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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 198.8 39.4 it is the complementary color RGB 42 56.2 215.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 198.8 39.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 198.8 39.4 shade: RGB 218 198.8 34.4, RGB 235 216.8 53.4, RGB 252 234.8 72.4, RGB 255 252.8 91.4 and RGB 255 255 110.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 198.8 39.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 198.8 39.4 shade: RGB 213 198.8 39.4, RGB 196 180.8 20.4, RGB 179 162.8 1.4, RGB 162 144.8 0 and RGB 145 126.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 198.8 39.4 shade: RGB 211 197 39, RGB 211 151 39, RGB 211 104 39, RGB 211 58 39 and RGB 211 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 198.8 39.4 shade: RGB 211 197 39, RGB 179 211 39, RGB 132 211 39, RGB 86 211 39 and RGB 39 211 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 198.8 39.4 shade matches the following richer shades: RGB 211 197 39 and RGB 231 214 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 198.8 39.4 shade: RGB 211 197 39, RGB 191 180 59, RGB 171 163 79, RGB 151 146 99 and RGB 130 129 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 198.8 39.4 shade: RGB 211 105 39, RGB 211 151 39, RGB 211 197 39, RGB 180 211 39 and RGB 134 211 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 198.8 39.4 shade: RGB 141 132 26, RGB 176 165 32, RGB 211 197 39, RGB 221 209 70 and RGB 227 217 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 198.8 39.4 shade: RGB 213 198.8 39.4, RGB 39 211 59 and RGB 128 39 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 198.8 39.4 shade: RGB 213 198.8 39.4, RGB 39 211 197 and RGB 197 39 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 198.8 39.4 shade: RGB 213 198.8 39.4, RGB 39 211 59, RGB 39 53 211 and RGB 211 39 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 198.8 39.4 shade: RGB 213 198.8 39.4, RGB 39 211 111, RGB 39 53 211 and RGB 211 39 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

Complementary color

CMYK 81 / 74 / 0 / 15

HEX #2A38D7

RGB 42 56.2 215.6

HSL 235.09, 0.69%, 0.51%

LAB 34.55, 50.62, -81.69

 

CMYK 0 / 9 / 84 / 15

HEX #DAC622

RGB 218 198.8 34.4

HSL 53.73, 0.73%, 0.49%

LAB 79.49, -9.07, 75.32

 

CMYK 0 / 8 / 77 / 8

HEX #EBD835

RGB 235 216.8 53.4

HSL 53.99, 0.82%, 0.57%

LAB 85.73, -10.34, 76.19

 

CMYK 0 / 7 / 71 / 1

HEX #FCEA48

RGB 252 234.8 72.4

HSL 54.25, 0.97%, 0.64%

LAB 91.9, -11.44, 76.28

 

CMYK 0 / 1 / 64 / 0

HEX #FFFC5B

RGB 255 252.8 91.4

HSL 59.19, 1%, 0.68%

LAB 96.88, -18.02, 74.39

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110.4

HSL 60, 1%, 0.72%

LAB 97.6, -17.88, 67.5

 

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

CMYK 0 / 8 / 90 / 23

HEX #C4B414

RGB 196 180.8 20.4

HSL 54.81, 0.81%, 0.42%

LAB 72.73, -9.71, 71.94

 

CMYK 0 / 9 / 99 / 30

HEX #B3A201

RGB 179 162.8 1.4

HSL 54.53, 0.98%, 0.35%

LAB 66.3, -8.13, 69.03

 

CMYK 0 / 11 / 100 / 36

HEX #A29000

RGB 162 144.8 0

HSL 53.63, 1%, 0.32%

LAB 59.77, -6.27, 63.81

 

CMYK 0 / 13 / 100 / 43

HEX #917E00

RGB 145 126.8 0

HSL 52.47, 1%, 0.28%

LAB 53.11, -4.3, 58.3

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 0 / 28 / 82 / 17

HEX #D39727

RGB 211 151 39

HSL 39.07, 0.69%, 0.49%

LAB 66.62, 13.19, 62.81

 

CMYK 0 / 51 / 82 / 17

HEX #D36827

RGB 211 104 39

HSL 22.67, 0.69%, 0.49%

LAB 55.98, 38.21, 53.28

 

CMYK 0 / 73 / 82 / 17

HEX #D33A27

RGB 211 58 39

HSL 6.63, 0.69%, 0.49%

LAB 48.29, 58.51, 46.12

 

CMYK 0 / 82 / 82 / 17

HEX #D32727

RGB 211 39 39

HSL 0, 0.69%, 0.49%

LAB 46.24, 64.24, 44.16

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 15 / 0 / 82 / 17

HEX #B3D327

RGB 179 211 39

HSL 71.16, 0.69%, 0.49%

LAB 79.79, -31.31, 73.27

 

CMYK 37 / 0 / 82 / 17

HEX #84D327

RGB 132 211 39

HSL 87.56, 0.69%, 0.49%

LAB 77.07, -49.1, 69.81

 

CMYK 59 / 0 / 82 / 17

HEX #56D327

RGB 86 211 39

HSL 103.6, 0.69%, 0.49%

LAB 75.27, -62.72, 67.52

 

CMYK 82 / 0 / 82 / 17

HEX #27D327

RGB 39 211 39

HSL 120, 0.69%, 0.49%

LAB 74.3, -71.01, 66.26

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 0 / 7 / 92 / 9

HEX #E7D613

RGB 231 214 19

HSL 55.19, 0.85%, 0.49%

LAB 84.55, -11.47, 82.6

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 0 / 6 / 69 / 25

HEX #BFB43B

RGB 191 180 59

HSL 55, 0.53%, 0.49%

LAB 72.25, -10.14, 60.14

 

CMYK 0 / 5 / 54 / 33

HEX #ABA34F

RGB 171 163 79

HSL 54.78, 0.37%, 0.49%

LAB 66.07, -8.47, 44.08

 

CMYK 0 / 3 / 34 / 41

HEX #979263

RGB 151 146 99

HSL 54.23, 0.21%, 0.49%

LAB 59.92, -5.65, 25.62

 

CMYK 0 / 1 / 8 / 49

HEX #828178

RGB 130 129 120

HSL 54, 0.04%, 0.49%

LAB 53.82, -1.34, 5

 

CMYK 0 / 50 / 82 / 17

HEX #D36927

RGB 211 105 39

HSL 23.02, 0.69%, 0.49%

LAB 56.19, 37.71, 53.47

 

CMYK 0 / 28 / 82 / 17

HEX #D39727

RGB 211 151 39

HSL 39.07, 0.69%, 0.49%

LAB 66.62, 13.19, 62.81

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 15 / 0 / 82 / 17

HEX #B4D327

RGB 180 211 39

HSL 70.81, 0.69%, 0.49%

LAB 79.86, -30.91, 73.35

 

CMYK 36 / 0 / 82 / 17

HEX #86D327

RGB 134 211 39

HSL 86.86, 0.69%, 0.49%

LAB 77.16, -48.41, 69.93

 

CMYK 0 / 6 / 82 / 45

HEX #8D841A

RGB 141 132 26

HSL 55.3, 0.69%, 0.33%

LAB 54.28, -8.43, 53.35

 

CMYK 0 / 6 / 82 / 31

HEX #B0A520

RGB 176 165 32

HSL 55.42, 0.69%, 0.41%

LAB 66.71, -10.04, 63.65

 

CMYK 0 / 7 / 82 / 17

HEX #D3C527

RGB 211 197 39

HSL 55.12, 0.69%, 0.49%

LAB 78.42, -11.04, 73.04

 

CMYK 0 / 5 / 68 / 13

HEX #DDD146

RGB 221 209 70

HSL 55.23, 0.69%, 0.57%

LAB 82.6, -11.6, 67.13

 

CMYK 0 / 4 / 54 / 11

HEX #E3D969

RGB 227 217 105

HSL 55.08, 0.69%, 0.65%

LAB 85.49, -10.84, 55.56

 

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

CMYK 82 / 0 / 72 / 17

HEX #27D33B

RGB 39 211 59

HSL 126.98, 0.69%, 0.49%

LAB 74.4, -69.65, 60.08

 

CMYK 39 / 82 / 0 / 17

HEX #8027D3

RGB 128 39 211

HSL 271.05, 0.69%, 0.49%

LAB 39.14, 66.42, -71.2

 

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

CMYK 82 / 0 / 7 / 17

HEX #27D3C5

RGB 39 211 197

HSL 175.12, 0.69%, 0.49%

LAB 76.71, -43.95, -4.92

 

CMYK 7 / 82 / 0 / 17

HEX #C527D3

RGB 197 39 211

HSL 295.12, 0.69%, 0.49%

LAB 49.53, 77.67, -53.89

 

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

CMYK 82 / 0 / 72 / 17

HEX #27D33B

RGB 39 211 59

HSL 126.98, 0.69%, 0.49%

LAB 74.4, -69.65, 60.08

 

CMYK 82 / 75 / 0 / 17

HEX #2735D3

RGB 39 53 211

HSL 235.12, 0.69%, 0.49%

LAB 33.31, 50.69, -81.09

 

CMYK 0 / 82 / 9 / 17

HEX #D327BF

RGB 211 39 191

HSL 306.98, 0.69%, 0.49%

LAB 50.76, 77.31, -40.24

 

CMYK 0 / 7 / 82 / 16

HEX #D5C627

RGB 213 198.8 39.4

HSL 55.09, 0.69%, 0.49%

LAB 79.07, -11.09, 73.56

 

CMYK 82 / 0 / 47 / 17

HEX #27D36F

RGB 39 211 111

HSL 145.12, 0.69%, 0.49%

LAB 74.93, -63.26, 37.82

 

CMYK 82 / 75 / 0 / 17

HEX #2735D3

RGB 39 53 211

HSL 235.12, 0.69%, 0.49%

LAB 33.31, 50.69, -81.09

 

CMYK 0 / 82 / 34 / 17

HEX #D3278B

RGB 211 39 139

HSL 325.12, 0.69%, 0.49%

LAB 48.47, 70.87, -12.99

 

Description

Color code: RGB 213 198.8 39.4 | qconv.com Color code: RGB 213 198.8 39.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 198.8 green and 39.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 198.8 39.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 82 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 82% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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