB 231 155 146 and RGB 231 146 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 200.2 145 shade: RGB 231 201 146, RGB 231 224 146, RGB 216 231 146, RGB 193 231 146 and RGB 170 231 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 200.2 145 shade matches the following richer shades: RGB 231 201 146, RGB 242 204 136 and RGB 253 207 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 200.2 145 shade: RGB 231 201 146, RGB 220 198 157, RGB 210 195 168, RGB 199 192 178 and RGB 188 189 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 200.2 145 shade: RGB 231 155 146, RGB 231 177 146, RGB 231 200 146, RGB 231 223 146 and RGB 217 231 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 200.2 145 shade: RGB 216 167 79, RGB 224 184 112, RGB 231 201 146, RGB 239 218 180 and RGB 246 235 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 200.2 145 shade: RGB 231 200.2 145, RGB 160 231 146 and RGB 166 146 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 200.2 145 shade: RGB 231 200.2 145, RGB 146 231 200 and RGB 200 146 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 200.2 145 shade: RGB 231 200.2 145, RGB 160 231 146, RGB 146 177 231 and RGB 217 146 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 200.2 145 shade: RGB 231 200.2 145, RGB 146 231 158, RGB 146 177 231 and RGB 231 146 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

Complementary color

CMYK 78 / 50 / 0 / 57

HEX #18366E

RGB 24 54.8 110

HSL 218.51, 0.64%, 0.26%

LAB 23.78, 10.05, -35.37

 

CMYK 0 / 15 / 41 / 7

HEX #ECC88C

RGB 236 200.2 140

HSL 37.63, 0.72%, 0.74%

LAB 82.45, 4.64, 34.79

 

CMYK 0 / 14 / 37 / 1

HEX #FDDA9F

RGB 253 218.2 159

HSL 37.79, 0.96%, 0.81%

LAB 88.75, 4.06, 33.61

 

CMYK 0 / 7 / 30 / 0

HEX #FFECB2

RGB 255 236.2 178

HSL 45.35, 1%, 0.85%

LAB 93.7, -2.09, 30.57

 

CMYK 0 / 0 / 23 / 0

HEX #FFFEC5

RGB 255 254.2 197

HSL 59.17, 1%, 0.89%

LAB 98.55, -8.62, 27.53

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

CMYK 0 / 15 / 41 / 16

HEX #D6B67E

RGB 214 182.2 126

HSL 38.32, 0.52%, 0.67%

LAB 75.66, 3.81, 32.83

 

CMYK 0 / 17 / 46 / 23

HEX #C5A46B

RGB 197 164.2 107

HSL 38.13, 0.44%, 0.6%

LAB 69.15, 4.49, 34.1

 

CMYK 0 / 19 / 51 / 29

HEX #B49258

RGB 180 146.2 88

HSL 37.96, 0.38%, 0.53%

LAB 62.53, 5.28, 35.44

 

CMYK 0 / 21 / 58 / 36

HEX #A38045

RGB 163 128.2 69

HSL 37.79, 0.41%, 0.45%

LAB 55.79, 6.24, 36.84

 

CMYK 0 / 13 / 37 / 9

HEX #E7C992

RGB 231 201 146

HSL 38.82, 0.64%, 0.74%

LAB 82.29, 2.92, 31.39

 

CMYK 0 / 23 / 37 / 9

HEX #E7B292

RGB 231 178 146

HSL 22.59, 0.64%, 0.74%

LAB 76.62, 15.05, 23.78

 

CMYK 0 / 33 / 37 / 9

HEX #E79B92

RGB 231 155 146

HSL 6.35, 0.64%, 0.74%

LAB 71.22, 27.32, 16.35

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 0 / 13 / 37 / 9

HEX #E7C992

RGB 231 201 146

HSL 38.82, 0.64%, 0.74%

LAB 82.29, 2.92, 31.39

 

CMYK 0 / 3 / 37 / 9

HEX #E7E092

RGB 231 224 146

HSL 55.06, 0.64%, 0.74%

LAB 88.15, -8.86, 39.07

 

CMYK 6 / 0 / 37 / 9

HEX #D8E792

RGB 216 231 146

HSL 70.59, 0.64%, 0.74%

LAB 88.84, -18.07, 39.74

 

CMYK 16 / 0 / 37 / 9

HEX #C1E792

RGB 193 231 146

HSL 86.82, 0.64%, 0.74%

LAB 87.27, -26.58, 37.4

 

CMYK 26 / 0 / 37 / 9

HEX #AAE792

RGB 170 231 146

HSL 103.06, 0.64%, 0.74%

LAB 85.89, -34.65, 35.33

 

CMYK 0 / 13 / 37 / 9

HEX #E7C992

RGB 231 201 146

HSL 38.82, 0.64%, 0.74%

LAB 82.29, 2.92, 31.39

 

CMYK 0 / 16 / 44 / 5

HEX #F2CC88

RGB 242 204 136

HSL 38.49, 0.8%, 0.74%

LAB 83.88, 4.62, 38.81

 

CMYK 0 / 18 / 51 / 1

HEX #FDCF7D

RGB 253 207 125

HSL 38.44, 0.97%, 0.74%

LAB 85.5, 6.44, 46.58

 

CMYK 0 / 13 / 37 / 9

HEX #E7C992

RGB 231 201 146

HSL 38.82, 0.64%, 0.74%

LAB 82.29, 2.92, 31.39

 

CMYK 0 / 10 / 29 / 14

HEX #DCC69D

RGB 220 198 157

HSL 39.05, 0.47%, 0.74%

LAB 80.76, 1.59, 23.4

 

CMYK 0 / 7 / 20 / 18

HEX #D2C3A8

RGB 210 195 168

HSL 38.57, 0.32%, 0.74%

LAB 79.36, 0.92, 15.48

 

CMYK 0 / 4 / 11 / 22

HEX #C7C0B2

RGB 199 192 178

HSL 40, 0.16%, 0.74%

LAB 77.91, 0.03, 7.92

 

CMYK 1 / 0 / 0 / 26

HEX #BCBDBD

RGB 188 189 189

HSL 180, 0.01%, 0.74%

LAB 76.53, -0.34, -0.13

 

CMYK 0 / 33 / 37 / 9

HEX #E79B92

RGB 231 155 146

HSL 6.35, 0.64%, 0.74%

LAB 71.22, 27.32, 16.35

 

CMYK 0 / 23 / 37 / 9

HEX #E7B192

RGB 231 177 146

HSL 21.88, 0.64%, 0.74%

LAB 76.38, 15.58, 23.45

 

CMYK 0 / 13 / 37 / 9

HEX #E7C892

RGB 231 200 146

HSL 38.12, 0.64%, 0.74%

LAB 82.04, 3.45, 31.06

 

CMYK 0 / 3 / 37 / 9

HEX #E7DF92

RGB 231 223 146

HSL 54.35, 0.64%, 0.74%

LAB 87.89, -8.35, 38.73

 

CMYK 6 / 0 / 37 / 9

HEX #D9E792

RGB 217 231 146

HSL 69.88, 0.64%, 0.74%

LAB 88.91, -17.69, 39.84

 

CMYK 0 / 23 / 63 / 15

HEX #D8A74F

RGB 216 167 79

HSL 38.54, 0.64%, 0.58%

LAB 71.42, 8.65, 51.33

 

CMYK 0 / 18 / 50 / 12

HEX #E0B870

RGB 224 184 112

HSL 38.57, 0.64%, 0.66%

LAB 76.86, 5.53, 41.77

 

CMYK 0 / 13 / 37 / 9

HEX #E7C992

RGB 231 201 146

HSL 38.82, 0.64%, 0.74%

LAB 82.29, 2.92, 31.39

 

CMYK 0 / 9 / 25 / 6

HEX #EFDAB4

RGB 239 218 180

HSL 38.64, 0.65%, 0.82%

LAB 87.87, 1.47, 21.35

 

CMYK 0 / 4 / 13 / 4

HEX #F6EBD6

RGB 246 235 214

HSL 39.38, 0.64%, 0.9%

LAB 93.39, 0.28, 11.51

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

CMYK 31 / 0 / 37 / 9

HEX #A0E792

RGB 160 231 146

HSL 110.12, 0.64%, 0.74%

LAB 85.35, -37.97, 34.52

 

CMYK 28 / 37 / 0 / 9

HEX #A692E7

RGB 166 146 231

HSL 254.12, 0.64%, 0.74%

LAB 65.31, 25.57, -40.38

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

CMYK 37 / 0 / 13 / 9

HEX #92E7C8

RGB 146 231 200

HSL 158.12, 0.64%, 0.74%

LAB 85.72, -32.54, 7

 

CMYK 13 / 37 / 0 / 9

HEX #C892E7

RGB 200 146 231

HSL 278.12, 0.64%, 0.74%

LAB 68.47, 35.54, -35.21

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

CMYK 31 / 0 / 37 / 9

HEX #A0E792

RGB 160 231 146

HSL 110.12, 0.64%, 0.74%

LAB 85.35, -37.97, 34.52

 

CMYK 37 / 23 / 0 / 9

HEX #92B1E7

RGB 146 177 231

HSL 218.12, 0.64%, 0.74%

LAB 71.77, 2.5, -30.44

 

CMYK 6 / 37 / 0 / 9

HEX #D992E7

RGB 217 146 231

HSL 290.12, 0.64%, 0.74%

LAB 70.23, 40.68, -32.34

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200.2 145

HSL 38.51, 0.64%, 0.74%

LAB 82.07, 3.23, 31.63

 

CMYK 37 / 0 / 32 / 9

HEX #92E79E

RGB 146 231 158

HSL 128.47, 0.64%, 0.74%

LAB 84.86, -40.47, 27.64

 

CMYK 37 / 23 / 0 / 9

HEX #92B1E7

RGB 146 177 231

HSL 218.12, 0.64%, 0.74%

LAB 71.77, 2.5, -30.44

 

CMYK 0 / 37 / 5 / 9

HEX #E792DC

RGB 231 146 220

HSL 307.76, 0.64%, 0.74%

LAB 71.36, 42.99, -24.42

 

Description

Color code: RGB 231 200.2 145 | qconv.com Color code: RGB 231 200.2 145 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 200.2 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 200.2 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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