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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 170 148 it is the complementary color RGB 34 85 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 170 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 170 148: RGB 226 170 143, RGB 243 188 162, RGB 255 206 181, RGB 255 224 200 and RGB 255 242 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 170 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 170 148: RGB 221 170 148, RGB 204 152 129, RGB 187 134 110, RGB 170 116 91 and RGB 153 98 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

Complementary color

CMYK 68 / 21 / 0 / 58

HEX #22556B

RGB 34 85 107

HSL 198.08, 0.52%, 0.28%

LAB 33.77, -9.41, -17.68

 

CMYK 0 / 25 / 37 / 11

HEX #E2AA8F

RGB 226 170 143

HSL 19.52, 0.59%, 0.72%

LAB 74.13, 17.02, 21.91

 

CMYK 0 / 23 / 33 / 5

HEX #F3BCA2

RGB 243 188 162

HSL 19.26, 0.77%, 0.79%

LAB 80.53, 16.3, 20.77

 

CMYK 0 / 19 / 29 / 0

HEX #FFCEB5

RGB 255 206 181

HSL 20.27, 1%, 0.85%

LAB 86.37, 13.79, 18.98

 

CMYK 0 / 12 / 22 / 0

HEX #FFE0C8

RGB 255 224 200

HSL 26.18, 1%, 0.89%

LAB 91.12, 7.05, 15.67

 

CMYK 0 / 5 / 14 / 0

HEX #FFF2DB

RGB 255 242 219

HSL 38.33, 1%, 0.93%

LAB 95.95, 0.66, 12.66

NCS® S0505-Y30R

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 0 / 25 / 37 / 20

HEX #CC9881

RGB 204 152 129

HSL 18.4, 0.42%, 0.65%

LAB 67.19, 16.42, 19.7

 

CMYK 0 / 28 / 41 / 27

HEX #BB866E

RGB 187 134 110

HSL 18.7, 0.36%, 0.58%

LAB 60.55, 17.26, 20.97

 

CMYK 0 / 32 / 46 / 33

HEX #AA745B

RGB 170 116 91

HSL 18.99, 0.32%, 0.51%

LAB 53.81, 18.23, 22.38

 

CMYK 0 / 36 / 53 / 40

HEX #996248

RGB 153 98 72

HSL 19.26, 0.36%, 0.44%

LAB 46.94, 19.37, 23.96

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 12 / 34 / 14

HEX #DCC192

RGB 220 193 146

HSL 38.11, 0.51%, 0.72%

LAB 79.29, 2.81, 27.21

 

CMYK 0 / 7 / 34 / 14

HEX #DCCD92

RGB 220 205 146

HSL 47.84, 0.51%, 0.72%

LAB 82.35, -3.44, 31.31

 

CMYK 0 / 1 / 34 / 14

HEX #DCDA92

RGB 220 218 146

HSL 58.38, 0.51%, 0.72%

LAB 85.72, -10.08, 35.74

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 0 / 24 / 35 / 93

HEX #110D0B

RGB 17 13 11

HSL 20, 0.21%, 0.05%

LAB 3.89, 1.05, 1.32

 

CMYK 0 / 24 / 32 / 73

HEX #44342E

RGB 68 52 46

HSL 16.36, 0.19%, 0.22%

LAB 23.28, 6.12, 6.53

 

CMYK 0 / 23 / 33 / 53

HEX #775C50

RGB 119 92 80

HSL 18.46, 0.2%, 0.39%

LAB 41.46, 9.16, 11.13

 

CMYK 0 / 23 / 33 / 33

HEX #AA8372

RGB 170 131 114

HSL 18.21, 0.25%, 0.56%

LAB 58.03, 12.53, 14.95

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 17 / 0 / 34 / 14

HEX #B7DC92

RGB 183 220 146

HSL 90, 0.51%, 0.72%

LAB 83.62, -24.92, 32.48

 

CMYK 34 / 30 / 0 / 14

HEX #9299DC

RGB 146 153 220

HSL 234.32, 0.51%, 0.72%

LAB 65.01, 13.13, -34.87

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 34 / 0 / 24 / 14

HEX #92DCA8

RGB 146 220 168

HSL 137.84, 0.51%, 0.72%

LAB 81.91, -33.71, 18.4

 

CMYK 24 / 34 / 0 / 14

HEX #A892DC

RGB 168 146 220

HSL 257.84, 0.51%, 0.72%

LAB 65, 23.49, -34.75

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 17 / 0 / 34 / 14

HEX #B7DC92

RGB 183 220 146

HSL 90, 0.51%, 0.72%

LAB 83.62, -24.92, 32.48

 

CMYK 34 / 10 / 0 / 14

HEX #92C6DC

RGB 146 198 220

HSL 197.84, 0.51%, 0.72%

LAB 77.08, -11.61, -16.39

 

CMYK 17 / 34 / 0 / 14

HEX #B792DC

RGB 183 146 220

HSL 270, 0.51%, 0.72%

LAB 66.36, 28.01, -32.54

 

CMYK 0 / 23 / 33 / 13

HEX #DDAA94

RGB 221 170 148

HSL 18.08, 0.52%, 0.72%

LAB 73.71, 15.69, 18.55

 

CMYK 27 / 0 / 34 / 14

HEX #A1DC92

RGB 161 220 146

HSL 107.84, 0.51%, 0.72%

LAB 82.29, -32.6, 30.48

 

CMYK 34 / 10 / 0 / 14

HEX #92C6DC

RGB 146 198 220

HSL 197.84, 0.51%, 0.72%

LAB 77.08, -11.61, -16.39

 

CMYK 7 / 34 / 0 / 14

HEX #CD92DC

RGB 205 146 220

HSL 287.84, 0.51%, 0.72%

LAB 68.54, 34.82, -29

 

Description

Color code: RGB 221 170 148 | qconv.com Color code: RGB 221 170 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 170 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 170 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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