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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 22 18 90 it is the complementary color RGB 233 237 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 22 18 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 22 18 90: RGB 27 18 85, RGB 44 36 104, RGB 61 54 123, RGB 78 72 142 and RGB 95 90 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 22 18 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 22 18 90: RGB 22 18 90, RGB 5 0 71, RGB 0 0 52, RGB 0 0 33 and RGB 0 0 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

Complementary color

CMYK 2 / 0 / 30 / 7

HEX #E9EDA5

RGB 233 237 165

HSL 63.33, 0.67%, 0.79%

LAB 91.96, -12.34, 34.52

 

CMYK 68 / 79 / 0 / 67

HEX #1B1255

RGB 27 18 85

HSL 248.06, 0.65%, 0.2%

LAB 11.43, 26.58, -38.95

 

CMYK 58 / 65 / 0 / 59

HEX #2C2468

RGB 44 36 104

HSL 247.06, 0.49%, 0.27%

LAB 19.21, 24.55, -38.82

 

CMYK 50 / 56 / 0 / 52

HEX #3D367B

RGB 61 54 123

HSL 246.09, 0.39%, 0.35%

LAB 26.91, 22.82, -38.48

 

CMYK 45 / 49 / 0 / 44

HEX #4E488E

RGB 78 72 142

HSL 245.14, 0.33%, 0.42%

LAB 34.41, 21.41, -38.16

 

CMYK 41 / 44 / 0 / 37

HEX #5F5AA1

RGB 95 90 161

HSL 244.23, 0.28%, 0.49%

LAB 41.72, 20.26, -37.9

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 93 / 100 / 0 / 72

HEX #050047

RGB 5 0 71

HSL 244.23, 1%, 0.14%

LAB 4.4, 28.49, -40.9

 

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 63 / 81 / 0 / 65

HEX #211159

RGB 33 17 89

HSL 253.33, 0.68%, 0.21%

LAB 12.26, 29.45, -40.27

 

CMYK 49 / 81 / 0 / 65

HEX #2D1159

RGB 45 17 89

HSL 263.33, 0.68%, 0.21%

LAB 13.71, 31.45, -37.83

 

CMYK 36 / 81 / 0 / 65

HEX #391159

RGB 57 17 89

HSL 273.33, 0.68%, 0.21%

LAB 15.45, 33.78, -34.93

 

CMYK 22 / 81 / 0 / 65

HEX #451159

RGB 69 17 89

HSL 283.33, 0.68%, 0.21%

LAB 17.4, 36.34, -31.66

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 76 / 80 / 0 / 45

HEX #221C8D

RGB 34 28 141

HSL 243.19, 0.67%, 0.33%

LAB 20.42, 40.82, -60.47

 

CMYK 76 / 80 / 0 / 25

HEX #2F26C0

RGB 47 38 192

HSL 243.51, 0.67%, 0.45%

LAB 28.89, 52.93, -77.3

 

CMYK 76 / 80 / 0 / 5

HEX #3B31F3

RGB 59 49 243

HSL 243.09, 0.89%, 0.57%

LAB 37.11, 63.84, -93.05

 

CMYK 74 / 79 / 0 / 85

HEX #0A0827

RGB 10 8 39

HSL 243.87, 0.66%, 0.09%

LAB 3.47, 8.71, -18.87

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 0 / 81 / 20 / 65

HEX #591147

RGB 89 17 71

HSL 315, 0.68%, 0.21%

LAB 19.96, 37.89, -15.14

 

CMYK 53 / 0 / 81 / 65

HEX #2A5911

RGB 42 89 17

HSL 99.17, 0.68%, 0.21%

LAB 33.3, -29.92, 34.36

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 0 / 76 / 81 / 65

HEX #591511

RGB 89 21 17

HSL 3.33, 0.68%, 0.21%

LAB 18.8, 30.72, 20.76

 

CMYK 81 / 0 / 76 / 65

HEX #115915

RGB 17 89 21

HSL 123.33, 0.68%, 0.21%

LAB 32.52, -36.11, 31.65

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 0 / 81 / 20 / 65

HEX #591147

RGB 89 17 71

HSL 315, 0.68%, 0.21%

LAB 19.96, 37.89, -15.14

 

CMYK 4 / 0 / 81 / 65

HEX #555911

RGB 85 89 17

HSL 63.33, 0.68%, 0.21%

LAB 36.21, -11.34, 38.15

 

CMYK 81 / 0 / 61 / 65

HEX #115923

RGB 17 89 35

HSL 135, 0.68%, 0.21%

LAB 32.67, -34.32, 24.88

 

CMYK 76 / 80 / 0 / 65

HEX #16125A

RGB 22 18 90

HSL 243.33, 0.67%, 0.21%

LAB 11.56, 27.74, -42.13

 

CMYK 0 / 81 / 45 / 65

HEX #591131

RGB 89 17 49

HSL 333.33, 0.68%, 0.21%

LAB 19, 34.91, -1.24

 

CMYK 4 / 0 / 81 / 65

HEX #555911

RGB 85 89 17

HSL 63.33, 0.68%, 0.21%

LAB 36.21, -11.34, 38.15

 

CMYK 81 / 0 / 36 / 65

HEX #115939

RGB 17 89 57

HSL 153.33, 0.68%, 0.21%

LAB 33.05, -29.97, 12.52

 

Description

Color code: RGB 22 18 90 | qconv.com Color code: RGB 22 18 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 18 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 18 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 80 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 80% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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