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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 218.2 231.6 it is the complementary color RGB 40 36.8 23.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 218.2 231.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 218.2 231.6 shade: RGB 220 218.2 226.6, RGB 237 236.2 245.6, RGB 254 254.2 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 218.2 231.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 218.2 231.6 shade: RGB 215 218.2 231.6, RGB 198 200.2 212.6, RGB 181 182.2 193.6, RGB 164 164.2 174.6 and RGB 147 146.2 155.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 218.2 231.6 shade: RGB 216 220 232, RGB 218 216 232, RGB 222 216 232, RGB 226 216 232 and RGB 231 216 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 218.2 231.6 shade: RGB 216 220 232 and RGB 216 216 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 218.2 231.6 shade matches the following richer shades: RGB 216 220 232, RGB 211 216 237, RGB 207 213 242, RGB 202 210 247 and RGB 197 207 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 218.2 231.6 shade: RGB 216 220 232, RGB 221 223 227, RGB 226 226 222, RGB 231 229 218 and RGB 236 232 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 218.2 231.6 shade: RGB 216 228 232, RGB 216 224 232, RGB 216 220 232, RGB 218 216 232 and RGB 222 216 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 218.2 231.6 shade: RGB 164 172 202, RGB 190 196 217, RGB 216 220 232, RGB 242 243 248 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 218.2 231.6 shade: RGB 215 218.2 231.6, RGB 232 216 232 and RGB 226 232 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 218.2 231.6 shade: RGB 215 218.2 231.6, RGB 232 216 220 and RGB 220 232 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 218.2 231.6 shade: RGB 215 218.2 231.6, RGB 232 216 232, RGB 232 229 216 and RGB 216 232 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 218.2 231.6 shade: RGB 215 218.2 231.6, RGB 232 216 228, RGB 232 229 216 and RGB 216 232 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

Complementary color

CMYK 0 / 8 / 42 / 84

HEX #282417

RGB 40 36.8 23.4

HSL 48.43, 0.26%, 0.12%

LAB 14.54, -1.17, 9.49

 

CMYK 3 / 4 / 0 / 11

HEX #DCDAE2

RGB 220 218.2 226.6

HSL 252.86, 0.13%, 0.87%

LAB 87.48, 2.15, -3.9

 

CMYK 4 / 4 / 0 / 4

HEX #EDECF5

RGB 237 236.2 245.6

HSL 245.11, 0.33%, 0.94%

LAB 93.77, 1.97, -4.45

 

CMYK 0 / 0 / 0 / 0

HEX #FEFEFF

RGB 254 254.2 255

HSL 228, 1%, 1%

LAB 99.73, 0.08, -0.41

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

CMYK 7 / 6 / 0 / 17

HEX #C6C8D4

RGB 198 200.2 212.6

HSL 230.96, 0.15%, 0.81%

LAB 80.84, 1.6, -6.43

 

CMYK 7 / 6 / 0 / 24

HEX #B5B6C1

RGB 181 182.2 193.6

HSL 234.29, 0.09%, 0.73%

LAB 74.34, 1.78, -5.92

 

CMYK 6 / 6 / 0 / 32

HEX #A4A4AE

RGB 164 164.2 174.6

HSL 238.87, 0.06%, 0.66%

LAB 67.72, 1.97, -5.39

 

CMYK 6 / 6 / 0 / 39

HEX #93929B

RGB 147 146.2 155.6

HSL 245.11, 0.05%, 0.59%

LAB 60.97, 2.16, -4.85

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 6 / 7 / 0 / 9

HEX #DAD8E8

RGB 218 216 232

HSL 247.5, 0.26%, 0.88%

LAB 86.92, 3.65, -7.6

 

CMYK 4 / 7 / 0 / 9

HEX #DED8E8

RGB 222 216 232

HSL 262.5, 0.26%, 0.88%

LAB 87.23, 4.97, -7.11

 

CMYK 3 / 7 / 0 / 9

HEX #E2D8E8

RGB 226 216 232

HSL 277.5, 0.26%, 0.88%

LAB 87.54, 6.3, -6.62

 

CMYK 0 / 7 / 0 / 9

HEX #E7D8E8

RGB 231 216 232

HSL 296.25, 0.26%, 0.88%

LAB 87.93, 7.97, -5.99

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 7 / 7 / 0 / 9

HEX #D8D8E8

RGB 216 216 232

HSL 240, 0.26%, 0.88%

LAB 86.77, 2.99, -7.84

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 11 / 9 / 0 / 7

HEX #D3D8ED

RGB 211 216 237

HSL 228.46, 0.42%, 0.88%

LAB 86.54, 2.35, -10.86

 

CMYK 14 / 12 / 0 / 5

HEX #CFD5F2

RGB 207 213 242

HSL 229.71, 0.57%, 0.88%

LAB 85.64, 3.67, -14.88

 

CMYK 18 / 15 / 0 / 3

HEX #CAD2F7

RGB 202 210 247

HSL 229.33, 0.74%, 0.88%

LAB 84.67, 4.75, -19.02

 

CMYK 22 / 18 / 0 / 1

HEX #C5CFFC

RGB 197 207 252

HSL 229.09, 0.9%, 0.88%

LAB 83.72, 5.93, -23.15

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 3 / 2 / 0 / 11

HEX #DDDFE3

RGB 221 223 227

HSL 220, 0.1%, 0.88%

LAB 88.78, 0.06, -2.2

 

CMYK 0 / 0 / 2 / 11

HEX #E2E2DE

RGB 226 226 222

HSL 60, 0.06%, 0.88%

LAB 89.78, -0.71, 1.94

 

CMYK 0 / 1 / 6 / 9

HEX #E7E5DA

RGB 231 229 218

HSL 50.77, 0.21%, 0.88%

LAB 90.82, -1.23, 5.59

 

CMYK 0 / 2 / 10 / 7

HEX #ECE8D5

RGB 236 232 213

HSL 49.57, 0.38%, 0.88%

LAB 91.84, -1.86, 9.71

 

CMYK 7 / 2 / 0 / 9

HEX #D8E4E8

RGB 216 228 232

HSL 195, 0.26%, 0.88%

LAB 89.82, -3.23, -3.34

 

CMYK 7 / 3 / 0 / 9

HEX #D8E0E8

RGB 216 224 232

HSL 210, 0.26%, 0.88%

LAB 88.8, -1.17, -4.84

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 6 / 7 / 0 / 9

HEX #DAD8E8

RGB 218 216 232

HSL 247.5, 0.26%, 0.88%

LAB 86.92, 3.65, -7.6

 

CMYK 4 / 7 / 0 / 9

HEX #DED8E8

RGB 222 216 232

HSL 262.5, 0.26%, 0.88%

LAB 87.23, 4.97, -7.11

 

CMYK 19 / 15 / 0 / 21

HEX #A4ACCA

RGB 164 172 202

HSL 227.37, 0.26%, 0.72%

LAB 70.64, 3.5, -16.19

 

CMYK 12 / 10 / 0 / 15

HEX #BEC4D9

RGB 190 196 217

HSL 226.67, 0.26%, 0.8%

LAB 79.29, 2.09, -11.17

 

CMYK 7 / 5 / 0 / 9

HEX #D8DCE8

RGB 216 220 232

HSL 225, 0.26%, 0.88%

LAB 87.78, 0.9, -6.34

 

CMYK 2 / 2 / 0 / 3

HEX #F2F3F8

RGB 242 243 248

HSL 230, 0.3%, 0.96%

LAB 95.9, 0.57, -2.53

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

CMYK 0 / 7 / 0 / 9

HEX #E8D8E8

RGB 232 216 232

HSL 300, 0.26%, 0.88%

LAB 88.01, 8.3, -5.86

 

CMYK 3 / 0 / 7 / 9

HEX #E2E8D8

RGB 226 232 216

HSL 82.5, 0.26%, 0.88%

LAB 91.16, -4.82, 7.07

 

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

CMYK 0 / 7 / 5 / 9

HEX #E8D8DC

RGB 232 216 220

HSL 345, 0.26%, 0.88%

LAB 87.7, 6.18, 0.01

 

CMYK 5 / 0 / 7 / 9

HEX #DCE8D8

RGB 220 232 216

HSL 105, 0.26%, 0.88%

LAB 90.73, -6.86, 6.39

 

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

CMYK 0 / 7 / 0 / 9

HEX #E8D8E8

RGB 232 216 232

HSL 300, 0.26%, 0.88%

LAB 88.01, 8.3, -5.86

 

CMYK 0 / 1 / 7 / 9

HEX #E8E5D8

RGB 232 229 216

HSL 48.75, 0.26%, 0.88%

LAB 90.85, -1.22, 6.68

 

CMYK 7 / 0 / 7 / 9

HEX #D8E8D8

RGB 216 232 216

HSL 120, 0.26%, 0.88%

LAB 90.45, -8.21, 5.95

 

CMYK 7 / 6 / 0 / 9

HEX #D7DAE7

RGB 215 218.2 231.6

HSL 228.43, 0.26%, 0.88%

LAB 87.24, 1.44, -6.94

 

CMYK 0 / 7 / 2 / 9

HEX #E8D8E4

RGB 232 216 228

HSL 315, 0.26%, 0.88%

LAB 87.91, 7.58, -3.91

 

CMYK 0 / 1 / 7 / 9

HEX #E8E5D8

RGB 232 229 216

HSL 48.75, 0.26%, 0.88%

LAB 90.85, -1.22, 6.68

 

CMYK 7 / 0 / 5 / 9

HEX #D8E8DD

RGB 216 232 221

HSL 138.75, 0.26%, 0.88%

LAB 90.57, -7.32, 3.51

 

Description

Color code: RGB 215 218.2 231.6 | qconv.com Color code: RGB 215 218.2 231.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 218.2 green and 231.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 218.2 231.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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