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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 22 19 116 it is the complementary color RGB 233 236 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 22 19 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 22 19 116: RGB 27 19 111, RGB 44 37 130, RGB 61 55 149, RGB 78 73 168 and RGB 95 91 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 22 19 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 22 19 116: RGB 22 19 116, RGB 5 1 97, RGB 0 0 78, RGB 0 0 59 and RGB 0 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

Complementary color

CMYK 1 / 0 / 41 / 7

HEX #E9EC8B

RGB 233 236 139

HSL 61.86, 0.72%, 0.74%

LAB 91.32, -14.8, 46.59

 

CMYK 76 / 83 / 0 / 56

HEX #1B136F

RGB 27 19 111

HSL 245.22, 0.71%, 0.25%

LAB 14.66, 35.04, -50.91

 

CMYK 66 / 72 / 0 / 49

HEX #2C2582

RGB 44 37 130

HSL 244.52, 0.56%, 0.33%

LAB 21.84, 32.96, -51.2

 

CMYK 59 / 63 / 0 / 42

HEX #3D3795

RGB 61 55 149

HSL 243.83, 0.46%, 0.4%

LAB 29.14, 30.88, -51.01

 

CMYK 54 / 57 / 0 / 34

HEX #4E49A8

RGB 78 73 168

HSL 243.16, 0.39%, 0.47%

LAB 36.39, 29.08, -50.68

 

CMYK 49 / 51 / 0 / 27

HEX #5F5BBB

RGB 95 91 187

HSL 242.5, 0.41%, 0.55%

LAB 43.51, 27.55, -50.35

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 95 / 99 / 0 / 62

HEX #050161

RGB 5 1 97

HSL 242.5, 0.98%, 0.19%

LAB 8.28, 38.51, -52.31

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 68 / 84 / 0 / 55

HEX #241272

RGB 36 18 114

HSL 251.25, 0.73%, 0.26%

LAB 15.61, 37.41, -51.27

 

CMYK 55 / 84 / 0 / 55

HEX #331272

RGB 51 18 114

HSL 260.63, 0.73%, 0.26%

LAB 17.23, 39.22, -48.53

 

CMYK 41 / 84 / 0 / 55

HEX #431272

RGB 67 18 114

HSL 270.63, 0.73%, 0.26%

LAB 19.39, 41.63, -44.9

 

CMYK 27 / 84 / 0 / 55

HEX #531272

RGB 83 18 114

HSL 280.63, 0.73%, 0.26%

LAB 21.9, 44.44, -40.71

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 81 / 84 / 0 / 35

HEX #201BA7

RGB 32 27 167

HSL 242.14, 0.72%, 0.38%

LAB 23.27, 49.5, -71.71

 

CMYK 81 / 83 / 0 / 15

HEX #2924DA

RGB 41 36 218

HSL 241.65, 0.72%, 0.5%

LAB 31.34, 61.28, -88.41

 

CMYK 79 / 86 / 0 / 95

HEX #03020E

RGB 3 2 14

HSL 245, 0.75%, 0.03%

LAB 0.85, 2, -4.63

 

CMYK 82 / 83 / 0 / 75

HEX #0C0B41

RGB 12 11 65

HSL 241.11, 0.71%, 0.15%

LAB 6.32, 21.06, -33.48

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 0 / 84 / 18 / 55

HEX #72125D

RGB 114 18 93

HSL 313.13, 0.73%, 0.26%

LAB 26.16, 47.29, -19.9

 

CMYK 52 / 0 / 84 / 55

HEX #377212

RGB 55 114 18

HSL 96.88, 0.73%, 0.26%

LAB 42.6, -36.21, 43.04

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 0 / 82 / 84 / 55

HEX #721412

RGB 114 20 18

HSL 1.25, 0.73%, 0.26%

LAB 24.07, 39.81, 27.44

 

CMYK 84 / 0 / 82 / 55

HEX #127214

RGB 18 114 20

HSL 121.25, 0.73%, 0.26%

LAB 41.55, -44.74, 41.04

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 0 / 84 / 18 / 55

HEX #72125D

RGB 114 18 93

HSL 313.13, 0.73%, 0.26%

LAB 26.16, 47.29, -19.9

 

CMYK 2 / 0 / 84 / 55

HEX #707212

RGB 112 114 18

HSL 61.25, 0.73%, 0.26%

LAB 46.34, -12.37, 47.8

 

CMYK 84 / 0 / 66 / 55

HEX #127227

RGB 18 114 39

HSL 133.13, 0.73%, 0.26%

LAB 41.7, -42.87, 33.31

 

CMYK 81 / 84 / 0 / 55

HEX #161374

RGB 22 19 116

HSL 241.86, 0.72%, 0.26%

LAB 14.94, 36.35, -53.7

 

CMYK 0 / 84 / 44 / 55

HEX #721240

RGB 114 18 64

HSL 331.25, 0.73%, 0.26%

LAB 24.89, 43.61, -2.39

 

CMYK 2 / 0 / 84 / 55

HEX #707212

RGB 112 114 18

HSL 61.25, 0.73%, 0.26%

LAB 46.34, -12.37, 47.8

 

CMYK 84 / 0 / 41 / 55

HEX #127243

RGB 18 114 67

HSL 150.63, 0.73%, 0.26%

LAB 42.11, -38.12, 18.74

 

Description

Color code: RGB 22 19 116 | qconv.com Color code: RGB 22 19 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 19 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 19 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 84 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 84% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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