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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 0 17 it is the complementary color RGB 39 255 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 0 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 0 17: RGB 221 0 12, RGB 238 18 31, RGB 255 36 50, RGB 255 54 69 and RGB 255 72 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 0 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 0 17: RGB 216 0 17, RGB 199 0 0, RGB 182 0 0, RGB 165 0 0 and RGB 148 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

Complementary color

CMYK 85 / 0 / 7 / 0

HEX #27FFEE

RGB 39 255 238

HSL 175.28, 1%, 0.58%

LAB 90.84, -51.49, -5.71

 

CMYK 0 / 100 / 95 / 13

HEX #DD000C

RGB 221 0 12

HSL 356.74, 1%, 0.43%

LAB 46.18, 72, 56.78

 

CMYK 0 / 92 / 87 / 7

HEX #EE121F

RGB 238 18 31

HSL 356.45, 0.87%, 0.5%

LAB 50.34, 74.87, 53.82

 

CMYK 0 / 86 / 80 / 0

HEX #FF2432

RGB 255 36 50

HSL 356.16, 1%, 0.57%

LAB 54.82, 76.94, 49.66

 

CMYK 0 / 79 / 73 / 0

HEX #FF3645

RGB 255 54 69

HSL 355.52, 1%, 0.61%

LAB 56.41, 73.58, 40.99

 

CMYK 0 / 72 / 65 / 0

HEX #FF4858

RGB 255 72 88

HSL 354.75, 1%, 0.64%

LAB 58.6, 69.06, 32.79

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 100 / 100 / 42

HEX #940000

RGB 148 0 0

HSL 0, 1%, 0.29%

LAB 30.15, 53.4, 43.8

SW® 2911

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 0 / 92 / 100 / 16

HEX #D61100

RGB 214 17 0

HSL 4.77, 1%, 0.42%

LAB 45.22, 68.56, 59.09

 

CMYK 0 / 75 / 100 / 16

HEX #D63500

RGB 214 53 0

HSL 14.86, 1%, 0.42%

LAB 48.06, 60.5, 60.25

 

CMYK 0 / 58 / 100 / 16

HEX #D65900

RGB 214 89 0

HSL 24.95, 1%, 0.42%

LAB 53.43, 46.03, 62.95

 

CMYK 0 / 42 / 100 / 16

HEX #D67C00

RGB 214 124 0

HSL 34.77, 1%, 0.42%

LAB 60.53, 28.32, 67.16

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 0 / 100 / 92 / 95

HEX #0C0001

RGB 12 0 1

HSL 355, 1%, 0.02%

LAB 0.73, 3.31, 0.74

 

CMYK 0 / 100 / 92 / 75

HEX #3F0005

RGB 63 0 5

HSL 355.24, 1%, 0.12%

LAB 9.54, 29.69, 13.02

 

CMYK 0 / 100 / 92 / 55

HEX #720009

RGB 114 0 9

HSL 355.26, 1%, 0.22%

LAB 22.29, 44.42, 30.08

 

CMYK 0 / 100 / 92 / 35

HEX #A5000D

RGB 165 0 13

HSL 355.27, 1%, 0.32%

LAB 34.04, 58, 42.93

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 12 / 0 / 100 / 16

HEX #BDD600

RGB 189 214 0

HSL 67.01, 1%, 0.42%

LAB 81.24, -29.36, 80.55

 

CMYK 100 / 52 / 0 / 16

HEX #0067D6

RGB 0 103 214

HSL 211.12, 1%, 0.42%

LAB 45.02, 18.63, -63.66

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 92 / 0 / 100 / 16

HEX #11D600

RGB 17 214 0

HSL 115.23, 1%, 0.42%

LAB 74.96, -74.82, 72.97

 

CMYK 100 / 92 / 0 / 16

HEX #0011D6

RGB 0 17 214

HSL 235.23, 1%, 0.42%

LAB 27.45, 65.87, -92.6

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 12 / 0 / 100 / 16

HEX #BDD600

RGB 189 214 0

HSL 67.01, 1%, 0.42%

LAB 81.24, -29.36, 80.55

 

CMYK 100 / 0 / 8 / 16

HEX #00D6C4

RGB 0 214 196

HSL 174.95, 1%, 0.42%

LAB 77.33, -47.3, -3.5

 

CMYK 89 / 100 / 0 / 16

HEX #1800D6

RGB 24 0 214

HSL 246.73, 1%, 0.42%

LAB 26.87, 69.56, -93.55

 

CMYK 0 / 100 / 92 / 15

HEX #D80011

RGB 216 0 17

HSL 355.28, 1%, 0.42%

LAB 45.14, 70.83, 53.92

 

CMYK 42 / 0 / 100 / 16

HEX #7CD600

RGB 124 214 0

HSL 85.23, 1%, 0.42%

LAB 77.51, -53.91, 76.06

 

CMYK 100 / 0 / 8 / 16

HEX #00D6C4

RGB 0 214 196

HSL 174.95, 1%, 0.42%

LAB 77.33, -47.3, -3.5

 

CMYK 58 / 100 / 0 / 16

HEX #5900D6

RGB 89 0 214

HSL 264.95, 1%, 0.42%

LAB 31.76, 71.69, -85.29

 

Description

Color code: RGB 216 0 17 | qconv.com Color code: RGB 216 0 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, none green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 0 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 92 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 92% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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