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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 57 0 it is the complementary color RGB 25 198 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 57 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 57 0: RGB 235 57 0, RGB 252 75 14, RGB 255 93 33, RGB 255 111 52 and RGB 255 129 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 57 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 57 0: RGB 230 57 0, RGB 213 39 0, RGB 196 21 0, RGB 179 3 0 and RGB 162 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

Complementary color

CMYK 90 / 22 / 0 / 0

HEX #19C6FF

RGB 25 198 255

HSL 194.87, 1%, 0.55%

LAB 74.71, -20.57, -39.17

 

CMYK 0 / 76 / 100 / 8

HEX #EB3900

RGB 235 57 0

HSL 14.55, 1%, 0.46%

LAB 52.5, 65.6, 64.54

 

CMYK 0 / 70 / 94 / 1

HEX #FC4B0E

RGB 252 75 14

HSL 15.38, 0.98%, 0.52%

LAB 57.81, 64.92, 65.96

 

CMYK 0 / 64 / 87 / 0

HEX #FF5D21

RGB 255 93 33

HSL 16.22, 1%, 0.56%

LAB 60.96, 59.22, 62.62

 

CMYK 0 / 56 / 80 / 0

HEX #FF6F34

RGB 255 111 52

HSL 17.44, 1%, 0.6%

LAB 64.06, 51.82, 57.58

 

CMYK 0 / 49 / 72 / 0

HEX #FF8147

RGB 255 129 71

HSL 18.91, 1%, 0.64%

LAB 67.59, 43.95, 52.3

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 0 / 82 / 100 / 16

HEX #D52700

RGB 213 39 0

HSL 10.99, 1%, 0.42%

LAB 46.44, 64.2, 59.44

 

CMYK 0 / 89 / 100 / 23

HEX #C41500

RGB 196 21 0

HSL 6.43, 1%, 0.38%

LAB 41.65, 63.26, 55.45

 

CMYK 0 / 98 / 100 / 30

HEX #B30300

RGB 179 3 0

HSL 1.01, 1%, 0.35%

LAB 37.2, 61.08, 51.55

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 0 / 60 / 100 / 10

HEX #E55B00

RGB 229 91 0

HSL 23.84, 1%, 0.45%

LAB 56.23, 50.62, 65.79

 

CMYK 0 / 43 / 100 / 10

HEX #E58200

RGB 229 130 0

HSL 34.06, 1%, 0.45%

LAB 63.85, 31.41, 70.25

 

CMYK 0 / 27 / 100 / 10

HEX #E5A800

RGB 229 168 0

HSL 44.02, 1%, 0.45%

LAB 72.67, 11.26, 76.02

 

CMYK 0 / 10 / 100 / 10

HEX #E5CE00

RGB 229 206 0

HSL 53.97, 1%, 0.45%

LAB 82.27, -8.49, 82.74

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 0 / 77 / 100 / 90

HEX #1A0600

RGB 26 6 0

HSL 13.85, 1%, 0.05%

LAB 3.16, 6.5, 4.85

 

CMYK 0 / 75 / 100 / 70

HEX #4D1300

RGB 77 19 0

HSL 14.81, 1%, 0.15%

LAB 15.71, 26.31, 23.93

 

CMYK 0 / 75 / 100 / 50

HEX #802000

RGB 128 32 0

HSL 15, 1%, 0.25%

LAB 28.44, 39.83, 40.61

 

CMYK 0 / 75 / 100 / 30

HEX #B32C00

RGB 179 44 0

HSL 14.75, 1%, 0.35%

LAB 40.22, 52.52, 52.8

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 43 / 0 / 100 / 10

HEX #82E500

RGB 130 229 0

HSL 85.94, 1%, 0.45%

LAB 82.26, -57.72, 79.88

 

CMYK 100 / 83 / 0 / 10

HEX #0026E5

RGB 0 38 229

HSL 230.04, 1%, 0.45%

LAB 31.91, 62.72, -93.8

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 100 / 0 / 77 / 10

HEX #00E535

RGB 0 229 53

HSL 133.89, 1%, 0.45%

LAB 79.78, -77.56, 67.36

 

CMYK 77 / 100 / 0 / 10

HEX #3500E5

RGB 53 0 229

HSL 253.89, 1%, 0.45%

LAB 30.43, 73.68, -96.21

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 43 / 0 / 100 / 10

HEX #82E500

RGB 130 229 0

HSL 85.94, 1%, 0.45%

LAB 82.26, -57.72, 79.88

 

CMYK 100 / 24 / 0 / 10

HEX #00AFE5

RGB 0 175 229

HSL 194.15, 1%, 0.45%

LAB 66.76, -18.3, -37.47

 

CMYK 57 / 100 / 0 / 10

HEX #6300E5

RGB 99 0 229

HSL 265.94, 1%, 0.45%

LAB 34.62, 75.64, -89.13

 

CMYK 0 / 75 / 100 / 10

HEX #E63900

RGB 230 57 0

HSL 14.87, 1%, 0.45%

LAB 51.55, 64.1, 63.57

 

CMYK 73 / 0 / 100 / 10

HEX #3DE500

RGB 61 229 0

HSL 104.02, 1%, 0.45%

LAB 80.2, -74.42, 77.37

 

CMYK 100 / 24 / 0 / 10

HEX #00AFE5

RGB 0 175 229

HSL 194.15, 1%, 0.45%

LAB 66.76, -18.3, -37.47

 

CMYK 27 / 100 / 0 / 10

HEX #A800E5

RGB 168 0 229

HSL 284.02, 1%, 0.45%

LAB 44.21, 82.02, -73.01

 

Description

Color code: RGB 230 57 0 | qconv.com Color code: RGB 230 57 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 57 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 57 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 100 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 100% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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