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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 166 145 it is the complementary color RGB 39 89 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 166 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 166 145: RGB 221 166 140, RGB 238 184 159, RGB 255 202 178, RGB 255 220 197 and RGB 255 238 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 166 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 166 145: RGB 216 166 145, RGB 199 148 126, RGB 182 130 107, RGB 165 112 88 and RGB 148 94 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

Complementary color

CMYK 65 / 19 / 0 / 57

HEX #27596E

RGB 39 89 110

HSL 197.75, 0.48%, 0.29%

LAB 35.4, -9.78, -17.02

 

CMYK 0 / 25 / 37 / 13

HEX #DDA68C

RGB 221 166 140

HSL 19.26, 0.54%, 0.71%

LAB 72.59, 16.85, 21.35

 

CMYK 0 / 23 / 33 / 7

HEX #EEB89F

RGB 238 184 159

HSL 18.99, 0.7%, 0.78%

LAB 79.02, 16.13, 20.21

 

CMYK 0 / 21 / 30 / 0

HEX #FFCAB2

RGB 255 202 178

HSL 18.7, 1%, 0.85%

LAB 85.36, 15.49, 19.15

 

CMYK 0 / 14 / 23 / 0

HEX #FFDCC5

RGB 255 220 197

HSL 23.79, 1%, 0.89%

LAB 90.08, 8.69, 15.77

 

CMYK 0 / 7 / 15 / 0

HEX #FFEED8

RGB 255 238 216

HSL 33.85, 1%, 0.92%

LAB 94.89, 2.23, 12.71

NCS® S0507-Y40R

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 0 / 26 / 37 / 22

HEX #C7947E

RGB 199 148 126

HSL 18.08, 0.39%, 0.64%

LAB 65.61, 16.26, 19.13

 

CMYK 0 / 29 / 41 / 29

HEX #B6826B

RGB 182 130 107

HSL 18.4, 0.34%, 0.57%

LAB 58.95, 17.11, 20.4

 

CMYK 0 / 32 / 47 / 35

HEX #A57058

RGB 165 112 88

HSL 18.7, 0.3%, 0.5%

LAB 52.17, 18.09, 21.82

 

CMYK 0 / 36 / 53 / 42

HEX #945E45

RGB 148 94 69

HSL 18.99, 0.36%, 0.43%

LAB 45.26, 19.24, 23.42

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 0 / 18 / 33 / 15

HEX #D8B191

RGB 216 177 145

HSL 27.04, 0.48%, 0.71%

LAB 74.88, 9.61, 21.7

 

CMYK 0 / 13 / 33 / 15

HEX #D8BD91

RGB 216 189 145

HSL 37.18, 0.48%, 0.71%

LAB 77.9, 3.23, 25.8

 

CMYK 0 / 7 / 33 / 15

HEX #D8C991

RGB 216 201 145

HSL 47.32, 0.48%, 0.71%

LAB 80.97, -3.05, 29.92

 

CMYK 0 / 2 / 33 / 15

HEX #D8D491

RGB 216 212 145

HSL 56.62, 0.48%, 0.71%

LAB 83.83, -8.7, 33.71

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 0 / 25 / 33 / 95

HEX #0C0908

RGB 12 9 8

HSL 15, 0.2%, 0.04%

LAB 2.63, 0.68, 0.66

 

CMYK 0 / 24 / 33 / 75

HEX #3F302A

RGB 63 48 42

HSL 17.14, 0.2%, 0.21%

LAB 21.35, 5.75, 6.44

 

CMYK 0 / 23 / 32 / 55

HEX #72584D

RGB 114 88 77

HSL 17.84, 0.19%, 0.37%

LAB 39.74, 8.97, 10.48

 

CMYK 0 / 23 / 33 / 35

HEX #A57F6F

RGB 165 127 111

HSL 17.78, 0.23%, 0.54%

LAB 56.41, 12.35, 14.35

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 16 / 0 / 33 / 15

HEX #B6D891

RGB 182 216 145

HSL 88.73, 0.48%, 0.71%

LAB 82.43, -23.48, 31.41

 

CMYK 33 / 29 / 0 / 15

HEX #9199D8

RGB 145 153 216

HSL 233.24, 0.48%, 0.71%

LAB 64.77, 11.8, -33.03

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 33 / 0 / 24 / 15

HEX #91D8A5

RGB 145 216 165

HSL 136.9, 0.48%, 0.71%

LAB 80.65, -32.7, 18.23

 

CMYK 24 / 33 / 0 / 15

HEX #A591D8

RGB 165 145 216

HSL 256.9, 0.48%, 0.71%

LAB 64.33, 22.22, -33.6

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 16 / 0 / 33 / 15

HEX #B6D891

RGB 182 216 145

HSL 88.73, 0.48%, 0.71%

LAB 82.43, -23.48, 31.41

 

CMYK 33 / 9 / 0 / 15

HEX #91C4D8

RGB 145 196 216

HSL 196.9, 0.48%, 0.71%

LAB 76.35, -11.82, -15.34

 

CMYK 17 / 33 / 0 / 15

HEX #B391D8

RGB 179 145 216

HSL 268.73, 0.48%, 0.71%

LAB 65.59, 26.46, -31.55

 

CMYK 0 / 23 / 33 / 15

HEX #D8A691

RGB 216 166 145

HSL 17.75, 0.48%, 0.71%

LAB 72.17, 15.52, 17.97

 

CMYK 26 / 0 / 33 / 15

HEX #A0D891

RGB 160 216 145

HSL 107.32, 0.48%, 0.71%

LAB 81.09, -31.21, 29.38

 

CMYK 33 / 9 / 0 / 15

HEX #91C4D8

RGB 145 196 216

HSL 196.9, 0.48%, 0.71%

LAB 76.35, -11.82, -15.34

 

CMYK 7 / 33 / 0 / 15

HEX #C991D8

RGB 201 145 216

HSL 287.32, 0.48%, 0.71%

LAB 67.74, 33.32, -28.04

 

Description

Color code: RGB 216 166 145 | qconv.com Color code: RGB 216 166 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 166 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 166 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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