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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 199 174 it is the complementary color RGB 36 56 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 199 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 199 174: RGB 224 199 169, RGB 241 217 188, RGB 255 235 207, RGB 255 253 226 and RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 199 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 199 174: RGB 219 199 174, RGB 202 181 155, RGB 185 163 136, RGB 168 145 117 and RGB 151 127 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

Complementary color

CMYK 56 / 31 / 0 / 68

HEX #243851

RGB 36 56 81

HSL 213.33, 0.38%, 0.23%

LAB 22.99, 0.27, -17.67

 

CMYK 0 / 11 / 25 / 12

HEX #E0C7A9

RGB 224 199 169

HSL 32.73, 0.47%, 0.77%

LAB 81.6, 4.21, 18.25

 

CMYK 0 / 10 / 22 / 5

HEX #F1D9BC

RGB 241 217 188

HSL 32.83, 0.65%, 0.84%

LAB 87.95, 3.84, 17.31

 

CMYK 0 / 8 / 19 / 0

HEX #FFEBCF

RGB 255 235 207

HSL 35, 1%, 0.91%

LAB 93.96, 2.42, 16.04

 

CMYK 0 / 1 / 11 / 0

HEX #FFFDE2

RGB 255 253 226

HSL 55.86, 1%, 0.94%

LAB 98.83, -3.79, 13.16

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 0 / 10 / 23 / 21

HEX #CAB59B

RGB 202 181 155

HSL 33.19, 0.31%, 0.7%

LAB 74.81, 3.41, 16

 

CMYK 0 / 12 / 26 / 27

HEX #B9A388

RGB 185 163 136

HSL 33.06, 0.26%, 0.63%

LAB 68.23, 3.81, 16.99

 

CMYK 0 / 14 / 30 / 34

HEX #A89175

RGB 168 145 117

HSL 32.94, 0.23%, 0.56%

LAB 61.53, 4.28, 18.05

 

CMYK 0 / 16 / 35 / 41

HEX #977F62

RGB 151 127 98

HSL 32.83, 0.21%, 0.49%

LAB 54.7, 4.82, 19.21

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 0 / 6 / 20 / 15

HEX #DACEAE

RGB 218 206 174

HSL 43.64, 0.37%, 0.77%

LAB 82.97, -0.97, 17.43

 

CMYK 0 / 2 / 20 / 15

HEX #DAD5AE

RGB 218 213 174

HSL 53.18, 0.37%, 0.77%

LAB 84.77, -4.59, 19.93

 

CMYK 1 / 0 / 20 / 15

HEX #D8DAAE

RGB 216 218 174

HSL 62.73, 0.37%, 0.77%

LAB 85.91, -7.89, 21.49

 

CMYK 5 / 0 / 20 / 15

HEX #D0DAAE

RGB 208 218 174

HSL 73.64, 0.37%, 0.77%

LAB 85.31, -10.81, 20.56

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 0 / 7 / 20 / 94

HEX #0F0E0C

RGB 15 14 12

HSL 40, 0.11%, 0.05%

LAB 3.99, 0.01, 1.01

 

CMYK 0 / 9 / 21 / 74

HEX #423C34

RGB 66 60 52

HSL 34.29, 0.12%, 0.23%

LAB 25.68, 1, 5.89

 

CMYK 0 / 9 / 21 / 54

HEX #756A5D

RGB 117 106 93

HSL 32.5, 0.11%, 0.41%

LAB 45.47, 2, 8.87

 

CMYK 0 / 9 / 21 / 34

HEX #A89985

RGB 168 153 133

HSL 34.29, 0.17%, 0.59%

LAB 64, 2.19, 12.52

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 15 / 0 / 20 / 15

HEX #B9DAAE

RGB 185 218 174

HSL 105, 0.37%, 0.77%

LAB 83.71, -18.98, 18.11

 

CMYK 17 / 20 / 0 / 15

HEX #B4AEDA

RGB 180 174 218

HSL 248.18, 0.37%, 0.77%

LAB 72.92, 11.04, -21.39

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 20 / 0 / 9 / 15

HEX #AEDAC6

RGB 174 218 198

HSL 152.73, 0.37%, 0.77%

LAB 83.56, -18.31, 5.13

 

CMYK 9 / 20 / 0 / 15

HEX #C6AEDA

RGB 198 174 218

HSL 272.73, 0.37%, 0.77%

LAB 74.41, 16.83, -18.99

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 15 / 0 / 20 / 15

HEX #B9DAAE

RGB 185 218 174

HSL 105, 0.37%, 0.77%

LAB 83.71, -18.98, 18.11

 

CMYK 20 / 11 / 0 / 15

HEX #AEC2DA

RGB 174 194 218

HSL 212.73, 0.37%, 0.77%

LAB 77.66, -1.71, -14.26

 

CMYK 5 / 20 / 0 / 15

HEX #CFAEDA

RGB 207 174 218

HSL 285, 0.37%, 0.77%

LAB 75.2, 19.78, -17.71

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AE

RGB 219 199 174

HSL 33.33, 0.38%, 0.77%

LAB 81.27, 3.06, 15.07

 

CMYK 20 / 0 / 19 / 15

HEX #AEDAB0

RGB 174 218 176

HSL 122.73, 0.37%, 0.77%

LAB 83.06, -22.38, 16.04

 

CMYK 20 / 11 / 0 / 15

HEX #AEC2DA

RGB 174 194 218

HSL 212.73, 0.37%, 0.77%

LAB 77.66, -1.71, -14.26

 

CMYK 0 / 20 / 1 / 15

HEX #DAAED8

RGB 218 174 216

HSL 302.73, 0.37%, 0.77%

LAB 76.15, 23.06, -15.09

 

Description

Color code: RGB 219 199 174 | qconv.com Color code: RGB 219 199 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 199 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 199 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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