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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 159 134 it is the complementary color RGB 41 96 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 159 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 159 134: RGB 219 159 129, RGB 236 177 148, RGB 253 195 167, RGB 255 213 186 and RGB 255 231 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 159 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 159 134: RGB 214 159 134, RGB 197 141 115, RGB 180 123 96, RGB 163 105 77 and RGB 146 87 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

Complementary color

CMYK 66 / 21 / 0 / 53

HEX #296079

RGB 41 96 121

HSL 198.75, 0.49%, 0.32%

LAB 38.23, -9.73, -19.45

 

CMYK 0 / 27 / 41 / 14

HEX #DB9F81

RGB 219 159 129

HSL 20, 0.56%, 0.68%

LAB 70.48, 18.57, 24.45

 

CMYK 0 / 25 / 37 / 7

HEX #ECB194

RGB 236 177 148

HSL 19.77, 0.7%, 0.75%

LAB 76.93, 17.76, 23.21

 

CMYK 0 / 23 / 34 / 1

HEX #FDC3A7

RGB 253 195 167

HSL 19.53, 0.96%, 0.82%

LAB 83.29, 17.03, 22.06

 

CMYK 0 / 16 / 27 / 0

HEX #FFD5BA

RGB 255 213 186

HSL 23.48, 1%, 0.86%

LAB 88.16, 10.81, 18.83

 

CMYK 0 / 9 / 20 / 0

HEX #FFE7CD

RGB 255 231 205

HSL 31.2, 1%, 0.9%

LAB 92.94, 4.17, 15.63

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 0 / 28 / 42 / 23

HEX #C58D73

RGB 197 141 115

HSL 19.02, 0.41%, 0.61%

LAB 63.47, 18.01, 22.3

 

CMYK 0 / 32 / 47 / 29

HEX #B47B60

RGB 180 123 96

HSL 19.29, 0.36%, 0.54%

LAB 56.8, 18.99, 23.71

 

CMYK 0 / 36 / 53 / 36

HEX #A3694D

RGB 163 105 77

HSL 19.53, 0.36%, 0.47%

LAB 50.01, 20.11, 25.27

 

CMYK 0 / 40 / 60 / 43

HEX #92573A

RGB 146 87 58

HSL 19.77, 0.43%, 0.4%

LAB 43.11, 21.43, 27.05

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 0 / 20 / 38 / 16

HEX #D5AA85

RGB 213 170 133

HSL 27.75, 0.49%, 0.68%

LAB 72.62, 10.72, 25.05

 

CMYK 0 / 14 / 38 / 16

HEX #D5B885

RGB 213 184 133

HSL 38.25, 0.49%, 0.68%

LAB 76.14, 3.24, 29.76

 

CMYK 0 / 8 / 38 / 16

HEX #D5C585

RGB 213 197 133

HSL 48, 0.49%, 0.68%

LAB 79.48, -3.57, 34.15

 

CMYK 0 / 1 / 38 / 16

HEX #D5D285

RGB 213 210 133

HSL 57.75, 0.49%, 0.68%

LAB 82.88, -10.25, 38.54

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 0 / 30 / 40 / 96

HEX #0A0706

RGB 10 7 6

HSL 15, 0.25%, 0.03%

LAB 2.07, 0.65, 0.65

 

CMYK 0 / 26 / 38 / 76

HEX #3D2D26

RGB 61 45 38

HSL 18.26, 0.23%, 0.19%

LAB 20.08, 6.15, 7.36

 

CMYK 0 / 26 / 38 / 56

HEX #705346

RGB 112 83 70

HSL 18.57, 0.23%, 0.36%

LAB 37.97, 10.13, 12.31

 

CMYK 0 / 26 / 37 / 36

HEX #A37966

RGB 163 121 102

HSL 18.69, 0.25%, 0.52%

LAB 54.47, 13.76, 16.81

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 19 / 0 / 38 / 16

HEX #ADD585

RGB 173 213 133

HSL 90, 0.49%, 0.68%

LAB 80.83, -26.92, 35.33

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 38 / 0 / 26 / 16

HEX #85D59D

RGB 133 213 157

HSL 138, 0.49%, 0.68%

LAB 79.05, -36.39, 20.12

 

CMYK 26 / 38 / 0 / 16

HEX #9D85D5

RGB 157 133 213

HSL 258, 0.49%, 0.68%

LAB 60.56, 25.99, -37.85

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 19 / 0 / 38 / 16

HEX #ADD585

RGB 173 213 133

HSL 90, 0.49%, 0.68%

LAB 80.83, -26.92, 35.33

 

CMYK 38 / 11 / 0 / 16

HEX #85BDD5

RGB 133 189 213

HSL 198, 0.49%, 0.68%

LAB 73.67, -12.17, -17.82

 

CMYK 19 / 38 / 0 / 16

HEX #AD85D5

RGB 173 133 213

HSL 270, 0.49%, 0.68%

LAB 62.05, 30.72, -35.41

 

CMYK 0 / 26 / 37 / 16

HEX #D69F86

RGB 214 159 134

HSL 18.75, 0.49%, 0.68%

LAB 70.05, 17.17, 21.03

 

CMYK 30 / 0 / 38 / 16

HEX #95D585

RGB 149 213 133

HSL 108, 0.49%, 0.68%

LAB 79.43, -35.31, 33.23

 

CMYK 38 / 11 / 0 / 16

HEX #85BDD5

RGB 133 189 213

HSL 198, 0.49%, 0.68%

LAB 73.67, -12.17, -17.82

 

CMYK 8 / 38 / 0 / 16

HEX #C585D5

RGB 197 133 213

HSL 288, 0.49%, 0.68%

LAB 64.52, 38.01, -31.38

 

Description

Color code: RGB 214 159 134 | qconv.com Color code: RGB 214 159 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 159 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 159 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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