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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 80 100 it is the complementary color RGB 35 175 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 80 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 80 100: RGB 225 80 95, RGB 242 98 114, RGB 255 116 133, RGB 255 134 152 and RGB 255 152 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 80 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 80 100: RGB 220 80 100, RGB 203 62 81, RGB 186 44 62, RGB 169 26 43 and RGB 152 8 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

Complementary color

CMYK 80 / 0 / 11 / 31

HEX #23AF9B

RGB 35 175 155

HSL 171.43, 0.67%, 0.41%

LAB 64.47, -40.14, 0.07

 

CMYK 0 / 64 / 58 / 12

HEX #E1505F

RGB 225 80 95

HSL 353.79, 0.71%, 0.6%

LAB 54.63, 57.28, 22.57

 

CMYK 0 / 60 / 53 / 5

HEX #F26272

RGB 242 98 114

HSL 353.33, 0.85%, 0.67%

LAB 60.63, 56.56, 20.04

 

CMYK 0 / 55 / 48 / 0

HEX #FF7485

RGB 255 116 133

HSL 352.66, 1%, 0.73%

LAB 66.09, 54.35, 16.98

 

CMYK 0 / 47 / 40 / 0

HEX #FF8698

RGB 255 134 152

HSL 351.07, 1%, 0.76%

LAB 69.88, 47.58, 11.57

 

CMYK 0 / 40 / 33 / 0

HEX #FF98AB

RGB 255 152 171

HSL 348.93, 1%, 0.8%

LAB 73.97, 40.69, 6.83

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 0 / 69 / 60 / 20

HEX #CB3E51

RGB 203 62 81

HSL 351.91, 0.58%, 0.52%

LAB 47.93, 56.5, 21.36

 

CMYK 0 / 76 / 67 / 27

HEX #BA2C3E

RGB 186 44 62

HSL 352.39, 0.62%, 0.45%

LAB 42.14, 56.5, 24.87

 

CMYK 0 / 85 / 75 / 34

HEX #A91A2B

RGB 169 26 43

HSL 352.87, 0.73%, 0.38%

LAB 36.65, 55.71, 29.15

 

CMYK 0 / 95 / 84 / 40

HEX #980818

RGB 152 8 24

HSL 353.33, 0.9%, 0.31%

LAB 31.61, 53.71, 34.11

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 0 / 63 / 64 / 14

HEX #DC5250

RGB 220 82 80

HSL 0.86, 0.67%, 0.59%

LAB 53.85, 53.81, 30.15

 

CMYK 0 / 52 / 64 / 14

HEX #DC6A50

RGB 220 106 80

HSL 11.14, 0.67%, 0.59%

LAB 58.13, 42.61, 35.46

 

CMYK 0 / 41 / 64 / 14

HEX #DC8150

RGB 220 129 80

HSL 21, 0.67%, 0.59%

LAB 62.92, 30.76, 41.2

 

CMYK 0 / 31 / 64 / 14

HEX #DC9850

RGB 220 152 80

HSL 30.86, 0.67%, 0.59%

LAB 68.21, 18.46, 47.34

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 0 / 63 / 56 / 94

HEX #100607

RGB 16 6 7

HSL 354, 0.45%, 0.04%

LAB 2.31, 3.03, 0.64

 

CMYK 0 / 64 / 55 / 74

HEX #43181E

RGB 67 24 30

HSL 351.63, 0.47%, 0.18%

LAB 15.17, 21.45, 6.32

 

CMYK 0 / 64 / 54 / 54

HEX #762B36

RGB 118 43 54

HSL 351.2, 0.47%, 0.32%

LAB 29.02, 33.85, 10.35

 

CMYK 0 / 64 / 54 / 34

HEX #A93D4D

RGB 169 61 77

HSL 351.11, 0.47%, 0.45%

LAB 41.7, 45.53, 14.43

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 3 / 0 / 64 / 14

HEX #D5DC50

RGB 213 220 80

HSL 63, 0.67%, 0.59%

LAB 84.95, -19.79, 65.44

 

CMYK 64 / 29 / 0 / 14

HEX #509DDC

RGB 80 157 220

HSL 207, 0.67%, 0.59%

LAB 62.5, -4.53, -39.07

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 54 / 0 / 64 / 14

HEX #65DC50

RGB 101 220 80

HSL 111, 0.67%, 0.59%

LAB 78.77, -59.19, 56.97

 

CMYK 64 / 54 / 0 / 14

HEX #5065DC

RGB 80 101 220

HSL 231, 0.67%, 0.59%

LAB 47.21, 29.24, -63.41

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 3 / 0 / 64 / 14

HEX #D5DC50

RGB 213 220 80

HSL 63, 0.67%, 0.59%

LAB 84.95, -19.79, 65.44

 

CMYK 64 / 0 / 10 / 14

HEX #50DCC7

RGB 80 220 199

HSL 171, 0.67%, 0.59%

LAB 80.19, -42.39, -0.79

 

CMYK 60 / 64 / 0 / 14

HEX #5750DC

RGB 87 80 220

HSL 243, 0.67%, 0.59%

LAB 42.66, 43.15, -70.79

 

CMYK 0 / 64 / 55 / 14

HEX #DC5064

RGB 220 80 100

HSL 351.43, 0.67%, 0.59%

LAB 53.89, 56.04, 18.49

 

CMYK 22 / 0 / 64 / 14

HEX #ABDC50

RGB 171 220 80

HSL 81, 0.67%, 0.59%

LAB 82.07, -36.4, 61.51

 

CMYK 64 / 0 / 10 / 14

HEX #50DCC7

RGB 80 220 199

HSL 171, 0.67%, 0.59%

LAB 80.19, -42.39, -0.79

 

CMYK 41 / 64 / 0 / 14

HEX #8150DC

RGB 129 80 220

HSL 261, 0.67%, 0.59%

LAB 46.41, 50.68, -64.53

 

Description

Color code: RGB 220 80 100 | qconv.com Color code: RGB 220 80 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 80 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 80 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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