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Color name
RGB 228.3 72.4 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228.3 72.4 43 it is the complementary color RGB 26.7 182.6 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228.3 72.4 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228.3 72.4 43 shade: RGB 233.3 72.4 38, RGB 250.3 90.4 57, RGB 255 108.4 76, RGB 255 126.4 95 and RGB 255 144.4 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228.3 72.4 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228.3 72.4 43 shade: RGB 228.3 72.4 43, RGB 211.3 54.4 24, RGB 194.3 36.4 5, RGB 177.3 18.4 0 and RGB 160.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228.3 72.4 43 shade: RGB 229 71 42 and RGB 229 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228.3 72.4 43 shade: RGB 229 71 42, RGB 229 122 42, RGB 229 172 42, RGB 229 223 42 and RGB 184 229 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228.3 72.4 43 shade matches the following richer shades: RGB 229 71 42 and RGB 248 58 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228.3 72.4 43 shade: RGB 229 71 42, RGB 209 85 61, RGB 190 98 80, RGB 170 111 100 and RGB 151 124 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228.3 72.4 43 shade: RGB 229 42 113, RGB 229 42 63, RGB 229 70 42, RGB 229 120 42 and RGB 229 169 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228.3 72.4 43 shade: RGB 167 44 21, RGB 204 54 25, RGB 229 71 42, RGB 233 103 78 and RGB 238 135 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228.3 72.4 43 shade: RGB 228.3 72.4 43, RGB 163 229 42 and RGB 42 88 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228.3 72.4 43 shade: RGB 228.3 72.4 43, RGB 42 229 70 and RGB 70 42 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228.3 72.4 43 shade: RGB 228.3 72.4 43, RGB 163 229 42, RGB 42 201 229 and RGB 107 42 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228.3 72.4 43 shade: RGB 228.3 72.4 43, RGB 107 229 42, RGB 42 201 229 and RGB 163 42 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

Complementary color

CMYK 87 / 14 / 0 / 17

HEX #1AB6D4

RGB 26.7 182.6 212

HSL 189.52, 0.78%, 0.47%

LAB 68.52, -27.02, -25.41

 

CMYK 0 / 69 / 84 / 9

HEX #E94826

RGB 233.3 72.4 38

HSL 10.57, 0.82%, 0.53%

LAB 54.24, 60.33, 53.52

 

CMYK 0 / 64 / 77 / 2

HEX #FA5A39

RGB 250.3 90.4 57

HSL 10.37, 0.95%, 0.6%

LAB 59.94, 59.35, 50.93

 

CMYK 0 / 57 / 70 / 0

HEX #FF6C4C

RGB 255 108.4 76

HSL 10.86, 1%, 0.65%

LAB 63.83, 53.94, 45.63

 

CMYK 0 / 50 / 63 / 0

HEX #FF7E5F

RGB 255 126.4 95

HSL 11.78, 1%, 0.69%

LAB 67.36, 46.51, 39.72

 

CMYK 0 / 43 / 55 / 0

HEX #FF9072

RGB 255 144.4 114

HSL 12.94, 1%, 0.72%

LAB 71.24, 38.86, 34.38

 

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

CMYK 0 / 74 / 89 / 17

HEX #D33618

RGB 211.3 54.4 24

HSL 9.74, 0.8%, 0.46%

LAB 47.8, 59.49, 52.58

 

CMYK 0 / 81 / 97 / 24

HEX #C22405

RGB 194.3 36.4 5

HSL 9.95, 0.95%, 0.39%

LAB 42.47, 59.53, 53.92

 

CMYK 0 / 90 / 100 / 30

HEX #B11200

RGB 177.3 18.4 0

HSL 6.23, 1%, 0.35%

LAB 37.53, 58.62, 51.47

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160.3 0.40000000000001 0

HSL 0.15, 1%, 0.31%

LAB 32.95, 56.56, 47.04

 

CMYK 0 / 69 / 82 / 10

HEX #E5472A

RGB 229 71 42

HSL 9.3, 0.78%, 0.53%

LAB 53.31, 59.58, 50.54

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 69 / 82 / 10

HEX #E5472A

RGB 229 71 42

HSL 9.3, 0.78%, 0.53%

LAB 53.31, 59.58, 50.54

 

CMYK 0 / 47 / 82 / 10

HEX #E57A2A

RGB 229 122 42

HSL 25.67, 0.78%, 0.53%

LAB 62.29, 36.26, 58.74

 

CMYK 0 / 25 / 82 / 10

HEX #E5AC2A

RGB 229 172 42

HSL 41.71, 0.78%, 0.53%

LAB 73.76, 9.85, 68.85

 

CMYK 0 / 3 / 82 / 10

HEX #E5DF2A

RGB 229 223 42

HSL 58.07, 0.78%, 0.53%

LAB 86.8, -16.3, 80.02

 

CMYK 20 / 0 / 82 / 10

HEX #B8E52A

RGB 184 229 42

HSL 74.44, 0.78%, 0.53%

LAB 85.2, -37.46, 77.37

 

CMYK 0 / 69 / 82 / 10

HEX #E5472A

RGB 229 71 42

HSL 9.3, 0.78%, 0.53%

LAB 53.31, 59.58, 50.54

 

CMYK 0 / 77 / 91 / 3

HEX #F83A16

RGB 248 58 22

HSL 9.56, 0.94%, 0.53%

LAB 55.11, 69.32, 61.68

 

CMYK 0 / 69 / 82 / 10

HEX #E5472A

RGB 229 71 42

HSL 9.3, 0.78%, 0.53%

LAB 53.31, 59.58, 50.54

 

CMYK 0 / 59 / 71 / 18

HEX #D1553D

RGB 209 85 61

HSL 9.73, 0.62%, 0.53%

LAB 52.27, 47.6, 38.56

 

CMYK 0 / 48 / 58 / 25

HEX #BE6250

RGB 190 98 80

HSL 9.82, 0.46%, 0.53%

LAB 52.13, 35.22, 27.01

 

CMYK 0 / 35 / 41 / 33

HEX #AA6F64

RGB 170 111 100

HSL 9.43, 0.29%, 0.53%

LAB 52.77, 22.06, 15.77

 

CMYK 0 / 18 / 21 / 41

HEX #977C77

RGB 151 124 119

HSL 9.37, 0.13%, 0.53%

LAB 54.37, 9.6, 6.64

 

CMYK 0 / 82 / 51 / 10

HEX #E52A71

RGB 229 42 113

HSL 337.22, 0.78%, 0.53%

LAB 51.27, 72.2, 7.28

 

CMYK 0 / 82 / 72 / 10

HEX #E52A3F

RGB 229 42 63

HSL 353.26, 0.78%, 0.53%

LAB 50.3, 69.28, 36.1

 

CMYK 0 / 69 / 82 / 10

HEX #E5462A

RGB 229 70 42

HSL 8.98, 0.78%, 0.53%

LAB 53.17, 59.95, 50.41

 

CMYK 0 / 48 / 82 / 10

HEX #E5782A

RGB 229 120 42

HSL 25.03, 0.78%, 0.53%

LAB 61.88, 37.29, 58.37

 

CMYK 0 / 26 / 82 / 10

HEX #E5A92A

RGB 229 169 42

HSL 40.75, 0.78%, 0.53%

LAB 73.02, 11.44, 68.21

 

CMYK 0 / 74 / 87 / 35

HEX #A72C15

RGB 167 44 21

HSL 9.45, 0.78%, 0.37%

LAB 37.97, 48.93, 42.49

 

CMYK 0 / 74 / 88 / 20

HEX #CC3619

RGB 204 54 25

HSL 9.72, 0.78%, 0.45%

LAB 46.37, 57.37, 50.48

 

CMYK 0 / 69 / 82 / 10

HEX #E5472A

RGB 229 71 42

HSL 9.3, 0.78%, 0.53%

LAB 53.31, 59.58, 50.54

 

CMYK 0 / 56 / 67 / 9

HEX #E9674E

RGB 233 103 78

HSL 9.68, 0.78%, 0.61%

LAB 59.5, 48.72, 38.66

 

CMYK 0 / 43 / 52 / 7

HEX #EE8773

RGB 238 135 115

HSL 9.76, 0.78%, 0.69%

LAB 67.08, 37.32, 28

 

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

CMYK 29 / 0 / 82 / 10

HEX #A3E52A

RGB 163 229 42

HSL 81.18, 0.78%, 0.53%

LAB 83.96, -45.43, 75.8

 

CMYK 82 / 62 / 0 / 10

HEX #2A58E5

RGB 42 88 229

HSL 225.24, 0.78%, 0.53%

LAB 42.96, 36.1, -75.51

 

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

CMYK 82 / 0 / 69 / 10

HEX #2AE546

RGB 42 229 70

HSL 128.98, 0.78%, 0.53%

LAB 80.16, -73.77, 62.04

 

CMYK 69 / 82 / 0 / 10

HEX #462AE5

RGB 70 42 229

HSL 248.98, 0.78%, 0.53%

LAB 35.23, 63.6, -88.2

 

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

CMYK 29 / 0 / 82 / 10

HEX #A3E52A

RGB 163 229 42

HSL 81.18, 0.78%, 0.53%

LAB 83.96, -45.43, 75.8

 

CMYK 82 / 12 / 0 / 10

HEX #2AC9E5

RGB 42 201 229

HSL 188.98, 0.78%, 0.53%

LAB 74.78, -29.57, -25.07

 

CMYK 53 / 82 / 0 / 10

HEX #6B2AE5

RGB 107 42 229

HSL 260.86, 0.78%, 0.53%

LAB 38.62, 67.01, -82.49

 

CMYK 0 / 68 / 81 / 10

HEX #E4482B

RGB 228.3 72.4 43

HSL 9.52, 0.78%, 0.53%

LAB 53.39, 58.85, 50.09

 

CMYK 53 / 0 / 82 / 10

HEX #6BE52A

RGB 107 229 42

HSL 99.14, 0.78%, 0.53%

LAB 81.47, -63.47, 72.64

 

CMYK 82 / 12 / 0 / 10

HEX #2AC9E5

RGB 42 201 229

HSL 188.98, 0.78%, 0.53%

LAB 74.78, -29.57, -25.07

 

CMYK 29 / 82 / 0 / 10

HEX #A32AE5

RGB 163 42 229

HSL 278.82, 0.78%, 0.53%

LAB 45.77, 74.46, -70.49

 

Description

Color code: RGB 228.3 72.4 43 | qconv.com Color code: RGB 228.3 72.4 43 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228.3 red, 72.4 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228.3 72.4 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 81 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 81% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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