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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 48 36 it is the complementary color RGB 41 207 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 48 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 48 36: RGB 219 48 31, RGB 236 66 50, RGB 253 84 69, RGB 255 102 88 and RGB 255 120 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 48 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 48 36: RGB 214 48 36, RGB 197 30 17, RGB 180 12 0, RGB 163 0 0 and RGB 146 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

Complementary color

CMYK 81 / 5 / 0 / 14

HEX #29CFDB

RGB 41 207 219

HSL 184.04, 0.71%, 0.51%

LAB 76.2, -35.6, -17.52

 

CMYK 0 / 78 / 86 / 14

HEX #DB301F

RGB 219 48 31

HSL 5.43, 0.75%, 0.49%

LAB 48.6, 63.92, 50.83

 

CMYK 0 / 72 / 79 / 7

HEX #EC4232

RGB 236 66 50

HSL 5.16, 0.83%, 0.56%

LAB 53.98, 63.81, 47.64

 

CMYK 0 / 67 / 73 / 1

HEX #FD5445

RGB 253 84 69

HSL 4.89, 0.98%, 0.63%

LAB 59.57, 63.23, 44.46

 

CMYK 0 / 60 / 65 / 0

HEX #FF6658

RGB 255 102 88

HSL 5.03, 1%, 0.67%

LAB 62.9, 57.4, 38.09

 

CMYK 0 / 53 / 58 / 0

HEX #FF786B

RGB 255 120 107

HSL 5.27, 1%, 0.71%

LAB 66.33, 50.38, 31.89

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 0 / 85 / 91 / 23

HEX #C51E11

RGB 197 30 17

HSL 4.33, 0.84%, 0.42%

LAB 42.52, 61.98, 50.28

 

CMYK 0 / 93 / 100 / 29

HEX #B40C00

RGB 180 12 0

HSL 4, 1%, 0.35%

LAB 37.78, 60.3, 51.91

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 0 / 64 / 83 / 16

HEX #D54D24

RGB 213 77 36

HSL 13.9, 0.71%, 0.49%

LAB 51.36, 51.64, 50.52

 

CMYK 0 / 50 / 83 / 16

HEX #D56B24

RGB 213 107 36

HSL 24.07, 0.71%, 0.49%

LAB 56.87, 37.39, 55.41

 

CMYK 0 / 36 / 83 / 16

HEX #D58824

RGB 213 136 36

HSL 33.9, 0.71%, 0.49%

LAB 63.25, 22.07, 60.97

 

CMYK 0 / 22 / 83 / 16

HEX #D5A624

RGB 213 166 36

HSL 44.07, 0.71%, 0.49%

LAB 70.56, 5.91, 67.23

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 0 / 80 / 80 / 96

HEX #0A0202

RGB 10 2 2

HSL 0, 0.67%, 0.02%

LAB 1.01, 2.09, 0.74

 

CMYK 0 / 77 / 84 / 76

HEX #3D0E0A

RGB 61 14 10

HSL 4.71, 0.72%, 0.14%

LAB 11.47, 22.7, 13.61

 

CMYK 0 / 78 / 83 / 56

HEX #701913

RGB 112 25 19

HSL 3.87, 0.71%, 0.26%

LAB 24.28, 37.42, 26.91

 

CMYK 0 / 77 / 83 / 36

HEX #A3251B

RGB 163 37 27

HSL 4.41, 0.72%, 0.37%

LAB 36.35, 50.24, 37.75

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 22 / 0 / 83 / 16

HEX #A6D524

RGB 166 213 36

HSL 75.93, 0.71%, 0.49%

LAB 79.51, -37.5, 73.42

 

CMYK 83 / 55 / 0 / 16

HEX #245FD5

RGB 36 95 213

HSL 220, 0.71%, 0.49%

LAB 43.31, 25.14, -65.84

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 77 / 83 / 0 / 16

HEX #3024D5

RGB 48 36 213

HSL 244.07, 0.71%, 0.49%

LAB 31.1, 60.16, -85.9

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 22 / 0 / 83 / 16

HEX #A6D524

RGB 166 213 36

HSL 75.93, 0.71%, 0.49%

LAB 79.51, -37.5, 73.42

 

CMYK 83 / 6 / 0 / 16

HEX #24C9D5

RGB 36 201 213

HSL 184.07, 0.71%, 0.49%

LAB 74.16, -34.99, -17.36

 

CMYK 61 / 83 / 0 / 16

HEX #5324D5

RGB 83 36 213

HSL 255.93, 0.71%, 0.49%

LAB 33.78, 62.68, -81.37

 

CMYK 0 / 78 / 83 / 16

HEX #D63024

RGB 214 48 36

HSL 4.04, 0.71%, 0.49%

LAB 47.67, 62.57, 47.25

 

CMYK 47 / 0 / 83 / 16

HEX #71D524

RGB 113 213 36

HSL 93.9, 0.71%, 0.49%

LAB 76.82, -56.18, 70.01

 

CMYK 83 / 6 / 0 / 16

HEX #24C9D5

RGB 36 201 213

HSL 184.07, 0.71%, 0.49%

LAB 74.16, -34.99, -17.36

 

CMYK 36 / 83 / 0 / 16

HEX #8824D5

RGB 136 36 213

HSL 273.9, 0.71%, 0.49%

LAB 40.08, 68.92, -70.78

 

Description

Color code: RGB 214 48 36 | qconv.com Color code: RGB 214 48 36 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 48 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 48 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 83 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 83% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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