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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213.7 110.6 32 it is the complementary color RGB 41.3 144.4 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213.7 110.6 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213.7 110.6 32 shade: RGB 218.7 110.6 27, RGB 235.7 128.6 46, RGB 252.7 146.6 65, RGB 255 164.6 84 and RGB 255 182.6 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213.7 110.6 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213.7 110.6 32 shade: RGB 213.7 110.6 32, RGB 196.7 92.6 13, RGB 179.7 74.6 0, RGB 162.7 56.6 0 and RGB 145.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213.7 110.6 32 shade: RGB 213 110 32, RGB 213 61 32 and RGB 213 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213.7 110.6 32 shade: RGB 213 110 32, RGB 213 159 32, RGB 213 208 32, RGB 169 213 32 and RGB 120 213 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213.7 110.6 32 shade matches the following richer shades: RGB 213 110 32 and RGB 233 107 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213.7 110.6 32 shade: RGB 213 110 32, RGB 193 113 52, RGB 173 116 71, RGB 154 118 91 and RGB 134 121 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213.7 110.6 32 shade: RGB 213 32 53, RGB 213 59 32, RGB 213 107 32, RGB 213 156 32 and RGB 213 204 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213.7 110.6 32 shade: RGB 141 73 21, RGB 177 92 26, RGB 213 110 32, RGB 226 132 60 and RGB 231 155 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213.7 110.6 32 shade: RGB 213.7 110.6 32, RGB 101 213 32 and RGB 35 32 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213.7 110.6 32 shade: RGB 213.7 110.6 32, RGB 32 213 107 and RGB 107 32 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213.7 110.6 32 shade: RGB 213.7 110.6 32, RGB 101 213 32, RGB 32 137 213 and RGB 144 32 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213.7 110.6 32 shade: RGB 213.7 110.6 32, RGB 47 213 32, RGB 32 137 213 and RGB 198 32 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

Complementary color

CMYK 81 / 35 / 0 / 13

HEX #2990DF

RGB 41.3 144.4 223

HSL 205.95, 0.74%, 0.52%

LAB 57.92, -1.35, -48.02

 

CMYK 0 / 49 / 88 / 14

HEX #DA6E1B

RGB 218.7 110.6 27

HSL 26.17, 0.78%, 0.48%

LAB 58.39, 37.6, 60.23

 

CMYK 0 / 45 / 80 / 8

HEX #EB802E

RGB 235.7 128.6 46

HSL 26.13, 0.83%, 0.55%

LAB 64.62, 35.68, 59.62

 

CMYK 0 / 42 / 74 / 1

HEX #FC9241

RGB 252.7 146.6 65

HSL 26.08, 0.98%, 0.62%

LAB 70.84, 33.92, 58.38

 

CMYK 0 / 35 / 67 / 0

HEX #FFA454

RGB 255 164.6 84

HSL 28.28, 1%, 0.66%

LAB 75.24, 26.43, 54.44

 

CMYK 0 / 28 / 60 / 0

HEX #FFB667

RGB 255 182.6 103

HSL 31.42, 1%, 0.7%

LAB 79.58, 18.21, 50.28

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

CMYK 0 / 53 / 93 / 23

HEX #C45C0D

RGB 196.7 92.6 13

HSL 26, 0.88%, 0.41%

LAB 51.4, 37.75, 57.53

 

CMYK 0 / 58 / 100 / 30

HEX #B34A00

RGB 179.7 74.6 0

HSL 24.91, 1%, 0.35%

LAB 45.14, 39.87, 55.36

 

CMYK 0 / 65 / 100 / 36

HEX #A23800

RGB 162.7 56.6 0

HSL 20.87, 1%, 0.32%

LAB 38.97, 41.9, 50.45

 

CMYK 0 / 74 / 100 / 43

HEX #912600

RGB 145.7 38.6 0

HSL 15.9, 1%, 0.29%

LAB 32.94, 43.42, 45.49

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 71 / 85 / 16

HEX #D53D20

RGB 213 61 32

HSL 9.61, 0.74%, 0.48%

LAB 48.99, 57.89, 50.25

 

CMYK 0 / 85 / 85 / 16

HEX #D52020

RGB 213 32 32

HSL 0, 0.74%, 0.48%

LAB 46.02, 66.23, 47.69

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 25 / 85 / 16

HEX #D59F20

RGB 213 159 32

HSL 42.1, 0.74%, 0.48%

LAB 68.79, 9.55, 66.87

 

CMYK 0 / 2 / 85 / 16

HEX #D5D020

RGB 213 208 32

HSL 58.34, 0.74%, 0.48%

LAB 81.49, -15.9, 77.33

 

CMYK 21 / 0 / 85 / 16

HEX #A9D520

RGB 169 213 32

HSL 74.59, 0.74%, 0.48%

LAB 79.69, -36.45, 74.53

 

CMYK 44 / 0 / 85 / 16

HEX #78D520

RGB 120 213 32

HSL 90.83, 0.74%, 0.48%

LAB 77.09, -54.15, 71.28

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 54 / 95 / 9

HEX #E96B0C

RGB 233 107 12

HSL 25.79, 0.9%, 0.48%

LAB 59.77, 44.74, 66

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 41 / 73 / 24

HEX #C17134

RGB 193 113 52

HSL 25.96, 0.58%, 0.48%

LAB 55.48, 26.64, 46.04

 

CMYK 0 / 33 / 59 / 32

HEX #AD7447

RGB 173 116 71

HSL 26.47, 0.42%, 0.48%

LAB 53.85, 17.65, 33.7

 

CMYK 0 / 23 / 41 / 40

HEX #9A765B

RGB 154 118 91

HSL 25.71, 0.26%, 0.48%

LAB 52.49, 10.35, 20.3

 

CMYK 0 / 10 / 17 / 47

HEX #86796F

RGB 134 121 111

HSL 26.09, 0.09%, 0.48%

LAB 51.71, 3.22, 7.29

 

CMYK 0 / 85 / 75 / 16

HEX #D52035

RGB 213 32 53

HSL 353.04, 0.74%, 0.48%

LAB 46.23, 66.84, 36.44

 

CMYK 0 / 72 / 85 / 16

HEX #D53B20

RGB 213 59 32

HSL 8.95, 0.74%, 0.48%

LAB 48.73, 58.61, 50.03

 

CMYK 0 / 50 / 85 / 16

HEX #D56B20

RGB 213 107 32

HSL 24.86, 0.74%, 0.48%

LAB 56.85, 37.28, 56.92

 

CMYK 0 / 27 / 85 / 16

HEX #D59C20

RGB 213 156 32

HSL 41.1, 0.74%, 0.48%

LAB 68.04, 11.16, 66.25

 

CMYK 0 / 4 / 85 / 16

HEX #D5CC20

RGB 213 204 32

HSL 57.02, 0.74%, 0.48%

LAB 80.42, -13.9, 76.45

 

CMYK 0 / 48 / 85 / 45

HEX #8D4915

RGB 141 73 21

HSL 26, 0.74%, 0.32%

LAB 38.69, 25.14, 41.35

 

CMYK 0 / 48 / 85 / 31

HEX #B15C1A

RGB 177 92 26

HSL 26.23, 0.74%, 0.4%

LAB 48.36, 30.27, 49.85

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 42 / 73 / 11

HEX #E2843C

RGB 226 132 60

HSL 26.02, 0.74%, 0.56%

LAB 64.16, 30.52, 52.68

 

CMYK 0 / 33 / 58 / 9

HEX #E79B60

RGB 231 155 96

HSL 26.22, 0.74%, 0.64%

LAB 70.37, 22.51, 42.14

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

CMYK 53 / 0 / 85 / 16

HEX #65D520

RGB 101 213 32

HSL 97.13, 0.74%, 0.48%

LAB 76.35, -59.83, 70.35

 

CMYK 84 / 85 / 0 / 16

HEX #2320D5

RGB 35 32 213

HSL 240.99, 0.74%, 0.48%

LAB 29.9, 61.22, -87.92

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

CMYK 85 / 0 / 50 / 16

HEX #20D56B

RGB 32 213 107

HSL 144.86, 0.74%, 0.48%

LAB 75.42, -65.21, 40.39

 

CMYK 50 / 85 / 0 / 16

HEX #6B20D5

RGB 107 32 213

HSL 264.86, 0.74%, 0.48%

LAB 35.91, 66.47, -77.77

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

CMYK 53 / 0 / 85 / 16

HEX #65D520

RGB 101 213 32

HSL 97.13, 0.74%, 0.48%

LAB 76.35, -59.83, 70.35

 

CMYK 85 / 36 / 0 / 16

HEX #2089D5

RGB 32 137 213

HSL 205.19, 0.74%, 0.48%

LAB 55.07, -1.46, -46.94

 

CMYK 32 / 85 / 0 / 16

HEX #9020D5

RGB 144 32 213

HSL 277.13, 0.74%, 0.48%

LAB 40.84, 71.14, -69.49

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213.7 110.6 32

HSL 25.95, 0.74%, 0.48%

LAB 57.69, 35.71, 57.67

 

CMYK 78 / 0 / 85 / 16

HEX #2FD520

RGB 47 213 32

HSL 115.03, 0.74%, 0.48%

LAB 75.01, -70.97, 68.65

 

CMYK 85 / 36 / 0 / 16

HEX #2089D5

RGB 32 137 213

HSL 205.19, 0.74%, 0.48%

LAB 55.07, -1.46, -46.94

 

CMYK 7 / 85 / 0 / 16

HEX #C620D5

RGB 198 32 213

HSL 295.03, 0.74%, 0.48%

LAB 49.3, 79.66, -55.38

 

Description

Color code: RGB 213.7 110.6 32 | qconv.com Color code: RGB 213.7 110.6 32 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213.7 red, 110.6 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213.7 110.6 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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