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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 170 152 it is the complementary color RGB 42 85 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 170 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 170 152: RGB 218 170 147, RGB 235 188 166, RGB 252 206 185, RGB 255 224 204 and RGB 255 242 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 170 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 170 152: RGB 213 170 152, RGB 196 152 133, RGB 179 134 114, RGB 162 116 95 and RGB 145 98 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

Complementary color

CMYK 59 / 17 / 0 / 60

HEX #2A5567

RGB 42 85 103

HSL 197.7, 0.42%, 0.28%

LAB 33.92, -9.11, -14.93

 

CMYK 0 / 22 / 33 / 15

HEX #DAAA93

RGB 218 170 147

HSL 19.44, 0.49%, 0.72%

LAB 73.39, 14.4, 18.6

 

CMYK 0 / 20 / 29 / 8

HEX #EBBCA6

RGB 235 188 166

HSL 19.13, 0.63%, 0.79%

LAB 79.83, 13.76, 17.54

 

CMYK 0 / 18 / 27 / 1

HEX #FCCEB9

RGB 252 206 185

HSL 18.81, 0.92%, 0.86%

LAB 86.18, 13.2, 16.55

 

CMYK 0 / 12 / 20 / 0

HEX #FFE0CC

RGB 255 224 204

HSL 23.53, 1%, 0.9%

LAB 91.2, 7.62, 13.7

 

CMYK 0 / 5 / 13 / 0

HEX #FFF2DF

RGB 255 242 223

HSL 35.63, 1%, 0.94%

LAB 96.03, 1.28, 10.72

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 0 / 22 / 32 / 23

HEX #C49885

RGB 196 152 133

HSL 18.1, 0.35%, 0.65%

LAB 66.43, 13.76, 16.32

 

CMYK 0 / 25 / 36 / 30

HEX #B38672

RGB 179 134 114

HSL 18.46, 0.3%, 0.57%

LAB 59.75, 14.49, 17.48

 

CMYK 0 / 28 / 41 / 36

HEX #A2745F

RGB 162 116 95

HSL 18.81, 0.26%, 0.5%

LAB 52.95, 15.34, 18.76

 

CMYK 0 / 32 / 48 / 43

HEX #91624C

RGB 145 98 76

HSL 19.13, 0.31%, 0.43%

LAB 46.01, 16.34, 20.21

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 0 / 15 / 28 / 16

HEX #D5B499

RGB 213 180 153

HSL 27, 0.42%, 0.72%

LAB 75.51, 7.88, 18.2

 

CMYK 0 / 11 / 28 / 16

HEX #D5BE99

RGB 213 190 153

HSL 37, 0.42%, 0.72%

LAB 78.04, 2.57, 21.69

 

CMYK 0 / 6 / 28 / 16

HEX #D5C899

RGB 213 200 153

HSL 47, 0.42%, 0.72%

LAB 80.6, -2.67, 25.19

 

CMYK 0 / 1 / 28 / 16

HEX #D5D299

RGB 213 210 153

HSL 57, 0.42%, 0.72%

LAB 83.2, -7.83, 28.7

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 0 / 22 / 33 / 96

HEX #090706

RGB 9 7 6

HSL 20, 0.2%, 0.03%

LAB 2.02, 0.38, 0.56

 

CMYK 0 / 20 / 28 / 76

HEX #3C302B

RGB 60 48 43

HSL 17.65, 0.17%, 0.2%

LAB 21.01, 4.49, 5.24

 

CMYK 0 / 20 / 29 / 56

HEX #6F594F

RGB 111 89 79

HSL 18.75, 0.17%, 0.37%

LAB 39.73, 7.37, 9.19

 

CMYK 0 / 20 / 28 / 36

HEX #A28174

RGB 162 129 116

HSL 16.96, 0.2%, 0.55%

LAB 56.73, 10.7, 11.86

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 14 / 0 / 28 / 16

HEX #B8D599

RGB 184 213 153

HSL 89, 0.42%, 0.72%

LAB 81.88, -20.14, 26.56

 

CMYK 28 / 25 / 0 / 16

HEX #99A0D5

RGB 153 160 213

HSL 233, 0.42%, 0.72%

LAB 67.06, 9.39, -27.78

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 28 / 0 / 20 / 16

HEX #99D5AA

RGB 153 213 170

HSL 137, 0.42%, 0.72%

LAB 80.33, -27.87, 15.2

 

CMYK 20 / 28 / 0 / 16

HEX #AA99D5

RGB 170 153 213

HSL 257, 0.42%, 0.72%

LAB 66.62, 18.5, -28.35

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 14 / 0 / 28 / 16

HEX #B8D599

RGB 184 213 153

HSL 89, 0.42%, 0.72%

LAB 81.88, -20.14, 26.56

 

CMYK 28 / 8 / 0 / 16

HEX #99C4D5

RGB 153 196 213

HSL 197, 0.42%, 0.72%

LAB 76.71, -10.25, -13.12

 

CMYK 15 / 28 / 0 / 16

HEX #B699D5

RGB 182 153 213

HSL 269, 0.42%, 0.72%

LAB 67.67, 22.26, -26.64

 

CMYK 0 / 20 / 29 / 16

HEX #D5AA98

RGB 213 170 152

HSL 17.7, 0.42%, 0.72%

LAB 73, 13.12, 15.25

 

CMYK 22 / 0 / 28 / 16

HEX #A6D599

RGB 166 213 153

HSL 107, 0.42%, 0.72%

LAB 80.74, -26.49, 24.82

 

CMYK 28 / 8 / 0 / 16

HEX #99C4D5

RGB 153 196 213

HSL 197, 0.42%, 0.72%

LAB 76.71, -10.25, -13.12

 

CMYK 6 / 28 / 0 / 16

HEX #C899D5

RGB 200 153 213

HSL 287, 0.42%, 0.72%

LAB 69.37, 28.02, -23.89

 

Description

Color code: RGB 213 170 152 | qconv.com Color code: RGB 213 170 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 170 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 170 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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