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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 165 185 it is the complementary color RGB 35 90 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 165 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 165 185: RGB 225 165 180, RGB 242 183 199, RGB 255 201 218, RGB 255 219 237 and RGB 255 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 165 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 165 185: RGB 220 165 185, RGB 203 147 166, RGB 186 129 147, RGB 169 111 128 and RGB 152 93 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

Complementary color

CMYK 61 / 0 / 22 / 65

HEX #235A46

RGB 35 90 70

HSL 158.18, 0.44%, 0.25%

LAB 34.21, -23.58, 6.18

 

CMYK 0 / 27 / 20 / 12

HEX #E1A5B4

RGB 225 165 180

HSL 345, 0.5%, 0.76%

LAB 73.68, 24.31, 1.03

 

CMYK 0 / 24 / 18 / 5

HEX #F2B7C7

RGB 242 183 199

HSL 343.73, 0.69%, 0.83%

LAB 80.11, 23.68, 0.25

 

CMYK 0 / 21 / 15 / 0

HEX #FFC9DA

RGB 255 201 218

HSL 341.11, 1%, 0.89%

LAB 86.05, 21.7, -1.09

 

CMYK 0 / 14 / 7 / 0

HEX #FFDBED

RGB 255 219 237

HSL 330, 1%, 0.93%

LAB 90.8, 15.38, -4.17

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 0 / 28 / 18 / 20

HEX #CB93A6

RGB 203 147 166

HSL 339.64, 0.35%, 0.69%

LAB 66.76, 23.94, -1.58

 

CMYK 0 / 31 / 21 / 27

HEX #BA8193

RGB 186 129 147

HSL 341.05, 0.29%, 0.62%

LAB 60.11, 24.65, -0.77

 

CMYK 0 / 34 / 24 / 34

HEX #A96F80

RGB 169 111 128

HSL 342.41, 0.25%, 0.55%

LAB 53.34, 25.44, 0.14

 

CMYK 0 / 39 / 28 / 40

HEX #985D6D

RGB 152 93 109

HSL 343.73, 0.24%, 0.48%

LAB 46.46, 26.31, 1.17

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 0 / 26 / 21 / 14

HEX #DBA3AE

RGB 219 163 174

HSL 348.21, 0.44%, 0.75%

LAB 72.44, 22.31, 2.44

 

CMYK 0 / 26 / 25 / 14

HEX #DBA3A5

RGB 219 163 165

HSL 357.86, 0.44%, 0.75%

LAB 72.21, 20.98, 7.08

 

CMYK 0 / 22 / 26 / 14

HEX #DBAAA3

RGB 219 170 163

HSL 7.5, 0.44%, 0.75%

LAB 73.84, 16.92, 10.51

 

CMYK 0 / 18 / 26 / 14

HEX #DBB4A3

RGB 219 180 163

HSL 18.21, 0.44%, 0.75%

LAB 76.28, 11.55, 13.96

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 0 / 25 / 19 / 94

HEX #100C0D

RGB 16 12 13

HSL 345, 0.14%, 0.05%

LAB 3.63, 1.46, 0.02

 

CMYK 0 / 25 / 16 / 74

HEX #433238

RGB 67 50 56

HSL 338.82, 0.15%, 0.23%

LAB 22.86, 8.83, -0.83

 

CMYK 0 / 25 / 16 / 54

HEX #765963

RGB 118 89 99

HSL 339.31, 0.14%, 0.41%

LAB 41.05, 13.64, -1.12

 

CMYK 0 / 25 / 16 / 34

HEX #A97F8E

RGB 169 127 142

HSL 338.57, 0.2%, 0.58%

LAB 57.62, 18.62, -1.75

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 0 / 5 / 26 / 14

HEX #DBD1A3

RGB 219 209 163

HSL 49.29, 0.44%, 0.75%

LAB 83.6, -3.71, 24.11

 

CMYK 26 / 6 / 0 / 14

HEX #A3CEDB

RGB 163 206 219

HSL 193.93, 0.44%, 0.75%

LAB 80.2, -11.15, -11.07

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 16 / 0 / 26 / 14

HEX #B7DBA3

RGB 183 219 163

HSL 98.57, 0.44%, 0.75%

LAB 83.64, -21.93, 23.74

 

CMYK 26 / 16 / 0 / 14

HEX #A3B7DB

RGB 163 183 219

HSL 218.57, 0.44%, 0.75%

LAB 74.04, 1.08, -20.35

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 0 / 5 / 26 / 14

HEX #DBD1A3

RGB 219 209 163

HSL 49.29, 0.44%, 0.75%

LAB 83.6, -3.71, 24.11

 

CMYK 26 / 0 / 10 / 14

HEX #A3DBC6

RGB 163 219 198

HSL 157.5, 0.44%, 0.75%

LAB 83.19, -22.24, 4.52

 

CMYK 26 / 21 / 0 / 14

HEX #A3ACDB

RGB 163 172 219

HSL 230.36, 0.44%, 0.75%

LAB 71.15, 7.13, -24.75

 

CMYK 0 / 25 / 16 / 14

HEX #DCA5B9

RGB 220 165 185

HSL 338.18, 0.44%, 0.75%

LAB 73.3, 23.29, -2.34

 

CMYK 4 / 0 / 26 / 14

HEX #D3DBA3

RGB 211 219 163

HSL 68.57, 0.44%, 0.75%

LAB 85.58, -11.8, 26.71

 

CMYK 26 / 0 / 10 / 14

HEX #A3DBC6

RGB 163 219 198

HSL 157.5, 0.44%, 0.75%

LAB 83.19, -22.24, 4.52

 

CMYK 22 / 26 / 0 / 14

HEX #AAA3DB

RGB 170 163 219

HSL 247.5, 0.44%, 0.75%

LAB 69.37, 14.27, -27.44

 

Description

Color code: RGB 220 165 185 | qconv.com Color code: RGB 220 165 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 165 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 165 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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