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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 229 142 it is the complementary color RGB 39 26 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 229 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 229 142: RGB 221 229 137, RGB 238 247 156, RGB 255 255 175, RGB 255 255 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 229 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 229 142: RGB 216 229 142, RGB 199 211 123, RGB 182 193 104, RGB 165 175 85 and RGB 148 157 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

Complementary color

CMYK 65 / 77 / 0 / 56

HEX #271A71

RGB 39 26 113

HSL 248.97, 0.63%, 0.27%

LAB 17.28, 33.12, -47.84

 

CMYK 3 / 0 / 40 / 10

HEX #DDE589

RGB 221 229 137

HSL 65.22, 0.64%, 0.72%

LAB 88.55, -16.2, 43.9

 

CMYK 4 / 0 / 37 / 3

HEX #EEF79C

RGB 238 247 156

HSL 65.93, 0.85%, 0.79%

LAB 94.78, -16.45, 42.76

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 6 / 0 / 42 / 17

HEX #C7D37B

RGB 199 211 123

HSL 68.18, 0.5%, 0.65%

LAB 81.93, -17.33, 42.12

 

CMYK 6 / 0 / 46 / 24

HEX #B6C168

RGB 182 193 104

HSL 67.42, 0.42%, 0.58%

LAB 75.5, -17.05, 43.29

 

CMYK 6 / 0 / 51 / 31

HEX #A5AF55

RGB 165 175 85

HSL 66.67, 0.36%, 0.51%

LAB 68.98, -16.7, 44.45

 

CMYK 6 / 0 / 58 / 38

HEX #949D42

RGB 148 157 66

HSL 65.93, 0.41%, 0.44%

LAB 62.34, -16.24, 45.54

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 11 / 0 / 38 / 10

HEX #CBE58E

RGB 203 229 142

HSL 77.93, 0.63%, 0.73%

LAB 87.33, -22.45, 39.6

 

CMYK 17 / 0 / 38 / 10

HEX #BDE58E

RGB 189 229 142

HSL 87.59, 0.63%, 0.73%

LAB 86.41, -27.59, 38.23

 

CMYK 24 / 0 / 38 / 10

HEX #AEE58E

RGB 174 229 142

HSL 97.93, 0.63%, 0.73%

LAB 85.5, -32.91, 36.87

 

CMYK 30 / 0 / 38 / 10

HEX #A0E58E

RGB 160 229 142

HSL 107.59, 0.63%, 0.73%

LAB 84.72, -37.65, 35.71

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 4 / 0 / 36 / 90

HEX #181910

RGB 24 25 16

HSL 66.67, 0.22%, 0.08%

LAB 8.37, -2.56, 5.47

 

CMYK 5 / 0 / 38 / 70

HEX #484C2F

RGB 72 76 47

HSL 68.28, 0.24%, 0.24%

LAB 31.24, -7.09, 16.73

 

CMYK 6 / 0 / 38 / 50

HEX #787F4F

RGB 120 127 79

HSL 68.75, 0.23%, 0.4%

LAB 51.54, -10.81, 25.24

 

CMYK 6 / 0 / 38 / 30

HEX #A8B26E

RGB 168 178 110

HSL 68.82, 0.31%, 0.56%

LAB 70.38, -14.34, 33.59

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 38 / 0 / 25 / 10

HEX #8EE5AB

RGB 142 229 171

HSL 140, 0.63%, 0.73%

LAB 84.34, -38.47, 20.19

 

CMYK 10 / 38 / 0 / 10

HEX #CE8EE5

RGB 206 142 229

HSL 284.14, 0.63%, 0.73%

LAB 68.11, 39.1, -34.61

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 38 / 5 / 0 / 10

HEX #8ED9E5

RGB 142 217 229

HSL 188.28, 0.63%, 0.73%

LAB 82.4, -20.2, -13.25

 

CMYK 0 / 38 / 5 / 10

HEX #E58ED9

RGB 229 142 217

HSL 308.28, 0.63%, 0.73%

LAB 70.19, 43.93, -24.58

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 38 / 0 / 25 / 10

HEX #8EE5AB

RGB 142 229 171

HSL 140, 0.63%, 0.73%

LAB 84.34, -38.47, 20.19

 

CMYK 33 / 38 / 0 / 10

HEX #9A8EE5

RGB 154 142 229

HSL 248.28, 0.63%, 0.73%

LAB 63.24, 24.01, -42.58

 

CMYK 0 / 38 / 13 / 10

HEX #E58EC8

RGB 229 142 200

HSL 320, 0.63%, 0.73%

LAB 69.59, 41.08, -16.06

 

CMYK 6 / 0 / 38 / 10

HEX #D8E58E

RGB 216 229 142

HSL 68.97, 0.63%, 0.73%

LAB 88.25, -17.56, 40.97

 

CMYK 38 / 0 / 14 / 10

HEX #8EE5C5

RGB 142 229 197

HSL 157.93, 0.63%, 0.73%

LAB 84.9, -33.33, 7.38

 

CMYK 33 / 38 / 0 / 10

HEX #9A8EE5

RGB 154 142 229

HSL 248.28, 0.63%, 0.73%

LAB 63.24, 24.01, -42.58

 

CMYK 0 / 38 / 24 / 10

HEX #E58EAE

RGB 229 142 174

HSL 337.93, 0.63%, 0.73%

LAB 68.79, 37.12, -2.74

 

Description

Color code: RGB 216 229 142 | qconv.com Color code: RGB 216 229 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 229 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 229 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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