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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 210 181 it is the complementary color RGB 25 45 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 210 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 210 181: RGB 235 210 176, RGB 252 228 195, RGB 255 246 214, RGB 255 255 233 and RGB 255 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 210 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 210 181: RGB 230 210 181, RGB 213 192 162, RGB 196 174 143, RGB 179 156 124 and RGB 162 138 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

Complementary color

CMYK 66 / 39 / 0 / 71

HEX #192D4A

RGB 25 45 74

HSL 215.51, 0.49%, 0.19%

LAB 18.27, 2.47, -20.43

 

CMYK 0 / 11 / 25 / 8

HEX #EBD2B0

RGB 235 210 176

HSL 34.58, 0.6%, 0.81%

LAB 85.45, 3.56, 20.05

 

CMYK 0 / 10 / 23 / 1

HEX #FCE4C3

RGB 252 228 195

HSL 34.74, 0.9%, 0.88%

LAB 91.74, 3.2, 19.1

 

CMYK 0 / 4 / 16 / 0

HEX #FFF6D6

RGB 255 246 214

HSL 46.83, 1%, 0.92%

LAB 96.83, -2.11, 16.48

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

NCS® S0300-N

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 0 / 10 / 24 / 16

HEX #D5C0A2

RGB 213 192 162

HSL 35.29, 0.38%, 0.74%

LAB 78.73, 2.76, 17.84

 

CMYK 0 / 11 / 27 / 23

HEX #C4AE8F

RGB 196 174 143

HSL 35.09, 0.31%, 0.66%

LAB 72.22, 3.15, 18.83

 

CMYK 0 / 13 / 31 / 30

HEX #B39C7C

RGB 179 156 124

HSL 34.91, 0.27%, 0.59%

LAB 65.61, 3.6, 19.9

 

CMYK 0 / 15 / 35 / 36

HEX #A28A69

RGB 162 138 105

HSL 34.74, 0.23%, 0.52%

LAB 58.86, 4.12, 21.05

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 0 / 5 / 21 / 10

HEX #E6DAB6

RGB 230 218 182

HSL 45, 0.49%, 0.81%

LAB 87.16, -1.58, 19.22

 

CMYK 0 / 2 / 21 / 10

HEX #E6E2B6

RGB 230 226 182

HSL 55, 0.49%, 0.81%

LAB 89.2, -5.67, 22.05

 

CMYK 2 / 0 / 21 / 10

HEX #E2E6B6

RGB 226 230 182

HSL 65, 0.49%, 0.81%

LAB 89.92, -9.15, 23

 

CMYK 5 / 0 / 21 / 10

HEX #DAE6B6

RGB 218 230 182

HSL 75, 0.49%, 0.81%

LAB 89.34, -12.04, 22.09

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 0 / 8 / 23 / 90

HEX #1A1814

RGB 26 24 20

HSL 40, 0.13%, 0.09%

LAB 8.34, 0.05, 3.02

 

CMYK 0 / 9 / 21 / 70

HEX #4D463D

RGB 77 70 61

HSL 33.75, 0.12%, 0.27%

LAB 30.14, 1.21, 6.5

 

CMYK 0 / 9 / 21 / 50

HEX #807565

RGB 128 117 101

HSL 35.56, 0.12%, 0.45%

LAB 49.8, 1.44, 10.37

 

CMYK 0 / 9 / 21 / 30

HEX #B3A38D

RGB 179 163 141

HSL 34.74, 0.2%, 0.63%

LAB 67.8, 2.21, 13.55

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 16 / 0 / 21 / 10

HEX #C1E6B6

RGB 193 230 182

HSL 106.25, 0.49%, 0.81%

LAB 87.63, -20.82, 19.47

 

CMYK 17 / 21 / 0 / 10

HEX #BFB6E6

RGB 191 182 230

HSL 251.25, 0.49%, 0.81%

LAB 76.22, 12.74, -22.81

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 21 / 0 / 9 / 10

HEX #B6E6D2

RGB 182 230 210

HSL 155, 0.49%, 0.81%

LAB 87.58, -19.4, 4.67

 

CMYK 9 / 21 / 0 / 10

HEX #D2B6E6

RGB 210 182 230

HSL 275, 0.49%, 0.81%

LAB 77.8, 18.79, -20.26

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 16 / 0 / 21 / 10

HEX #C1E6B6

RGB 193 230 182

HSL 106.25, 0.49%, 0.81%

LAB 87.63, -20.82, 19.47

 

CMYK 21 / 12 / 0 / 10

HEX #B6CAE6

RGB 182 202 230

HSL 215, 0.49%, 0.81%

LAB 80.68, -0.85, -16.12

 

CMYK 4 / 21 / 0 / 10

HEX #DCB6E6

RGB 220 182 230

HSL 287.5, 0.49%, 0.81%

LAB 78.69, 22.04, -18.84

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B5

RGB 230 210 181

HSL 35.51, 0.49%, 0.81%

LAB 85.12, 2.41, 16.9

 

CMYK 21 / 0 / 19 / 10

HEX #B6E6BA

RGB 182 230 186

HSL 125, 0.49%, 0.81%

LAB 87.04, -23.84, 16.46

 

CMYK 21 / 12 / 0 / 10

HEX #B6CAE6

RGB 182 202 230

HSL 215, 0.49%, 0.81%

LAB 80.68, -0.85, -16.12

 

CMYK 0 / 21 / 2 / 10

HEX #E6B6E2

RGB 230 182 226

HSL 305, 0.49%, 0.81%

LAB 79.48, 24.59, -15.39

 

Description

Color code: RGB 230 210 181 | qconv.com Color code: RGB 230 210 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 210 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 210 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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