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Color name
RGB 220 198.8 149.4

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 198.8 149.4 it is the complementary color RGB 35 56.2 105.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 198.8 149.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 198.8 149.4 shade: RGB 225 198.8 144.4, RGB 242 216.8 163.4, RGB 255 234.8 182.4, RGB 255 252.8 201.4 and RGB 255 255 220.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 198.8 149.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 198.8 149.4 shade: RGB 220 198.8 149.4, RGB 203 180.8 130.4, RGB 186 162.8 111.4, RGB 169 144.8 92.4 and RGB 152 126.8 73.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 198.8 149.4 shade: RGB 219 198 148, RGB 219 179 148, RGB 219 159 148 and RGB 219 148 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 198.8 149.4 shade: RGB 219 198 148, RGB 219 217 148, RGB 202 219 148, RGB 183 219 148 and RGB 164 219 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 198.8 149.4 shade matches the following richer shades: RGB 219 198 148, RGB 231 202 136, RGB 242 207 125 and RGB 254 212 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 198.8 149.4 shade: RGB 219 198 148, RGB 208 193 159, RGB 196 189 171, RGB 185 184 183 and RGB 173 179 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 198.8 149.4 shade: RGB 219 159 148, RGB 219 178 148, RGB 219 197 148, RGB 219 216 148 and RGB 204 219 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 198.8 149.4 shade: RGB 199 165 86, RGB 209 181 117, RGB 219 198 148, RGB 230 214 179 and RGB 240 231 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 198.8 149.4 shade: RGB 220 198.8 149.4, RGB 156 219 148 and RGB 168 148 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 198.8 149.4 shade: RGB 220 198.8 149.4, RGB 148 219 197 and RGB 197 148 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 198.8 149.4 shade: RGB 220 198.8 149.4, RGB 156 219 148, RGB 148 171 219 and RGB 211 148 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 198.8 149.4 shade: RGB 220 198.8 149.4, RGB 148 219 161, RGB 148 171 219 and RGB 219 148 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

Complementary color

CMYK 67 / 47 / 0 / 59

HEX #233869

RGB 35 56.2 105.6

HSL 221.98, 0.5%, 0.28%

LAB 24.44, 9.18, -31.45

 

CMYK 0 / 12 / 36 / 12

HEX #E1C690

RGB 225 198.8 144.4

HSL 40.5, 0.57%, 0.72%

LAB 81.18, 1.54, 30.65

 

CMYK 0 / 10 / 32 / 5

HEX #F2D8A3

RGB 242 216.8 163.4

HSL 40.76, 0.75%, 0.79%

LAB 87.51, 1.07, 29.53

 

CMYK 0 / 8 / 28 / 0

HEX #FFEAB6

RGB 255 234.8 182.4

HSL 43.31, 1%, 0.86%

LAB 93.43, -0.83, 27.96

 

CMYK 0 / 1 / 21 / 0

HEX #FFFCC9

RGB 255 252.8 201.4

HSL 57.54, 1%, 0.89%

LAB 98.28, -7.32, 24.93

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220.4

HSL 60, 1%, 0.93%

LAB 99.21, -5.65, 16.56

 

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

CMYK 0 / 11 / 36 / 20

HEX #CBB482

RGB 203 180.8 130.4

HSL 41.65, 0.41%, 0.65%

LAB 74.37, 0.65, 28.62

 

CMYK 0 / 12 / 40 / 27

HEX #BAA26F

RGB 186 162.8 111.4

HSL 41.34, 0.35%, 0.58%

LAB 67.81, 1.18, 29.83

 

CMYK 0 / 14 / 45 / 34

HEX #A9905C

RGB 169 144.8 92.4

HSL 41.04, 0.31%, 0.51%

LAB 61.14, 1.81, 31.11

 

CMYK 0 / 17 / 52 / 40

HEX #987E49

RGB 152 126.8 73.4

HSL 40.76, 0.35%, 0.44%

LAB 54.33, 2.57, 32.46

 

CMYK 0 / 10 / 32 / 14

HEX #DBC694

RGB 219 198 148

HSL 42.25, 0.5%, 0.72%

LAB 80.51, 0.05, 27.78

 

CMYK 0 / 18 / 32 / 14

HEX #DBB394

RGB 219 179 148

HSL 26.2, 0.5%, 0.72%

LAB 75.72, 10.09, 21.29

 

CMYK 0 / 27 / 32 / 14

HEX #DB9F94

RGB 219 159 148

HSL 9.3, 0.5%, 0.72%

LAB 70.87, 20.84, 14.55

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 10 / 32 / 14

HEX #DBC694

RGB 219 198 148

HSL 42.25, 0.5%, 0.72%

LAB 80.51, 0.05, 27.78

 

CMYK 0 / 1 / 32 / 14

HEX #DBD994

RGB 219 217 148

HSL 58.31, 0.5%, 0.72%

LAB 85.41, -9.72, 34.31

 

CMYK 8 / 0 / 32 / 14

HEX #CADB94

RGB 202 219 148

HSL 74.37, 0.5%, 0.72%

LAB 84.67, -17.17, 33.09

 

CMYK 16 / 0 / 32 / 14

HEX #B7DB94

RGB 183 219 148

HSL 90.42, 0.5%, 0.72%

LAB 83.37, -24.15, 31.13

 

CMYK 25 / 0 / 32 / 14

HEX #A4DB94

RGB 164 219 148

HSL 106.48, 0.5%, 0.72%

LAB 82.21, -30.81, 29.38

 

CMYK 0 / 10 / 32 / 14

HEX #DBC694

RGB 219 198 148

HSL 42.25, 0.5%, 0.72%

LAB 80.51, 0.05, 27.78

 

CMYK 0 / 13 / 41 / 9

HEX #E7CA88

RGB 231 202 136

HSL 41.68, 0.66%, 0.72%

LAB 82.38, 1.3, 36.68

 

CMYK 0 / 14 / 48 / 5

HEX #F2CF7D

RGB 242 207 125

HSL 42.05, 0.82%, 0.72%

LAB 84.48, 2.02, 45.08

 

CMYK 0 / 17 / 56 / 0

HEX #FED471

RGB 254 212 113

HSL 42.13, 0.99%, 0.72%

LAB 86.68, 3.29, 53.82

 

CMYK 0 / 10 / 32 / 14

HEX #DBC694

RGB 219 198 148

HSL 42.25, 0.5%, 0.72%

LAB 80.51, 0.05, 27.78

 

CMYK 0 / 7 / 24 / 18

HEX #D0C19F

RGB 208 193 159

HSL 41.63, 0.34%, 0.72%

LAB 78.49, -0.09, 19.05

 

CMYK 0 / 4 / 13 / 23

HEX #C4BDAB

RGB 196 189 171

HSL 43.2, 0.17%, 0.72%

LAB 76.72, -0.63, 9.97

 

CMYK 0 / 1 / 1 / 27

HEX #B9B8B7

RGB 185 184 183

HSL 30, 0.01%, 0.72%

LAB 74.83, 0.17, 0.62

 

CMYK 11 / 8 / 0 / 24

HEX #ADB3C2

RGB 173 179 194

HSL 222.86, 0.15%, 0.72%

LAB 72.9, 0.9, -8.33

 

CMYK 0 / 27 / 32 / 14

HEX #DB9F94

RGB 219 159 148

HSL 9.3, 0.5%, 0.72%

LAB 70.87, 20.84, 14.55

 

CMYK 0 / 19 / 32 / 14

HEX #DBB294

RGB 219 178 148

HSL 25.35, 0.5%, 0.72%

LAB 75.48, 10.62, 20.95

 

CMYK 0 / 10 / 32 / 14

HEX #DBC594

RGB 219 197 148

HSL 41.41, 0.5%, 0.72%

LAB 80.25, 0.57, 27.44

 

CMYK 0 / 1 / 32 / 14

HEX #DBD894

RGB 219 216 148

HSL 57.46, 0.5%, 0.72%

LAB 85.15, -9.21, 33.96

 

CMYK 7 / 0 / 32 / 14

HEX #CCDB94

RGB 204 219 148

HSL 72.68, 0.5%, 0.72%

LAB 84.81, -16.42, 33.3

 

CMYK 0 / 17 / 57 / 22

HEX #C7A556

RGB 199 165 86

HSL 41.95, 0.5%, 0.56%

LAB 69.27, 3, 45.05

 

CMYK 0 / 13 / 44 / 18

HEX #D1B575

RGB 209 181 117

HSL 41.74, 0.5%, 0.64%

LAB 74.75, 1.47, 36.25

 

CMYK 0 / 10 / 32 / 14

HEX #DBC694

RGB 219 198 148

HSL 42.25, 0.5%, 0.72%

LAB 80.51, 0.05, 27.78

 

CMYK 0 / 7 / 22 / 10

HEX #E6D6B3

RGB 230 214 179

HSL 41.18, 0.5%, 0.8%

LAB 86.09, 0.05, 19.3

 

CMYK 0 / 4 / 13 / 6

HEX #F0E7D2

RGB 240 231 210

HSL 42, 0.5%, 0.88%

LAB 91.83, -0.42, 11.3

 

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

CMYK 29 / 0 / 32 / 14

HEX #9CDB94

RGB 156 219 148

HSL 113.24, 0.5%, 0.72%

LAB 81.77, -33.49, 28.71

 

CMYK 23 / 32 / 0 / 14

HEX #A894DB

RGB 168 148 219

HSL 256.9, 0.5%, 0.72%

LAB 65.45, 22.12, -33.5

 

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

CMYK 32 / 0 / 10 / 14

HEX #94DBC5

RGB 148 219 197

HSL 161.41, 0.5%, 0.72%

LAB 82.37, -26.9, 3.76

 

CMYK 10 / 32 / 0 / 14

HEX #C594DB

RGB 197 148 219

HSL 281.41, 0.5%, 0.72%

LAB 68.14, 31.02, -29.12

 

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

CMYK 29 / 0 / 32 / 14

HEX #9CDB94

RGB 156 219 148

HSL 113.24, 0.5%, 0.72%

LAB 81.77, -33.49, 28.71

 

CMYK 32 / 22 / 0 / 14

HEX #94ABDB

RGB 148 171 219

HSL 220.56, 0.5%, 0.72%

LAB 69.85, 3.28, -26.83

 

CMYK 4 / 32 / 0 / 14

HEX #D394DB

RGB 211 148 219

HSL 293.24, 0.5%, 0.72%

LAB 69.57, 35.43, -26.8

 

CMYK 0 / 10 / 32 / 14

HEX #DCC695

RGB 220 198.8 149.4

HSL 41.98, 0.5%, 0.72%

LAB 80.82, 0.19, 27.49

 

CMYK 32 / 0 / 26 / 14

HEX #94DBA1

RGB 148 219 161

HSL 130.99, 0.5%, 0.72%

LAB 81.58, -33.89, 21.64

 

CMYK 32 / 22 / 0 / 14

HEX #94ABDB

RGB 148 171 219

HSL 220.56, 0.5%, 0.72%

LAB 69.85, 3.28, -26.83

 

CMYK 0 / 32 / 6 / 14

HEX #DB94CE

RGB 219 148 206

HSL 310.99, 0.5%, 0.72%

LAB 69.96, 35.62, -18.94

 

Description

Color code: RGB 220 198.8 149.4 | qconv.com Color code: RGB 220 198.8 149.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 198.8 green and 149.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 198.8 149.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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