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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 130 196 it is the complementary color RGB 33 125 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 130 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 130 196: RGB 227 130 191, RGB 244 148 210, RGB 255 166 229, RGB 255 184 248 and RGB 255 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 130 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 130 196: RGB 222 130 196, RGB 205 112 177, RGB 188 94 158, RGB 171 76 139 and RGB 154 58 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

Complementary color

CMYK 74 / 0 / 53 / 51

HEX #217D3B

RGB 33 125 59

HSL 136.96, 0.58%, 0.31%

LAB 46.05, -41.69, 28.3

 

CMYK 0 / 43 / 16 / 11

HEX #E382BF

RGB 227 130 191

HSL 322.27, 0.63%, 0.7%

LAB 66.56, 45.22, -15.63

 

CMYK 0 / 39 / 14 / 4

HEX #F494D2

RGB 244 148 210

HSL 321.25, 0.81%, 0.77%

LAB 72.94, 44.46, -16.38

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E5

RGB 255 166 229

HSL 317.53, 1%, 0.83%

LAB 78.57, 41.78, -18.13

 

CMYK 0 / 28 / 3 / 0

HEX #FFB8F8

RGB 255 184 248

HSL 305.92, 1%, 0.86%

LAB 83.08, 35.62, -21.52

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 45 / 14 / 20

HEX #CD70B1

RGB 205 112 177

HSL 318.06, 0.48%, 0.62%

LAB 59.65, 45.15, -18.42

 

CMYK 0 / 50 / 16 / 26

HEX #BC5E9E

RGB 188 94 158

HSL 319.15, 0.41%, 0.55%

LAB 53.13, 45.88, -17.56

 

CMYK 0 / 56 / 19 / 33

HEX #AB4C8B

RGB 171 76 139

HSL 320.21, 0.38%, 0.48%

LAB 46.57, 46.52, -16.5

 

CMYK 0 / 62 / 22 / 40

HEX #9A3A78

RGB 154 58 120

HSL 321.25, 0.45%, 0.42%

LAB 40, 46.96, -15.17

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 41 / 18 / 13

HEX #DD82B6

RGB 221 130 182

HSL 325.71, 0.57%, 0.69%

LAB 65.53, 41.85, -12.2

 

CMYK 0 / 41 / 25 / 13

HEX #DD82A6

RGB 221 130 166

HSL 336.26, 0.57%, 0.69%

LAB 65.03, 39.5, -3.88

 

CMYK 0 / 41 / 32 / 13

HEX #DD8297

RGB 221 130 151

HSL 346.15, 0.57%, 0.69%

LAB 64.62, 37.48, 4.02

 

CMYK 0 / 41 / 38 / 13

HEX #DD8288

RGB 221 130 136

HSL 356.04, 0.57%, 0.69%

LAB 64.25, 35.66, 12.01

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 39 / 11 / 93

HEX #120B10

RGB 18 11 16

HSL 317.14, 0.24%, 0.06%

LAB 3.66, 3.17, -1.47

 

CMYK 0 / 42 / 12 / 73

HEX #45283D

RGB 69 40 61

HSL 316.55, 0.27%, 0.21%

LAB 20.52, 17.31, -7.71

 

CMYK 0 / 42 / 12 / 53

HEX #78466A

RGB 120 70 106

HSL 316.8, 0.26%, 0.37%

LAB 36.77, 27.07, -11.83

 

CMYK 0 / 42 / 12 / 33

HEX #AB6497

RGB 171 100 151

HSL 316.9, 0.3%, 0.53%

LAB 51.84, 36, -15.61

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 22 / 41 / 13

HEX #DDAC82

RGB 221 172 130

HSL 27.69, 0.57%, 0.69%

LAB 73.86, 12.49, 28.47

 

CMYK 41 / 0 / 5 / 13

HEX #82DDD1

RGB 130 221 209

HSL 172.09, 0.57%, 0.69%

LAB 82.41, -30.01, -2.65

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 11 / 0 / 41 / 13

HEX #C5DD82

RGB 197 221 130

HSL 75.82, 0.57%, 0.69%

LAB 84.58, -22.24, 41.97

 

CMYK 41 / 11 / 0 / 13

HEX #82C5DD

RGB 130 197 221

HSL 195.82, 0.57%, 0.69%

LAB 76.01, -15.07, -18.63

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 22 / 41 / 13

HEX #DDAC82

RGB 221 172 130

HSL 27.69, 0.57%, 0.69%

LAB 73.86, 12.49, 28.47

 

CMYK 41 / 0 / 30 / 13

HEX #82DD9A

RGB 130 221 154

HSL 135.82, 0.57%, 0.69%

LAB 81.18, -41.4, 24.59

 

CMYK 41 / 19 / 0 / 13

HEX #82B3DD

RGB 130 179 221

HSL 207.69, 0.57%, 0.69%

LAB 71.01, -5.5, -26.24

 

CMYK 0 / 41 / 12 / 13

HEX #DE82C4

RGB 222 130 196

HSL 316.96, 0.58%, 0.69%

LAB 66.12, 44.4, -19.17

 

CMYK 0 / 10 / 41 / 13

HEX #DDC882

RGB 221 200 130

HSL 46.15, 0.57%, 0.69%

LAB 80.9, -2.28, 37.66

 

CMYK 41 / 0 / 30 / 13

HEX #82DD9A

RGB 130 221 154

HSL 135.82, 0.57%, 0.69%

LAB 81.18, -41.4, 24.59

 

CMYK 41 / 32 / 0 / 13

HEX #8297DD

RGB 130 151 221

HSL 226.15, 0.57%, 0.69%

LAB 63.43, 10.22, -37.98

 

Description

Color code: RGB 222 130 196 | qconv.com Color code: RGB 222 130 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 130 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 130 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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