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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 160 130 it is the complementary color RGB 33 95 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 160 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 160 130: RGB 227 160 125, RGB 244 178 144, RGB 255 196 163, RGB 255 214 182 and RGB 255 232 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 160 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 160 130: RGB 222 160 130, RGB 205 142 111, RGB 188 124 92, RGB 171 106 73 and RGB 154 88 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

Complementary color

CMYK 74 / 24 / 0 / 51

HEX #215F7D

RGB 33 95 125

HSL 199.57, 0.58%, 0.31%

LAB 37.82, -9.09, -22.55

 

CMYK 0 / 30 / 45 / 11

HEX #E3A07D

RGB 227 160 125

HSL 20.59, 0.65%, 0.69%

LAB 71.52, 20.78, 28.16

 

CMYK 0 / 27 / 41 / 4

HEX #F4B290

RGB 244 178 144

HSL 20.4, 0.82%, 0.76%

LAB 77.93, 19.88, 26.84

 

CMYK 0 / 23 / 36 / 0

HEX #FFC4A3

RGB 255 196 163

HSL 21.52, 1%, 0.82%

LAB 83.64, 16.79, 24.7

 

CMYK 0 / 16 / 29 / 0

HEX #FFD6B6

RGB 255 214 182

HSL 26.3, 1%, 0.86%

LAB 88.32, 9.76, 21.15

 

CMYK 0 / 9 / 21 / 0

HEX #FFE8C9

RGB 255 232 201

HSL 34.44, 1%, 0.89%

LAB 93.1, 3.09, 17.93

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 0 / 31 / 46 / 20

HEX #CD8E6F

RGB 205 142 111

HSL 19.79, 0.48%, 0.62%

LAB 64.54, 20.27, 26.11

 

CMYK 0 / 34 / 51 / 26

HEX #BC7C5C

RGB 188 124 92

HSL 20, 0.42%, 0.55%

LAB 57.92, 21.34, 27.61

 

CMYK 0 / 38 / 57 / 33

HEX #AB6A49

RGB 171 106 73

HSL 20.2, 0.4%, 0.48%

LAB 51.21, 22.58, 29.28

 

CMYK 0 / 43 / 65 / 40

HEX #9A5836

RGB 154 88 54

HSL 20.4, 0.48%, 0.41%

LAB 44.4, 24.01, 31.14

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 0 / 21 / 41 / 13

HEX #DDAE82

RGB 221 174 130

HSL 29.01, 0.57%, 0.69%

LAB 74.35, 11.42, 29.12

 

CMYK 0 / 14 / 41 / 13

HEX #DDBD82

RGB 221 189 130

HSL 38.9, 0.57%, 0.69%

LAB 78.1, 3.46, 34.04

 

CMYK 0 / 8 / 41 / 13

HEX #DDCC82

RGB 221 204 130

HSL 48.79, 0.57%, 0.69%

LAB 81.93, -4.35, 38.98

 

CMYK 0 / 0 / 41 / 13

HEX #DDDC82

RGB 221 220 130

HSL 59.34, 0.57%, 0.69%

LAB 86.09, -12.47, 44.24

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 0 / 28 / 39 / 93

HEX #120D0B

RGB 18 13 11

HSL 17.14, 0.24%, 0.06%

LAB 3.98, 1.43, 1.46

 

CMYK 0 / 28 / 42 / 73

HEX #453228

RGB 69 50 40

HSL 20.69, 0.27%, 0.21%

LAB 22.65, 6.99, 9.71

 

CMYK 0 / 28 / 42 / 53

HEX #785646

RGB 120 86 70

HSL 19.2, 0.26%, 0.37%

LAB 39.73, 11.85, 14.87

 

CMYK 0 / 28 / 42 / 33

HEX #AB7B64

RGB 171 123 100

HSL 19.44, 0.3%, 0.53%

LAB 55.83, 15.7, 19.96

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 38 / 0 / 13

HEX #8289DD

RGB 130 137 221

HSL 235.38, 0.57%, 0.69%

LAB 59.76, 18.37, -43.73

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 41 / 0 / 28 / 13

HEX #82DD9F

RGB 130 221 159

HSL 139.12, 0.57%, 0.69%

LAB 81.27, -40.5, 22.12

 

CMYK 28 / 41 / 0 / 13

HEX #9F82DD

RGB 159 130 221

HSL 259.12, 0.57%, 0.69%

LAB 60.39, 30.25, -42.58

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 13 / 0 / 13

HEX #82C0DD

RGB 130 192 221

HSL 199.12, 0.57%, 0.69%

LAB 74.61, -12.46, -20.74

 

CMYK 20 / 41 / 0 / 13

HEX #B182DD

RGB 177 130 221

HSL 270.99, 0.57%, 0.69%

LAB 62.11, 35.38, -39.76

 

CMYK 0 / 28 / 41 / 13

HEX #DEA082

RGB 222 160 130

HSL 19.57, 0.58%, 0.69%

LAB 71.07, 19.33, 24.75

 

CMYK 34 / 0 / 41 / 13

HEX #92DD82

RGB 146 221 130

HSL 109.45, 0.57%, 0.69%

LAB 81.53, -40.34, 37.45

 

CMYK 41 / 13 / 0 / 13

HEX #82C0DD

RGB 130 192 221

HSL 199.12, 0.57%, 0.69%

LAB 74.61, -12.46, -20.74

 

CMYK 8 / 41 / 0 / 13

HEX #CC82DD

RGB 204 130 221

HSL 288.79, 0.57%, 0.69%

LAB 64.98, 43.32, -35.06

 

Description

Color code: RGB 222 160 130 | qconv.com Color code: RGB 222 160 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 160 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 160 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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