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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 118 68 it is the complementary color RGB 36 137 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 118 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 118 68: RGB 224 118 63, RGB 241 136 82, RGB 255 154 101, RGB 255 172 120 and RGB 255 190 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 118 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 118 68: RGB 219 118 68, RGB 202 100 49, RGB 185 82 30, RGB 168 64 11 and RGB 151 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

Complementary color

CMYK 81 / 27 / 0 / 27

HEX #2489BB

RGB 36 137 187

HSL 199.87, 0.68%, 0.44%

LAB 53.87, -10.66, -34.09

 

CMYK 0 / 47 / 72 / 12

HEX #E0763F

RGB 224 118 63

HSL 20.5, 0.72%, 0.56%

LAB 60.93, 37.14, 47.75

 

CMYK 0 / 44 / 66 / 5

HEX #F18852

RGB 241 136 82

HSL 20.38, 0.85%, 0.63%

LAB 67.22, 35.58, 45.88

 

CMYK 0 / 40 / 60 / 0

HEX #FF9A65

RGB 255 154 101

HSL 20.65, 1%, 0.7%

LAB 73.1, 32.99, 43.54

 

CMYK 0 / 33 / 53 / 0

HEX #FFAC78

RGB 255 172 120

HSL 23.11, 1%, 0.74%

LAB 77.35, 25.06, 38.98

 

CMYK 0 / 25 / 45 / 0

HEX #FFBE8B

RGB 255 190 139

HSL 26.38, 1%, 0.77%

LAB 81.81, 17.36, 34.83

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 0 / 50 / 76 / 21

HEX #CA6431

RGB 202 100 49

HSL 20, 0.61%, 0.49%

LAB 53.91, 37.06, 46.26

 

CMYK 0 / 56 / 84 / 27

HEX #B9521E

RGB 185 82 30

HSL 20.13, 0.72%, 0.42%

LAB 47.55, 38.82, 48

 

CMYK 0 / 62 / 93 / 34

HEX #A8400B

RGB 168 64 11

HSL 20.25, 0.88%, 0.35%

LAB 41.24, 40.63, 48.85

 

CMYK 0 / 70 / 100 / 41

HEX #972E00

RGB 151 46 0

HSL 18.28, 1%, 0.3%

LAB 35.07, 42.28, 47.26

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 0 / 36 / 70 / 14

HEX #DB8C42

RGB 219 140 66

HSL 29.02, 0.68%, 0.56%

LAB 65.13, 23.67, 50.64

 

CMYK 0 / 25 / 70 / 14

HEX #DBA542

RGB 219 165 66

HSL 38.82, 0.68%, 0.56%

LAB 71.12, 10.25, 56.97

 

CMYK 0 / 13 / 70 / 14

HEX #DBBF42

RGB 219 191 66

HSL 49.02, 0.68%, 0.56%

LAB 77.71, -3.46, 63.7

 

CMYK 0 / 1 / 70 / 14

HEX #DBD842

RGB 219 216 66

HSL 58.82, 0.68%, 0.56%

LAB 84.26, -16.12, 70.19

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 0 / 47 / 67 / 94

HEX #0F0805

RGB 15 8 5

HSL 18, 0.5%, 0.04%

LAB 2.59, 1.61, 1.85

 

CMYK 0 / 45 / 70 / 74

HEX #422414

RGB 66 36 20

HSL 20.87, 0.53%, 0.17%

LAB 17.78, 12.46, 16.64

 

CMYK 0 / 46 / 69 / 54

HEX #753F24

RGB 117 63 36

HSL 20, 0.53%, 0.3%

LAB 32.84, 20.96, 26.52

 

CMYK 0 / 46 / 69 / 34

HEX #A85B34

RGB 168 91 52

HSL 20.17, 0.53%, 0.43%

LAB 47.05, 28.15, 35.83

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 36 / 0 / 70 / 14

HEX #8CDB42

RGB 140 219 66

HSL 90.98, 0.68%, 0.56%

LAB 79.97, -48.16, 64.22

 

CMYK 70 / 64 / 0 / 14

HEX #424FDB

RGB 66 79 219

HSL 234.9, 0.68%, 0.56%

LAB 41, 40.53, -72.99

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 70 / 0 / 48 / 14

HEX #42DB72

RGB 66 219 114

HSL 138.82, 0.68%, 0.56%

LAB 77.9, -61.98, 40.17

 

CMYK 48 / 70 / 0 / 14

HEX #7242DB

RGB 114 66 219

HSL 258.82, 0.68%, 0.56%

LAB 42.14, 54.88, -70.97

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 36 / 0 / 70 / 14

HEX #8CDB42

RGB 140 219 66

HSL 90.98, 0.68%, 0.56%

LAB 79.97, -48.16, 64.22

 

CMYK 70 / 22 / 0 / 14

HEX #42AADB

RGB 66 170 219

HSL 199.22, 0.68%, 0.56%

LAB 65.77, -14.26, -33.45

 

CMYK 34 / 70 / 0 / 14

HEX #9142DB

RGB 145 66 219

HSL 270.98, 0.68%, 0.56%

LAB 45.68, 60.43, -65.06

 

CMYK 0 / 46 / 69 / 14

HEX #DB7644

RGB 219 118 68

HSL 19.87, 0.68%, 0.56%

LAB 60.28, 35.42, 44.33

 

CMYK 57 / 0 / 70 / 14

HEX #5EDB42

RGB 94 219 66

HSL 109.02, 0.68%, 0.56%

LAB 78.13, -61.82, 61.74

 

CMYK 70 / 22 / 0 / 14

HEX #42AADB

RGB 66 170 219

HSL 199.22, 0.68%, 0.56%

LAB 65.77, -14.26, -33.45

 

CMYK 13 / 70 / 0 / 14

HEX #BF42DB

RGB 191 66 219

HSL 289.02, 0.68%, 0.56%

LAB 51.94, 69.67, -54.65

 

Description

Color code: RGB 219 118 68 | qconv.com Color code: RGB 219 118 68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 118 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 118 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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