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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 202 180 it is the complementary color RGB 34 53 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 202 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 202 180: RGB 226 202 175, RGB 243 220 194, RGB 255 238 213, RGB 255 255 232 and RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 202 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 202 180: RGB 221 202 180, RGB 204 184 161, RGB 187 166 142, RGB 170 148 123 and RGB 153 130 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

Complementary color

CMYK 55 / 29 / 0 / 71

HEX #22354B

RGB 34 53 75

HSL 212.2, 0.38%, 0.21%

LAB 21.56, -0.39, -15.91

 

CMYK 0 / 11 / 23 / 11

HEX #E2CAAF

RGB 226 202 175

HSL 31.76, 0.47%, 0.79%

LAB 82.65, 4.23, 16.56

 

CMYK 0 / 9 / 20 / 5

HEX #F3DCC2

RGB 243 220 194

HSL 31.84, 0.67%, 0.86%

LAB 88.99, 3.88, 15.65

 

CMYK 0 / 7 / 16 / 0

HEX #FFEED5

RGB 255 238 213

HSL 35.71, 1%, 0.92%

LAB 94.83, 1.78, 14.17

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 0 / 10 / 21 / 20

HEX #CCB8A1

RGB 204 184 161

HSL 32.09, 0.3%, 0.72%

LAB 75.88, 3.45, 14.28

 

CMYK 0 / 11 / 24 / 27

HEX #BBA68E

RGB 187 166 142

HSL 32, 0.25%, 0.65%

LAB 69.32, 3.83, 15.23

 

CMYK 0 / 13 / 28 / 33

HEX #AA947B

RGB 170 148 123

HSL 31.91, 0.22%, 0.57%

LAB 62.64, 4.26, 16.25

 

CMYK 0 / 15 / 32 / 40

HEX #998268

RGB 153 130 104

HSL 31.84, 0.19%, 0.5%

LAB 55.82, 4.76, 17.35

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 0 / 5 / 18 / 13

HEX #DDD1B5

RGB 221 209 181

HSL 42, 0.37%, 0.79%

LAB 84.13, -0.39, 15.39

 

CMYK 0 / 2 / 18 / 13

HEX #DDD8B5

RGB 221 216 181

HSL 52.5, 0.37%, 0.79%

LAB 85.92, -4, 17.9

 

CMYK 0 / 0 / 18 / 13

HEX #DCDDB5

RGB 220 221 181

HSL 61.5, 0.37%, 0.79%

LAB 87.13, -6.92, 19.57

 

CMYK 4 / 0 / 18 / 13

HEX #D5DDB5

RGB 213 221 181

HSL 72, 0.37%, 0.79%

LAB 86.6, -9.46, 18.76

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 0 / 6 / 18 / 93

HEX #11100E

RGB 17 16 14

HSL 40, 0.1%, 0.06%

LAB 4.71, 0, 1.11

 

CMYK 0 / 9 / 19 / 73

HEX #443E37

RGB 68 62 55

HSL 32.31, 0.11%, 0.24%

LAB 26.59, 1.18, 5.24

 

CMYK 0 / 8 / 18 / 53

HEX #776D61

RGB 119 109 97

HSL 32.73, 0.1%, 0.42%

LAB 46.61, 1.74, 8.11

 

CMYK 0 / 9 / 19 / 33

HEX #AA9B8A

RGB 170 155 138

HSL 31.88, 0.16%, 0.6%

LAB 64.82, 2.65, 10.91

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 14 / 0 / 18 / 13

HEX #BFDDB5

RGB 191 221 181

HSL 105, 0.37%, 0.79%

LAB 85.06, -17.23, 16.38

 

CMYK 16 / 18 / 0 / 13

HEX #BAB5DD

RGB 186 181 221

HSL 247.5, 0.37%, 0.79%

LAB 75.27, 9.75, -19.41

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 18 / 0 / 9 / 13

HEX #B5DDCA

RGB 181 221 202

HSL 151.5, 0.37%, 0.79%

LAB 84.89, -16.79, 5

 

CMYK 9 / 18 / 0 / 13

HEX #CAB5DD

RGB 202 181 221

HSL 271.5, 0.37%, 0.79%

LAB 76.57, 14.92, -17.31

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 14 / 0 / 18 / 13

HEX #BFDDB5

RGB 191 221 181

HSL 105, 0.37%, 0.79%

LAB 85.06, -17.23, 16.38

 

CMYK 18 / 10 / 0 / 13

HEX #B5C8DD

RGB 181 200 221

HSL 211.5, 0.37%, 0.79%

LAB 79.81, -2.07, -12.6

 

CMYK 5 / 18 / 0 / 13

HEX #D2B5DD

RGB 210 181 221

HSL 283.5, 0.37%, 0.79%

LAB 77.26, 17.55, -16.21

 

CMYK 0 / 9 / 19 / 13

HEX #DDCAB4

RGB 221 202 180

HSL 32.2, 0.38%, 0.79%

LAB 82.33, 3.11, 13.39

 

CMYK 18 / 0 / 18 / 13

HEX #B5DDB6

RGB 181 221 182

HSL 121.5, 0.37%, 0.79%

LAB 84.44, -20.47, 14.89

 

CMYK 18 / 10 / 0 / 13

HEX #B5C8DD

RGB 181 200 221

HSL 211.5, 0.37%, 0.79%

LAB 79.81, -2.07, -12.6

 

CMYK 0 / 18 / 0 / 13

HEX #DDB5DC

RGB 221 181 220

HSL 301.5, 0.37%, 0.79%

LAB 78.22, 21.03, -14.13

 

Description

Color code: RGB 221 202 180 | qconv.com Color code: RGB 221 202 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 202 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 202 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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