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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 220 201 it is the complementary color RGB 28 35 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 220 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 220 201: RGB 232 220 196, RGB 249 238 215, RGB 255 255 234, RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 220 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 220 201: RGB 227 220 201, RGB 210 202 182, RGB 193 184 163, RGB 176 166 144 and RGB 159 148 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

Complementary color

CMYK 48 / 35 / 0 / 79

HEX #1C2336

RGB 28 35 54

HSL 223.85, 0.32%, 0.16%

LAB 13.92, 2.97, -13.37

 

CMYK 0 / 5 / 16 / 9

HEX #E8DCC4

RGB 232 220 196

HSL 40, 0.44%, 0.84%

LAB 88.13, 0.2, 13.26

 

CMYK 0 / 4 / 14 / 2

HEX #F9EED7

RGB 249 238 215

HSL 40.59, 0.74%, 0.91%

LAB 94.4, -0.04, 12.45

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 0 / 4 / 13 / 18

HEX #D2CAB6

RGB 210 202 182

HSL 42.86, 0.24%, 0.77%

LAB 81.47, -0.6, 10.97

 

CMYK 0 / 5 / 16 / 24

HEX #C1B8A3

RGB 193 184 163

HSL 42, 0.19%, 0.7%

LAB 74.99, -0.37, 11.81

 

CMYK 0 / 6 / 18 / 31

HEX #B0A690

RGB 176 166 144

HSL 41.25, 0.17%, 0.63%

LAB 68.4, -0.11, 12.69

 

CMYK 0 / 7 / 21 / 38

HEX #9F947D

RGB 159 148 125

HSL 40.59, 0.15%, 0.56%

LAB 61.68, 0.18, 13.64

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 0 / 1 / 11 / 11

HEX #E3E0C9

RGB 227 224 201

HSL 53.08, 0.32%, 0.84%

LAB 88.86, -2.86, 11.62

 

CMYK 1 / 0 / 11 / 11

HEX #E1E3C9

RGB 225 227 201

HSL 64.62, 0.32%, 0.84%

LAB 89.47, -5.1, 12.47

 

CMYK 3 / 0 / 11 / 11

HEX #DDE3C9

RGB 221 227 201

HSL 73.85, 0.32%, 0.84%

LAB 89.17, -6.5, 12.01

 

CMYK 4 / 0 / 11 / 11

HEX #D9E3C9

RGB 217 227 201

HSL 83.08, 0.32%, 0.84%

LAB 88.88, -7.9, 11.55

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 0 / 4 / 13 / 91

HEX #171614

RGB 23 22 20

HSL 40, 0.07%, 0.08%

LAB 7.28, -0, 1.45

 

CMYK 0 / 3 / 11 / 71

HEX #4A4842

RGB 74 72 66

HSL 45, 0.06%, 0.27%

LAB 30.6, -0.41, 3.89

 

CMYK 0 / 3 / 11 / 51

HEX #7D796F

RGB 125 121 111

HSL 42.86, 0.06%, 0.46%

LAB 50.9, -0.36, 6.02

 

CMYK 0 / 3 / 11 / 31

HEX #B0AB9C

RGB 176 171 156

HSL 45, 0.11%, 0.65%

LAB 70, -0.86, 8.35

SW® 6171

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 11 / 0 / 11 / 11

HEX #CBE3C9

RGB 203 227 201

HSL 115.38, 0.32%, 0.84%

LAB 87.9, -12.71, 10.02

 

CMYK 8 / 11 / 0 / 11

HEX #D1C9E3

RGB 209 201 227

HSL 258.46, 0.32%, 0.84%

LAB 82.31, 7.64, -11.87

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 11 / 0 / 4 / 11

HEX #C9E3DB

RGB 201 227 219

HSL 161.54, 0.32%, 0.84%

LAB 88.19, -10.09, 0.99

 

CMYK 4 / 11 / 0 / 11

HEX #DBC9E3

RGB 219 201 227

HSL 281.54, 0.32%, 0.84%

LAB 83.11, 10.95, -10.59

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 11 / 0 / 11 / 11

HEX #CBE3C9

RGB 203 227 201

HSL 115.38, 0.32%, 0.84%

LAB 87.9, -12.71, 10.02

 

CMYK 11 / 8 / 0 / 11

HEX #C9D0E3

RGB 201 208 227

HSL 223.85, 0.32%, 0.84%

LAB 83.48, 1.32, -10.19

 

CMYK 1 / 11 / 0 / 11

HEX #E1C9E3

RGB 225 201 227

HSL 295.38, 0.32%, 0.84%

LAB 83.61, 12.95, -9.79

 

CMYK 0 / 3 / 11 / 11

HEX #E3DCC9

RGB 227 220 201

HSL 43.85, 0.32%, 0.84%

LAB 87.84, -0.8, 10.18

 

CMYK 11 / 0 / 9 / 11

HEX #C9E3CE

RGB 201 227 206

HSL 131.54, 0.32%, 0.84%

LAB 87.88, -12.5, 7.35

 

CMYK 11 / 8 / 0 / 11

HEX #C9D0E3

RGB 201 208 227

HSL 223.85, 0.32%, 0.84%

LAB 83.48, 1.32, -10.19

 

CMYK 0 / 11 / 3 / 11

HEX #E3C9DD

RGB 227 201 221

HSL 313.85, 0.32%, 0.84%

LAB 83.61, 12.54, -6.57

 

Description

Color code: RGB 227 220 201 | qconv.com Color code: RGB 227 220 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 220 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 220 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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