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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 224 229 it is the complementary color RGB 39 31 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 224 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 224 229: RGB 221 224 224, RGB 238 242 243, RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 224 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 224 229: RGB 216 224 229, RGB 199 206 210, RGB 182 188 191, RGB 165 170 172 and RGB 148 152 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

Complementary color

CMYK 0 / 21 / 33 / 85

HEX #271F1A

RGB 39 31 26

HSL 23.08, 0.2%, 0.13%

LAB 12.52, 2.86, 4.86

 

CMYK 1 / 0 / 0 / 12

HEX #DDE0E0

RGB 221 224 224

HSL 180, 0.05%, 0.87%

LAB 88.95, -1, -0.36

 

CMYK 2 / 0 / 0 / 5

HEX #EEF2F3

RGB 238 242 243

HSL 192, 0.17%, 0.94%

LAB 95.23, -1.14, -0.96

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 5 / 2 / 0 / 18

HEX #C7CED2

RGB 199 206 210

HSL 201.82, 0.11%, 0.8%

LAB 82.35, -1.62, -2.82

 

CMYK 5 / 2 / 0 / 25

HEX #B6BCBF

RGB 182 188 191

HSL 200, 0.07%, 0.73%

LAB 75.87, -1.5, -2.24

 

CMYK 4 / 1 / 0 / 33

HEX #A5AAAC

RGB 165 170 172

HSL 197.14, 0.04%, 0.66%

LAB 69.27, -1.37, -1.65

 

CMYK 3 / 1 / 0 / 40

HEX #949899

RGB 148 152 153

HSL 192, 0.02%, 0.59%

LAB 62.55, -1.24, -1.04

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 6 / 3 / 0 / 11

HEX #D7DDE4

RGB 215 221 228

HSL 212.31, 0.19%, 0.87%

LAB 87.85, -0.71, -4.13

 

CMYK 6 / 4 / 0 / 11

HEX #D7DAE4

RGB 215 218 228

HSL 226.15, 0.19%, 0.87%

LAB 87.09, 0.85, -5.26

 

CMYK 6 / 5 / 0 / 11

HEX #D7D8E4

RGB 215 216 228

HSL 235.38, 0.19%, 0.87%

LAB 86.58, 1.9, -6.01

 

CMYK 6 / 6 / 0 / 11

HEX #D7D7E4

RGB 215 215 228

HSL 240, 0.19%, 0.87%

LAB 86.33, 2.42, -6.38

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 4 / 4 / 0 / 90

HEX #181819

RGB 24 24 25

HSL 240, 0.02%, 0.1%

LAB 8.29, 0.26, -0.71

 

CMYK 5 / 3 / 0 / 70

HEX #484A4C

RGB 72 74 76

HSL 210, 0.03%, 0.29%

LAB 31.34, -0.37, -1.48

 

CMYK 6 / 2 / 0 / 50

HEX #787C7F

RGB 120 124 127

HSL 205.71, 0.03%, 0.48%

LAB 51.77, -0.87, -2.16

 

CMYK 6 / 2 / 0 / 30

HEX #A8AEB2

RGB 168 174 178

HSL 204, 0.06%, 0.68%

LAB 70.74, -1.32, -2.79

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 3 / 6 / 0 / 11

HEX #DED7E4

RGB 222 215 228

HSL 272.31, 0.19%, 0.87%

LAB 86.87, 4.74, -5.53

 

CMYK 0 / 0 / 6 / 11

HEX #E4E4D7

RGB 228 228 215

HSL 60, 0.19%, 0.87%

LAB 90.27, -2.26, 6.33

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 0 / 6 / 2 / 11

HEX #E4D7DF

RGB 228 215 223

HSL 323.08, 0.19%, 0.87%

LAB 87.2, 5.86, -2.33

 

CMYK 2 / 0 / 6 / 11

HEX #DFE4D7

RGB 223 228 215

HSL 83.08, 0.19%, 0.87%

LAB 89.9, -3.97, 5.75

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 3 / 6 / 0 / 11

HEX #DED7E4

RGB 222 215 228

HSL 272.31, 0.19%, 0.87%

LAB 86.87, 4.74, -5.53

 

CMYK 0 / 4 / 6 / 11

HEX #E4DCD7

RGB 228 220 215

HSL 23.08, 0.19%, 0.87%

LAB 88.25, 1.86, 3.41

 

CMYK 4 / 0 / 6 / 11

HEX #DCE4D7

RGB 220 228 215

HSL 96.92, 0.19%, 0.87%

LAB 89.68, -5, 5.4

 

CMYK 6 / 2 / 0 / 10

HEX #D8E0E5

RGB 216 224 229

HSL 203.08, 0.2%, 0.87%

LAB 88.72, -1.74, -3.38

 

CMYK 1 / 6 / 0 / 11

HEX #E2D7E4

RGB 226 215 228

HSL 290.77, 0.19%, 0.87%

LAB 87.18, 6.08, -5.03

 

CMYK 0 / 4 / 6 / 11

HEX #E4DCD7

RGB 228 220 215

HSL 23.08, 0.19%, 0.87%

LAB 88.25, 1.86, 3.41

 

CMYK 5 / 0 / 6 / 11

HEX #D8E4D7

RGB 216 228 215

HSL 115.38, 0.19%, 0.87%

LAB 89.39, -6.35, 4.95

 

Description

Color code: RGB 216 224 229 | qconv.com Color code: RGB 216 224 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 224 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 224 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 2 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 2% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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