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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 167 142 it is the complementary color RGB 28 88 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 167 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 167 142: RGB 232 167 137, RGB 249 185 156, RGB 255 203 175, RGB 255 221 194 and RGB 255 239 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 167 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 167 142: RGB 227 167 142, RGB 210 149 123, RGB 193 131 104, RGB 176 113 85 and RGB 159 95 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

Complementary color

CMYK 75 / 22 / 0 / 56

HEX #1C5871

RGB 28 88 113

HSL 197.65, 0.6%, 0.28%

LAB 34.84, -10.06, -19.79

 

CMYK 0 / 28 / 41 / 9

HEX #E8A789

RGB 232 167 137

HSL 18.95, 0.67%, 0.72%

LAB 73.93, 20.28, 25

 

CMYK 0 / 26 / 37 / 2

HEX #F9B99C

RGB 249 185 156

HSL 18.71, 0.89%, 0.79%

LAB 80.31, 19.46, 23.77

 

CMYK 0 / 20 / 31 / 0

HEX #FFCBAF

RGB 255 203 175

HSL 21, 1%, 0.84%

LAB 85.54, 14.59, 20.98

 

CMYK 0 / 13 / 24 / 0

HEX #FFDDC2

RGB 255 221 194

HSL 26.56, 1%, 0.88%

LAB 90.26, 7.75, 17.59

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 0 / 29 / 41 / 18

HEX #D2957B

RGB 210 149 123

HSL 17.93, 0.49%, 0.65%

LAB 67, 19.75, 22.87

 

CMYK 0 / 32 / 46 / 24

HEX #C18368

RGB 193 131 104

HSL 18.2, 0.42%, 0.58%

LAB 60.4, 20.71, 24.26

 

CMYK 0 / 36 / 52 / 31

HEX #B07155

RGB 176 113 85

HSL 18.46, 0.37%, 0.51%

LAB 53.7, 21.82, 25.8

 

CMYK 0 / 40 / 58 / 38

HEX #9F5F42

RGB 159 95 66

HSL 18.71, 0.41%, 0.44%

LAB 46.91, 23.11, 27.54

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 0 / 21 / 38 / 11

HEX #E2B38C

RGB 226 179 140

HSL 27.21, 0.6%, 0.72%

LAB 76.25, 11.86, 26.41

 

CMYK 0 / 15 / 38 / 11

HEX #E2C18C

RGB 226 193 140

HSL 36.98, 0.6%, 0.72%

LAB 79.73, 4.46, 31.04

 

CMYK 0 / 8 / 38 / 11

HEX #E2CF8C

RGB 226 207 140

HSL 46.74, 0.6%, 0.72%

LAB 83.28, -2.83, 35.71

 

CMYK 0 / 2 / 38 / 11

HEX #E2DE8C

RGB 226 222 140

HSL 57.21, 0.6%, 0.72%

LAB 87.15, -10.45, 40.7

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 0 / 26 / 39 / 91

HEX #17110E

RGB 23 17 14

HSL 20, 0.24%, 0.07%

LAB 5.55, 2, 2.41

 

CMYK 0 / 27 / 38 / 71

HEX #4A362E

RGB 74 54 46

HSL 17.14, 0.23%, 0.24%

LAB 24.61, 7.64, 8.5

 

CMYK 0 / 26 / 38 / 51

HEX #7D5C4E

RGB 125 92 78

HSL 17.87, 0.23%, 0.4%

LAB 42.1, 11.47, 13.33

 

CMYK 0 / 27 / 38 / 31

HEX #B0816E

RGB 176 129 110

HSL 17.27, 0.29%, 0.56%

LAB 58.09, 15.58, 17.42

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 18 / 0 / 38 / 11

HEX #B9E28C

RGB 185 226 140

HSL 88.6, 0.6%, 0.72%

LAB 85.3, -27.87, 37.75

 

CMYK 38 / 34 / 0 / 11

HEX #8C96E2

RGB 140 150 226

HSL 233.02, 0.6%, 0.72%

LAB 64.06, 14.81, -39.71

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 38 / 0 / 27 / 11

HEX #8CE2A5

RGB 140 226 165

HSL 137.44, 0.6%, 0.72%

LAB 83.28, -38.79, 21.82

 

CMYK 27 / 38 / 0 / 11

HEX #A58CE2

RGB 165 140 226

HSL 257.44, 0.6%, 0.72%

LAB 63.55, 27.47, -40.37

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 18 / 0 / 38 / 11

HEX #B9E28C

RGB 185 226 140

HSL 88.6, 0.6%, 0.72%

LAB 85.3, -27.87, 37.75

 

CMYK 38 / 11 / 0 / 11

HEX #8CCAE2

RGB 140 202 226

HSL 196.74, 0.6%, 0.72%

LAB 78.06, -13.81, -18.18

 

CMYK 19 / 38 / 0 / 11

HEX #B68CE2

RGB 182 140 226

HSL 269.3, 0.6%, 0.72%

LAB 65.11, 32.4, -37.8

 

CMYK 0 / 26 / 37 / 11

HEX #E3A78E

RGB 227 167 142

HSL 17.65, 0.6%, 0.72%

LAB 73.49, 18.89, 21.61

 

CMYK 30 / 0 / 38 / 11

HEX #9FE28C

RGB 159 226 140

HSL 106.74, 0.6%, 0.72%

LAB 83.79, -36.9, 35.49

 

CMYK 38 / 11 / 0 / 11

HEX #8CCAE2

RGB 140 202 226

HSL 196.74, 0.6%, 0.72%

LAB 78.06, -13.81, -18.18

 

CMYK 8 / 38 / 0 / 11

HEX #CF8CE2

RGB 207 140 226

HSL 286.74, 0.6%, 0.72%

LAB 67.66, 39.87, -33.65

 

Description

Color code: RGB 227 167 142 | qconv.com Color code: RGB 227 167 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 167 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 167 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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