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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 196 179 it is the complementary color RGB 33 59 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 196 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 196 179: RGB 227 196 174, RGB 244 214 193, RGB 255 232 212, RGB 255 250 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 196 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 196 179: RGB 222 196 179, RGB 205 178 160, RGB 188 160 141, RGB 171 142 122 and RGB 154 124 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

Complementary color

CMYK 57 / 22 / 0 / 70

HEX #213B4C

RGB 33 59 76

HSL 203.72, 0.39%, 0.21%

LAB 23.58, -4.34, -13.45

 

CMYK 0 / 14 / 23 / 11

HEX #E3C4AE

RGB 227 196 174

HSL 24.91, 0.49%, 0.79%

LAB 81.22, 7.62, 15.09

 

CMYK 0 / 12 / 21 / 4

HEX #F4D6C1

RGB 244 214 193

HSL 24.71, 0.7%, 0.86%

LAB 87.57, 7.21, 14.19

 

CMYK 0 / 9 / 17 / 0

HEX #FFE8D4

RGB 255 232 212

HSL 27.91, 1%, 0.92%

LAB 93.33, 4.69, 12.56

 

CMYK 0 / 2 / 9 / 0

HEX #FFFAE7

RGB 255 250 231

HSL 47.5, 1%, 0.95%

LAB 98.19, -1.5, 9.69

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 0 / 13 / 22 / 20

HEX #CDB2A0

RGB 205 178 160

HSL 24, 0.31%, 0.72%

LAB 74.42, 6.89, 12.78

 

CMYK 0 / 15 / 25 / 26

HEX #BCA08D

RGB 188 160 141

HSL 24.26, 0.26%, 0.65%

LAB 67.84, 7.34, 13.72

 

CMYK 0 / 17 / 29 / 33

HEX #AB8E7A

RGB 171 142 122

HSL 24.49, 0.23%, 0.57%

LAB 61.14, 7.85, 14.74

 

CMYK 0 / 19 / 33 / 40

HEX #9A7C67

RGB 154 124 103

HSL 24.71, 0.2%, 0.5%

LAB 54.31, 8.45, 15.86

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 0 / 9 / 19 / 13

HEX #DECBB4

RGB 222 203 180

HSL 32.86, 0.39%, 0.79%

LAB 82.67, 2.96, 13.87

 

CMYK 0 / 5 / 19 / 13

HEX #DED2B4

RGB 222 210 180

HSL 42.86, 0.39%, 0.79%

LAB 84.44, -0.69, 16.37

 

CMYK 0 / 2 / 19 / 13

HEX #DED9B4

RGB 222 217 180

HSL 52.86, 0.39%, 0.79%

LAB 86.23, -4.3, 18.87

 

CMYK 1 / 0 / 19 / 13

HEX #DCDEB4

RGB 220 222 180

HSL 62.86, 0.39%, 0.79%

LAB 87.37, -7.58, 20.43

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 0 / 11 / 17 / 93

HEX #12100F

RGB 18 16 15

HSL 20, 0.09%, 0.06%

LAB 4.82, 0.56, 0.77

 

CMYK 0 / 12 / 19 / 73

HEX #453D38

RGB 69 61 56

HSL 23.08, 0.1%, 0.25%

LAB 26.41, 2.47, 4.34

 

CMYK 0 / 12 / 19 / 53

HEX #786A61

RGB 120 106 97

HSL 23.48, 0.11%, 0.43%

LAB 45.86, 3.92, 7.06

 

CMYK 0 / 12 / 19 / 33

HEX #AB978A

RGB 171 151 138

HSL 23.64, 0.16%, 0.61%

LAB 63.86, 5.24, 9.55

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 11 / 0 / 19 / 13

HEX #C5DEB4

RGB 197 222 180

HSL 95.71, 0.39%, 0.79%

LAB 85.71, -15.81, 17.87

 

CMYK 19 / 18 / 0 / 13

HEX #B4B5DE

RGB 180 181 222

HSL 238.57, 0.39%, 0.79%

LAB 74.84, 8.08, -20.65

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 19 / 0 / 12 / 13

HEX #B4DEC4

RGB 180 222 196

HSL 142.86, 0.39%, 0.79%

LAB 84.96, -18.76, 8.25

 

CMYK 12 / 19 / 0 / 13

HEX #C4B4DE

RGB 196 180 222

HSL 262.86, 0.39%, 0.79%

LAB 75.86, 13.72, -18.99

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 11 / 0 / 19 / 13

HEX #C5DEB4

RGB 197 222 180

HSL 95.71, 0.39%, 0.79%

LAB 85.71, -15.81, 17.87

 

CMYK 19 / 7 / 0 / 13

HEX #B4CEDE

RGB 180 206 222

HSL 202.86, 0.39%, 0.79%

LAB 81.36, -5.33, -10.84

 

CMYK 8 / 19 / 0 / 13

HEX #CCB4DE

RGB 204 180 222

HSL 274.29, 0.39%, 0.79%

LAB 76.53, 16.32, -17.91

 

CMYK 0 / 12 / 19 / 13

HEX #DEC4B3

RGB 222 196 179

HSL 23.72, 0.39%, 0.79%

LAB 80.89, 6.49, 11.89

 

CMYK 17 / 0 / 19 / 13

HEX #B9DEB4

RGB 185 222 180

HSL 112.86, 0.39%, 0.79%

LAB 84.92, -19.95, 16.65

 

CMYK 19 / 7 / 0 / 13

HEX #B4CEDE

RGB 180 206 222

HSL 202.86, 0.39%, 0.79%

LAB 81.36, -5.33, -10.84

 

CMYK 2 / 19 / 0 / 13

HEX #D9B4DE

RGB 217 180 222

HSL 292.86, 0.39%, 0.79%

LAB 77.68, 20.61, -16.06

 

Description

Color code: RGB 222 196 179 | qconv.com Color code: RGB 222 196 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 196 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 196 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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