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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 96 135 it is the complementary color RGB 30 159 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 96 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 96 135: RGB 230 96 130, RGB 247 114 149, RGB 255 132 168, RGB 255 150 187 and RGB 255 168 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 96 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 96 135: RGB 225 96 135, RGB 208 78 116, RGB 191 60 97, RGB 174 42 78 and RGB 157 24 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

Complementary color

CMYK 81 / 0 / 25 / 38

HEX #1E9F78

RGB 30 159 120

HSL 161.86, 0.68%, 0.37%

LAB 58.44, -42.94, 10.97

 

CMYK 0 / 58 / 43 / 10

HEX #E66082

RGB 230 96 130

HSL 344.78, 0.73%, 0.64%

LAB 58.79, 54.95, 7.9

 

CMYK 0 / 54 / 40 / 3

HEX #F77295

RGB 247 114 149

HSL 344.21, 0.89%, 0.71%

LAB 64.95, 54.18, 6.08

 

CMYK 0 / 48 / 34 / 0

HEX #FF84A8

RGB 255 132 168

HSL 342.44, 1%, 0.76%

LAB 69.89, 50.35, 2.61

 

CMYK 0 / 41 / 27 / 0

HEX #FF96BB

RGB 255 150 187

HSL 338.86, 1%, 0.79%

LAB 73.97, 43.75, -2

 

CMYK 0 / 34 / 19 / 0

HEX #FFA8CE

RGB 255 168 206

HSL 333.79, 1%, 0.83%

LAB 78.3, 37.16, -6.04

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 0 / 63 / 44 / 18

HEX #D04E74

RGB 208 78 116

HSL 342.46, 0.58%, 0.56%

LAB 51.97, 54.45, 5.97

 

CMYK 0 / 69 / 49 / 25

HEX #BF3C61

RGB 191 60 97

HSL 343.05, 0.52%, 0.49%

LAB 45.87, 54.79, 8.42

 

CMYK 0 / 76 / 55 / 32

HEX #AE2A4E

RGB 174 42 78

HSL 343.64, 0.61%, 0.42%

LAB 39.92, 54.65, 11.5

 

CMYK 0 / 85 / 62 / 38

HEX #9D183B

RGB 157 24 59

HSL 344.21, 0.73%, 0.35%

LAB 34.27, 53.66, 15.45

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 0 / 57 / 49 / 12

HEX #E06073

RGB 224 96 115

HSL 351.09, 0.67%, 0.63%

LAB 57.51, 51.54, 14.73

 

CMYK 0 / 56 / 57 / 12

HEX #E06260

RGB 224 98 96

HSL 0.94, 0.67%, 0.63%

LAB 57.49, 49.04, 25.73

 

CMYK 0 / 46 / 57 / 12

HEX #E07860

RGB 224 120 96

HSL 11.25, 0.67%, 0.63%

LAB 61.76, 38.16, 31.25

 

CMYK 0 / 37 / 57 / 12

HEX #E08D60

RGB 224 141 96

HSL 21.09, 0.67%, 0.63%

LAB 66.32, 27.14, 36.99

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 0 / 57 / 38 / 92

HEX #15090D

RGB 21 9 13

HSL 340, 0.4%, 0.06%

LAB 3.47, 4.7, -0.17

 

CMYK 0 / 57 / 40 / 72

HEX #481F2B

RGB 72 31 43

HSL 342.44, 0.4%, 0.2%

LAB 18.06, 21.07, 1.25

 

CMYK 0 / 58 / 40 / 52

HEX #7B344A

RGB 123 52 74

HSL 341.41, 0.41%, 0.34%

LAB 32.17, 33.28, 1.8

 

CMYK 0 / 57 / 40 / 32

HEX #AE4A68

RGB 174 74 104

HSL 342, 0.4%, 0.49%

LAB 45.49, 43.81, 3.21

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 0 / 7 / 57 / 12

HEX #E0D160

RGB 224 209 96

HSL 52.97, 0.67%, 0.63%

LAB 83.07, -8.72, 56.82

 

CMYK 57 / 16 / 0 / 12

HEX #60BCE0

RGB 96 188 224

HSL 196.88, 0.67%, 0.63%

LAB 72.12, -17.18, -26.31

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 39 / 0 / 57 / 12

HEX #89E060

RGB 137 224 96

HSL 100.78, 0.67%, 0.63%

LAB 81.55, -48.67, 53.59

 

CMYK 57 / 39 / 0 / 12

HEX #6089E0

RGB 96 137 224

HSL 220.78, 0.67%, 0.63%

LAB 57.81, 11.45, -48.63

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 0 / 7 / 57 / 12

HEX #E0D160

RGB 224 209 96

HSL 52.97, 0.67%, 0.63%

LAB 83.07, -8.72, 56.82

 

CMYK 57 / 0 / 18 / 12

HEX #60E0B8

RGB 96 224 184

HSL 161.25, 0.67%, 0.63%

LAB 81.43, -44.87, 9.03

 

CMYK 57 / 50 / 0 / 12

HEX #606FE0

RGB 96 111 224

HSL 232.97, 0.67%, 0.63%

LAB 50.96, 27.23, -59.57

 

CMYK 0 / 57 / 40 / 12

HEX #E16087

RGB 225 96 135

HSL 341.86, 0.68%, 0.63%

LAB 58.15, 53.84, 3.97

 

CMYK 10 / 0 / 57 / 12

HEX #C9E060

RGB 201 224 96

HSL 70.78, 0.67%, 0.63%

LAB 85.29, -25.42, 58.84

 

CMYK 57 / 0 / 18 / 12

HEX #60E0B8

RGB 96 224 184

HSL 161.25, 0.67%, 0.63%

LAB 81.43, -44.87, 9.03

 

CMYK 46 / 57 / 0 / 12

HEX #7860E0

RGB 120 96 224

HSL 251.25, 0.67%, 0.63%

LAB 49.18, 41.04, -62.35

 

Description

Color code: RGB 225 96 135 | qconv.com Color code: RGB 225 96 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 96 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 96 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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