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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 206 66 it is the complementary color RGB 41 49 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 206 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 206 66: RGB 219 206 61, RGB 236 224 80, RGB 253 242 99, RGB 255 255 118 and RGB 255 255 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 206 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 206 66: RGB 214 206 66, RGB 197 188 47, RGB 180 170 28, RGB 163 152 9 and RGB 146 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

Complementary color

CMYK 78 / 74 / 0 / 26

HEX #2931BD

RGB 41 49 189

HSL 236.76, 0.64%, 0.45%

LAB 30.26, 45.72, -73.27

 

CMYK 0 / 6 / 72 / 14

HEX #DBCE3D

RGB 219 206 61

HSL 55.06, 0.69%, 0.55%

LAB 81.59, -11.36, 69.37

 

CMYK 0 / 5 / 66 / 7

HEX #ECE050

RGB 236 224 80

HSL 55.38, 0.8%, 0.62%

LAB 87.84, -12.32, 69

 

CMYK 0 / 4 / 61 / 1

HEX #FDF263

RGB 253 242 99

HSL 55.71, 0.97%, 0.69%

LAB 94.01, -13.13, 68.29

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 0 / 5 / 76 / 23

HEX #C5BC2F

RGB 197 188 47

HSL 56.4, 0.61%, 0.48%

LAB 74.85, -12.21, 67.09

 

CMYK 0 / 6 / 84 / 29

HEX #B4AA1C

RGB 180 170 28

HSL 56.05, 0.73%, 0.41%

LAB 68.41, -11, 66.28

 

CMYK 0 / 7 / 94 / 36

HEX #A39809

RGB 163 152 9

HSL 55.71, 0.9%, 0.34%

LAB 61.88, -9.53, 64.07

 

CMYK 0 / 8 / 100 / 43

HEX #928600

RGB 146 134 0

HSL 55.07, 1%, 0.29%

LAB 55.24, -7.8, 59.87

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 7 / 0 / 69 / 16

HEX #C7D542

RGB 199 213 66

HSL 65.71, 0.64%, 0.55%

LAB 81.91, -22.92, 67.35

 

CMYK 18 / 0 / 69 / 16

HEX #AED542

RGB 174 213 66

HSL 75.92, 0.64%, 0.55%

LAB 80.17, -32.98, 65.04

 

CMYK 30 / 0 / 69 / 16

HEX #96D542

RGB 150 213 66

HSL 85.71, 0.64%, 0.55%

LAB 78.73, -42.08, 63.12

 

CMYK 41 / 0 / 69 / 16

HEX #7DD542

RGB 125 213 66

HSL 95.92, 0.64%, 0.55%

LAB 77.48, -50.7, 61.44

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 0 / 0 / 70 / 96

HEX #0A0A03

RGB 10 10 3

HSL 60, 0.54%, 0.03%

LAB 2.6, -0.97, 2.65

 

CMYK 0 / 3 / 69 / 76

HEX #3D3B13

RGB 61 59 19

HSL 57.14, 0.53%, 0.16%

LAB 24.22, -5.34, 24.46

 

CMYK 0 / 4 / 69 / 56

HEX #706C23

RGB 112 108 35

HSL 56.88, 0.52%, 0.29%

LAB 44.65, -8.18, 39.8

 

CMYK 0 / 4 / 69 / 36

HEX #A39D32

RGB 163 157 50

HSL 56.81, 0.53%, 0.42%

LAB 63.45, -10.81, 54.07

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 69 / 0 / 60 / 16

HEX #42D556

RGB 66 213 86

HSL 128.16, 0.64%, 0.55%

LAB 75.71, -63.72, 50.68

 

CMYK 32 / 69 / 0 / 16

HEX #9142D5

RGB 145 66 213

HSL 272.24, 0.64%, 0.55%

LAB 45.25, 59.05, -62.32

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 69 / 0 / 5 / 16

HEX #42D5CB

RGB 66 213 203

HSL 175.92, 0.64%, 0.55%

LAB 77.91, -40.29, -6.32

 

CMYK 5 / 69 / 0 / 16

HEX #CB42D5

RGB 203 66 213

HSL 295.92, 0.64%, 0.55%

LAB 53.38, 71.17, -48.82

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 69 / 0 / 60 / 16

HEX #42D556

RGB 66 213 86

HSL 128.16, 0.64%, 0.55%

LAB 75.71, -63.72, 50.68

 

CMYK 69 / 64 / 0 / 16

HEX #424CD5

RGB 66 76 213

HSL 235.92, 0.64%, 0.55%

LAB 39.8, 40.31, -71.51

 

CMYK 0 / 69 / 9 / 16

HEX #D542C2

RGB 213 66 194

HSL 307.76, 0.64%, 0.55%

LAB 53.96, 70.39, -36.91

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE42

RGB 214 206 66

HSL 56.76, 0.64%, 0.55%

LAB 81.2, -13.23, 67.04

 

CMYK 69 / 0 / 39 / 16

HEX #42D582

RGB 66 213 130

HSL 146.12, 0.64%, 0.55%

LAB 76.29, -57.1, 30.06

 

CMYK 69 / 64 / 0 / 16

HEX #424CD5

RGB 66 76 213

HSL 235.92, 0.64%, 0.55%

LAB 39.8, 40.31, -71.51

 

CMYK 0 / 69 / 30 / 16

HEX #D54296

RGB 213 66 150

HSL 325.71, 0.64%, 0.55%

LAB 52.11, 64.43, -14.03

 

Description

Color code: RGB 214 206 66 | qconv.com Color code: RGB 214 206 66 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 206 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 206 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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