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Color name
RGB 213.1 108.8 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213.1 108.8 164 it is the complementary color RGB 41.9 146.2 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213.1 108.8 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213.1 108.8 164 shade: RGB 218.1 108.8 159, RGB 235.1 126.8 178, RGB 252.1 144.8 197, RGB 255 162.8 216 and RGB 255 180.8 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213.1 108.8 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213.1 108.8 164 shade: RGB 213.1 108.8 164, RGB 196.1 90.8 145, RGB 179.1 72.8 126, RGB 162.1 54.8 107 and RGB 145.1 36.8 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213.1 108.8 164 shade: RGB 213 109 164, RGB 213 109 136 and RGB 213 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213.1 108.8 164 shade: RGB 213 109 164, RGB 213 109 192, RGB 205 109 213, RGB 177 109 213 and RGB 149 109 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213.1 108.8 164 shade matches the following richer shades: RGB 213 109 164, RGB 228 93 165 and RGB 243 78 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213.1 108.8 164 shade: RGB 213 109 164, RGB 197 124 163, RGB 182 139 162, RGB 167 155 161 and RGB 151 170 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213.1 108.8 164 shade: RGB 206 109 213, RGB 213 109 192, RGB 213 109 164, RGB 213 109 136 and RGB 213 109 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213.1 108.8 164 shade: RGB 185 54 123, RGB 203 77 144, RGB 213 109 164, RGB 222 141 184 and RGB 231 173 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213.1 108.8 164 shade: RGB 213.1 108.8 164, RGB 213 178 109 and RGB 109 206 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213.1 108.8 164 shade: RGB 213.1 108.8 164, RGB 164 213 109 and RGB 109 164 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213.1 108.8 164 shade: RGB 213.1 108.8 164, RGB 213 178 109, RGB 109 213 157 and RGB 109 143 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213.1 108.8 164 shade: RGB 213.1 108.8 164, RGB 213 209 109, RGB 109 213 157 and RGB 109 112 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

Complementary color

CMYK 71 / 0 / 38 / 43

HEX #29925B

RGB 41.9 146.2 91

HSL 148.25, 0.55%, 0.37%

LAB 53.88, -42.63, 20.95

 

CMYK 0 / 50 / 27 / 14

HEX #DA6C9F

RGB 218.1 108.8 159

HSL 332.44, 0.6%, 0.64%

LAB 60.18, 48.37, -7.12

 

CMYK 0 / 46 / 24 / 8

HEX #EB7EB2

RGB 235.1 126.8 178

HSL 331.63, 0.73%, 0.71%

LAB 66.54, 47.58, -8.25

 

CMYK 0 / 43 / 22 / 1

HEX #FC90C5

RGB 252.1 144.8 197

HSL 330.81, 0.95%, 0.78%

LAB 72.85, 46.79, -9.23

 

CMYK 0 / 36 / 15 / 0

HEX #FFA2D8

RGB 255 162.8 216

HSL 325.38, 1%, 0.82%

LAB 77.48, 41.37, -12.7

 

CMYK 0 / 29 / 8 / 0

HEX #FFB4EB

RGB 255 180.8 235

HSL 316.17, 1%, 0.85%

LAB 81.96, 35.06, -16.26

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

CMYK 0 / 54 / 26 / 23

HEX #C45A91

RGB 196.1 90.8 145

HSL 329.12, 0.47%, 0.56%

LAB 53.21, 48.14, -9.67

 

CMYK 0 / 59 / 30 / 30

HEX #B3487E

RGB 179.1 72.8 126

HSL 329.97, 0.42%, 0.49%

LAB 46.76, 48.74, -8.23

 

CMYK 0 / 66 / 34 / 36

HEX #A2366B

RGB 162.1 54.8 107

HSL 330.81, 0.49%, 0.43%

LAB 40.36, 49.09, -6.42

 

CMYK 0 / 75 / 39 / 43

HEX #912458

RGB 145.1 36.8 88

HSL 331.63, 0.6%, 0.36%

LAB 34.07, 48.92, -4.02

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 49 / 36 / 16

HEX #D56D88

RGB 213 109 136

HSL 344.42, 0.55%, 0.63%

LAB 58.85, 43.63, 4.16

 

CMYK 0 / 49 / 49 / 16

HEX #D56D6D

RGB 213 109 109

HSL 0, 0.55%, 0.63%

LAB 58.21, 40.76, 18.92

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 49 / 10 / 16

HEX #D56DC0

RGB 213 109 192

HSL 312.12, 0.55%, 0.63%

LAB 60.68, 51.58, -25.32

 

CMYK 4 / 49 / 0 / 16

HEX #CD6DD5

RGB 205 109 213

HSL 295.38, 0.55%, 0.63%

LAB 60.53, 52.92, -37.52

 

CMYK 17 / 49 / 0 / 16

HEX #B16DD5

RGB 177 109 213

HSL 279.23, 0.55%, 0.63%

LAB 57.16, 45.1, -43.05

 

CMYK 30 / 49 / 0 / 16

HEX #956DD5

RGB 149 109 213

HSL 263.08, 0.55%, 0.63%

LAB 54.17, 37.51, -47.98

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 59 / 28 / 11

HEX #E45DA5

RGB 228 93 165

HSL 328, 0.71%, 0.63%

LAB 59.01, 59.62, -12.18

 

CMYK 0 / 68 / 32 / 5

HEX #F34EA5

RGB 243 78 165

HSL 328.36, 0.87%, 0.63%

LAB 59.18, 69.88, -11.69

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 37 / 17 / 23

HEX #C57CA3

RGB 197 124 163

HSL 327.95, 0.39%, 0.63%

LAB 60.72, 33.88, -8.9

 

CMYK 0 / 24 / 11 / 29

HEX #B68BA2

RGB 182 139 162

HSL 327.91, 0.23%, 0.63%

LAB 62.52, 20.07, -5.82

 

CMYK 0 / 7 / 4 / 35

HEX #A79BA1

RGB 167 155 161

HSL 330, 0.06%, 0.63%

LAB 65.15, 5.49, -1.55

 

CMYK 11 / 0 / 6 / 33

HEX #97AAA0

RGB 151 170 160

HSL 148.42, 0.1%, 0.63%

LAB 67.92, -8.61, 2.9

 

CMYK 3 / 49 / 0 / 16

HEX #CE6DD5

RGB 206 109 213

HSL 295.96, 0.55%, 0.63%

LAB 60.66, 53.2, -37.31

 

CMYK 0 / 49 / 10 / 16

HEX #D56DC0

RGB 213 109 192

HSL 312.12, 0.55%, 0.63%

LAB 60.68, 51.58, -25.32

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 49 / 36 / 16

HEX #D56D88

RGB 213 109 136

HSL 344.42, 0.55%, 0.63%

LAB 58.85, 43.63, 4.16

 

CMYK 0 / 49 / 49 / 16

HEX #D56D6D

RGB 213 109 109

HSL 0, 0.55%, 0.63%

LAB 58.21, 40.76, 18.92

 

CMYK 0 / 71 / 34 / 27

HEX #B9367B

RGB 185 54 123

HSL 328.4, 0.55%, 0.47%

LAB 44.78, 57.97, -9.28

 

CMYK 0 / 62 / 29 / 20

HEX #CB4D90

RGB 203 77 144

HSL 328.1, 0.55%, 0.55%

LAB 51.86, 56.49, -11.01

 

CMYK 0 / 49 / 23 / 16

HEX #D56DA4

RGB 213 109 164

HSL 328.27, 0.55%, 0.63%

LAB 59.67, 47.29, -10.82

 

CMYK 0 / 36 / 17 / 13

HEX #DE8DB8

RGB 222 141 184

HSL 328.15, 0.55%, 0.71%

LAB 68.05, 36.72, -9.53

 

CMYK 0 / 25 / 12 / 9

HEX #E7ADCC

RGB 231 173 204

HSL 327.93, 0.55%, 0.79%

LAB 76.82, 25.94, -7.42

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

CMYK 0 / 16 / 49 / 16

HEX #D5B26D

RGB 213 178 109

HSL 39.81, 0.55%, 0.63%

LAB 74.25, 3.91, 39.81

 

CMYK 49 / 3 / 0 / 16

HEX #6DCED5

RGB 109 206 213

HSL 184.04, 0.55%, 0.63%

LAB 77.4, -26.68, -12.32

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

CMYK 23 / 0 / 49 / 16

HEX #A4D56D

RGB 164 213 109

HSL 88.27, 0.55%, 0.63%

LAB 79.95, -33.13, 46

 

CMYK 49 / 23 / 0 / 16

HEX #6DA4D5

RGB 109 164 213

HSL 208.27, 0.55%, 0.63%

LAB 65.44, -4.69, -30.51

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

CMYK 0 / 16 / 49 / 16

HEX #D5B26D

RGB 213 178 109

HSL 39.81, 0.55%, 0.63%

LAB 74.25, 3.91, 39.81

 

CMYK 49 / 0 / 26 / 16

HEX #6DD59D

RGB 109 213 157

HSL 147.69, 0.55%, 0.63%

LAB 78.04, -42.94, 18.57

 

CMYK 49 / 33 / 0 / 16

HEX #6D8FD5

RGB 109 143 213

HSL 220.38, 0.55%, 0.63%

LAB 59.62, 7.31, -39.58

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA4

RGB 213.1 108.8 164

HSL 328.25, 0.55%, 0.63%

LAB 59.65, 47.42, -10.86

 

CMYK 0 / 2 / 49 / 16

HEX #D5D16D

RGB 213 209 109

HSL 57.69, 0.55%, 0.63%

LAB 82.3, -12.15, 49.65

 

CMYK 49 / 0 / 26 / 16

HEX #6DD59D

RGB 109 213 157

HSL 147.69, 0.55%, 0.63%

LAB 78.04, -42.94, 18.57

 

CMYK 49 / 47 / 0 / 16

HEX #6D70D5

RGB 109 112 213

HSL 238.27, 0.55%, 0.63%

LAB 51.43, 25.86, -52.55

 

Description

Color code: RGB 213.1 108.8 164 | qconv.com Color code: RGB 213.1 108.8 164 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213.1 red, 108.8 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213.1 108.8 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 23 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 23% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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