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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 72 117 it is the complementary color RGB 33 183 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 72 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 72 117: RGB 227 72 112, RGB 244 90 131, RGB 255 108 150, RGB 255 126 169 and RGB 255 144 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 72 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 72 117: RGB 222 72 117, RGB 205 54 98, RGB 188 36 79, RGB 171 18 60 and RGB 154 0 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

Complementary color

CMYK 82 / 0 / 25 / 28

HEX #21B78A

RGB 33 183 138

HSL 162, 0.69%, 0.42%

LAB 66.54, -48.09, 12.41

 

CMYK 0 / 68 / 51 / 11

HEX #E34870

RGB 227 72 112

HSL 344.52, 0.73%, 0.59%

LAB 54.17, 62.36, 11.92

 

CMYK 0 / 63 / 46 / 4

HEX #F45A83

RGB 244 90 131

HSL 344.03, 0.88%, 0.65%

LAB 60.05, 62.05, 9.42

 

CMYK 0 / 58 / 41 / 0

HEX #FF6C96

RGB 255 108 150

HSL 342.86, 1%, 0.71%

LAB 65.11, 59.6, 5.9

 

CMYK 0 / 51 / 34 / 0

HEX #FF7EA9

RGB 255 126 169

HSL 340, 1%, 0.75%

LAB 68.78, 53.37, 0.44

 

CMYK 0 / 44 / 26 / 0

HEX #FF90BC

RGB 255 144 188

HSL 336.22, 1%, 0.78%

LAB 72.78, 46.92, -4.3

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 0 / 74 / 52 / 20

HEX #CD3662

RGB 205 54 98

HSL 342.52, 0.6%, 0.51%

LAB 47.62, 61.21, 10.64

 

CMYK 0 / 81 / 58 / 26

HEX #BC244F

RGB 188 36 79

HSL 343.03, 0.68%, 0.44%

LAB 42.03, 60.47, 14.19

 

CMYK 0 / 89 / 65 / 33

HEX #AB123C

RGB 171 18 60

HSL 343.53, 0.81%, 0.37%

LAB 36.77, 58.73, 18.65

 

CMYK 0 / 100 / 73 / 40

HEX #9A0029

RGB 154 0 41

HSL 344.03, 1%, 0.3%

LAB 31.88, 55.97, 24

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 0 / 67 / 58 / 13

HEX #DD4A5D

RGB 221 74 93

HSL 352.24, 0.68%, 0.58%

LAB 53.02, 58.3, 21.49

 

CMYK 0 / 65 / 67 / 13

HEX #DD4E4A

RGB 221 78 74

HSL 1.63, 0.68%, 0.58%

LAB 53.29, 55.49, 32.96

 

CMYK 0 / 53 / 67 / 13

HEX #DD674A

RGB 221 103 74

HSL 11.84, 0.68%, 0.58%

LAB 57.62, 44.1, 38.17

 

CMYK 0 / 42 / 67 / 13

HEX #DD804A

RGB 221 128 74

HSL 22.04, 0.68%, 0.58%

LAB 62.76, 31.33, 44.15

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 0 / 67 / 50 / 93

HEX #120609

RGB 18 6 9

HSL 345, 0.5%, 0.05%

LAB 2.52, 4.06, 0.15

 

CMYK 0 / 68 / 48 / 73

HEX #451624

RGB 69 22 36

HSL 342.13, 0.52%, 0.18%

LAB 15.31, 24.1, 2.22

 

CMYK 0 / 68 / 48 / 53

HEX #78273F

RGB 120 39 63

HSL 342.22, 0.51%, 0.31%

LAB 28.91, 37.39, 4.27

 

CMYK 0 / 68 / 47 / 33

HEX #AB375A

RGB 171 55 90

HSL 341.9, 0.51%, 0.44%

LAB 41.42, 49.93, 5.97

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 0 / 6 / 67 / 13

HEX #DDCF4A

RGB 221 207 74

HSL 54.29, 0.68%, 0.58%

LAB 82.11, -10.37, 65.07

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 47 / 0 / 67 / 13

HEX #76DD4A

RGB 118 221 74

HSL 102.04, 0.68%, 0.58%

LAB 79.65, -55.39, 60.53

 

CMYK 67 / 47 / 0 / 13

HEX #4A76DD

RGB 74 118 221

HSL 222.04, 0.68%, 0.58%

LAB 51.42, 18.03, -57.21

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 0 / 6 / 67 / 13

HEX #DDCF4A

RGB 221 207 74

HSL 54.29, 0.68%, 0.58%

LAB 82.11, -10.37, 65.07

 

CMYK 67 / 0 / 20 / 13

HEX #4ADDB1

RGB 74 221 177

HSL 162.04, 0.68%, 0.58%

LAB 79.81, -49.15, 10.33

 

CMYK 67 / 60 / 0 / 13

HEX #4A58DD

RGB 74 88 221

HSL 234.29, 0.68%, 0.58%

LAB 43.74, 36.73, -69.64

 

CMYK 0 / 68 / 47 / 13

HEX #DE4875

RGB 222 72 117

HSL 342, 0.69%, 0.58%

LAB 53.44, 61.3, 7.78

 

CMYK 13 / 0 / 67 / 13

HEX #C0DD4A

RGB 192 221 74

HSL 71.84, 0.68%, 0.58%

LAB 83.66, -29.11, 65.97

 

CMYK 67 / 0 / 20 / 13

HEX #4ADDB1

RGB 74 221 177

HSL 162.04, 0.68%, 0.58%

LAB 79.81, -49.15, 10.33

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

Description

Color code: RGB 222 72 117 | qconv.com Color code: RGB 222 72 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 72 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 72 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 47% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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