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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 219 143 it is the complementary color RGB 34 36 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 219 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 219 143: RGB 226 219 138, RGB 243 237 157, RGB 255 255 176, RGB 255 255 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 219 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 219 143: RGB 221 219 143, RGB 204 201 124, RGB 187 183 105, RGB 170 165 86 and RGB 153 147 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

Complementary color

CMYK 70 / 68 / 0 / 56

HEX #222470

RGB 34 36 112

HSL 238.46, 0.53%, 0.29%

LAB 19.11, 25.67, -44.22

 

CMYK 0 / 3 / 39 / 11

HEX #E2DB8A

RGB 226 219 138

HSL 55.23, 0.6%, 0.71%

LAB 86.34, -9.16, 40.67

 

CMYK 0 / 2 / 35 / 5

HEX #F3ED9D

RGB 243 237 157

HSL 55.81, 0.78%, 0.78%

LAB 92.6, -9.52, 39.52

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 0 / 1 / 39 / 20

HEX #CCC97C

RGB 204 201 124

HSL 57.75, 0.44%, 0.64%

LAB 79.65, -10.21, 38.82

 

CMYK 0 / 2 / 44 / 27

HEX #BBB769

RGB 187 183 105

HSL 57.07, 0.38%, 0.57%

LAB 73.19, -9.81, 40.03

 

CMYK 0 / 3 / 49 / 33

HEX #AAA556

RGB 170 165 86

HSL 56.43, 0.33%, 0.5%

LAB 66.62, -9.32, 41.24

 

CMYK 0 / 4 / 56 / 40

HEX #999343

RGB 153 147 67

HSL 55.81, 0.39%, 0.43%

LAB 59.93, -8.71, 42.43

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 5 / 0 / 36 / 14

HEX #D1DC8D

RGB 209 220 141

HSL 68.35, 0.53%, 0.71%

LAB 85.33, -15.89, 37.61

 

CMYK 11 / 0 / 36 / 14

HEX #C4DC8D

RGB 196 220 141

HSL 78.23, 0.53%, 0.71%

LAB 84.4, -20.8, 36.22

 

CMYK 17 / 0 / 36 / 14

HEX #B7DC8D

RGB 183 220 141

HSL 88.1, 0.53%, 0.71%

LAB 83.54, -25.59, 34.92

 

CMYK 23 / 0 / 36 / 14

HEX #AADC8D

RGB 170 220 141

HSL 97.97, 0.53%, 0.71%

LAB 82.73, -30.23, 33.71

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 0 / 0 / 35 / 93

HEX #11110B

RGB 17 17 11

HSL 60, 0.21%, 0.05%

LAB 4.92, -1.03, 2.82

 

CMYK 0 / 1 / 35 / 73

HEX #44432C

RGB 68 67 44

HSL 57.5, 0.21%, 0.22%

LAB 27.91, -3.88, 14.16

 

CMYK 0 / 1 / 35 / 53

HEX #77764D

RGB 119 118 77

HSL 58.57, 0.21%, 0.38%

LAB 48.78, -6.48, 22.77

 

CMYK 0 / 1 / 35 / 33

HEX #AAA86E

RGB 170 168 110

HSL 58, 0.26%, 0.55%

LAB 67.78, -8.31, 30.26

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 36 / 0 / 30 / 14

HEX #8DDC9A

RGB 141 220 154

HSL 129.87, 0.53%, 0.71%

LAB 81.39, -37.72, 24.96

 

CMYK 15 / 36 / 0 / 14

HEX #BA8DDC

RGB 186 141 220

HSL 274.18, 0.53%, 0.71%

LAB 65.48, 31.71, -33.88

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 36 / 0 / 1 / 14

HEX #8DDCD9

RGB 141 220 217

HSL 177.72, 0.53%, 0.71%

LAB 82.84, -24.83, -6.22

 

CMYK 1 / 36 / 0 / 14

HEX #D98DDC

RGB 217 141 220

HSL 297.72, 0.53%, 0.71%

LAB 68.73, 41.25, -28.59

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 36 / 0 / 30 / 14

HEX #8DDC9A

RGB 141 220 154

HSL 129.87, 0.53%, 0.71%

LAB 81.39, -37.72, 24.96

 

CMYK 36 / 35 / 0 / 14

HEX #8D90DC

RGB 141 144 220

HSL 237.72, 0.53%, 0.71%

LAB 62.32, 16.92, -39.1

 

CMYK 0 / 36 / 6 / 14

HEX #DC8DCF

RGB 220 141 207

HSL 309.87, 0.53%, 0.71%

LAB 68.58, 39.85, -21.58

 

CMYK 0 / 1 / 35 / 13

HEX #DDDB8F

RGB 221 219 143

HSL 58.46, 0.53%, 0.71%

LAB 86.02, -10.55, 37.66

 

CMYK 36 / 0 / 19 / 14

HEX #8DDCB2

RGB 141 220 178

HSL 148.1, 0.53%, 0.71%

LAB 81.87, -33.29, 13.06

 

CMYK 36 / 35 / 0 / 14

HEX #8D90DC

RGB 141 144 220

HSL 237.72, 0.53%, 0.71%

LAB 62.32, 16.92, -39.1

 

CMYK 0 / 36 / 17 / 14

HEX #DC8DB7

RGB 220 141 183

HSL 328.1, 0.53%, 0.71%

LAB 67.79, 35.88, -9.39

 

Description

Color code: RGB 221 219 143 | qconv.com Color code: RGB 221 219 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 219 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 219 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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