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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 60 40 it is the complementary color RGB 35 195 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 60 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 60 40: RGB 225 60 35, RGB 242 78 54, RGB 255 96 73, RGB 255 114 92 and RGB 255 132 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 60 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 60 40: RGB 220 60 40, RGB 203 42 21, RGB 186 24 2, RGB 169 6 0 and RGB 152 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

Complementary color

CMYK 84 / 9 / 0 / 16

HEX #23C3D7

RGB 35 195 215

HSL 186.67, 0.72%, 0.49%

LAB 72.42, -31.6, -21.08

 

CMYK 0 / 73 / 84 / 12

HEX #E13C23

RGB 225 60 35

HSL 7.89, 0.76%, 0.51%

LAB 51.11, 62.07, 51.57

 

CMYK 0 / 68 / 78 / 5

HEX #F24E36

RGB 242 78 54

HSL 7.66, 0.88%, 0.58%

LAB 56.68, 61.46, 48.66

 

CMYK 0 / 62 / 71 / 0

HEX #FF6049

RGB 255 96 73

HSL 7.58, 1%, 0.64%

LAB 61.75, 59.22, 44.85

 

CMYK 0 / 55 / 64 / 0

HEX #FF725C

RGB 255 114 92

HSL 8.1, 1%, 0.68%

LAB 65.02, 52.23, 38.48

 

CMYK 0 / 48 / 56 / 0

HEX #FF846F

RGB 255 132 111

HSL 8.75, 1%, 0.72%

LAB 68.69, 44.85, 32.72

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 0 / 79 / 90 / 20

HEX #CB2A15

RGB 203 42 21

HSL 6.92, 0.81%, 0.44%

LAB 44.81, 60.75, 50.86

 

CMYK 0 / 87 / 99 / 27

HEX #BA1802

RGB 186 24 2

HSL 7.17, 0.98%, 0.37%

LAB 39.74, 60.01, 52.69

 

CMYK 0 / 96 / 100 / 34

HEX #A90600

RGB 169 6 0

HSL 2.13, 1%, 0.33%

LAB 35.13, 58.11, 49.31

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 0 / 60 / 82 / 14

HEX #DC5828

RGB 220 88 40

HSL 16, 0.72%, 0.51%

LAB 54.39, 49.37, 51.91

 

CMYK 0 / 46 / 82 / 14

HEX #DC7628

RGB 220 118 40

HSL 26, 0.72%, 0.51%

LAB 60.18, 34.65, 57.16

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 0 / 19 / 82 / 14

HEX #DCB228

RGB 220 178 40

HSL 46, 0.72%, 0.51%

LAB 74.32, 2.72, 69.57

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 0 / 75 / 81 / 94

HEX #100403

RGB 16 4 3

HSL 4.62, 0.68%, 0.04%

LAB 1.84, 3.28, 1.58

 

CMYK 0 / 73 / 82 / 74

HEX #43120C

RGB 67 18 12

HSL 6.55, 0.7%, 0.15%

LAB 13.55, 23.25, 15.78

 

CMYK 0 / 73 / 82 / 54

HEX #762015

RGB 118 32 21

HSL 6.8, 0.7%, 0.27%

LAB 26.56, 36.79, 28.45

 

CMYK 0 / 73 / 82 / 34

HEX #A92E1F

RGB 169 46 31

HSL 6.52, 0.69%, 0.39%

LAB 38.7, 49.12, 38.29

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 25 / 0 / 82 / 14

HEX #A6DC28

RGB 166 220 40

HSL 78, 0.72%, 0.51%

LAB 81.54, -40.48, 74.22

 

CMYK 82 / 57 / 0 / 14

HEX #285EDC

RGB 40 94 220

HSL 222, 0.72%, 0.51%

LAB 43.69, 28.76, -69.21

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 74 / 82 / 0 / 14

HEX #3A28DC

RGB 58 40 220

HSL 246, 0.72%, 0.51%

LAB 33.1, 61.07, -86.6

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 25 / 0 / 82 / 14

HEX #A6DC28

RGB 166 220 40

HSL 78, 0.72%, 0.51%

LAB 81.54, -40.48, 74.22

 

CMYK 82 / 8 / 0 / 14

HEX #28CADC

RGB 40 202 220

HSL 186, 0.72%, 0.51%

LAB 74.74, -33.02, -20.27

 

CMYK 57 / 82 / 0 / 14

HEX #5E28DC

RGB 94 40 220

HSL 258, 0.72%, 0.51%

LAB 36.11, 64.08, -81.53

 

CMYK 0 / 73 / 82 / 14

HEX #DC3C28

RGB 220 60 40

HSL 6.67, 0.72%, 0.51%

LAB 50.22, 60.65, 48.03

 

CMYK 49 / 0 / 82 / 14

HEX #70DC28

RGB 112 220 40

HSL 96, 0.72%, 0.51%

LAB 78.92, -58.92, 70.9

 

CMYK 82 / 8 / 0 / 14

HEX #28CADC

RGB 40 202 220

HSL 186, 0.72%, 0.51%

LAB 74.74, -33.02, -20.27

 

CMYK 33 / 82 / 0 / 14

HEX #9428DC

RGB 148 40 220

HSL 276, 0.72%, 0.51%

LAB 42.73, 70.95, -70.4

 

Description

Color code: RGB 220 60 40 | qconv.com Color code: RGB 220 60 40 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 60 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 60 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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