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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 217 47 it is the complementary color RGB 43 38 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 217 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 212 217 47: RGB 217 217 42, RGB 234 235 61, RGB 251 253 80, RGB 255 255 99 and RGB 255 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 217 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 212 217 47: RGB 212 217 47, RGB 195 199 28, RGB 178 181 9, RGB 161 163 0 and RGB 144 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

Complementary color

CMYK 79 / 82 / 0 / 18

HEX #2B26D0

RGB 43 38 208

HSL 241.76, 0.69%, 0.48%

LAB 30.53, 57.55, -83.95

 

CMYK 0 / 0 / 81 / 15

HEX #D9D92A

RGB 217 217 42

HSL 60, 0.7%, 0.51%

LAB 84.25, -18.38, 77.46

 

CMYK 0 / 0 / 74 / 8

HEX #EAEB3D

RGB 234 235 61

HSL 60.34, 0.81%, 0.58%

LAB 90.43, -19.43, 78.13

 

CMYK 1 / 0 / 68 / 1

HEX #FBFD50

RGB 251 253 80

HSL 60.69, 0.98%, 0.65%

LAB 96.55, -20.32, 78.14

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 2 / 0 / 86 / 22

HEX #C3C71C

RGB 195 199 28

HSL 61.4, 0.75%, 0.45%

LAB 77.6, -19.19, 74.37

 

CMYK 2 / 0 / 95 / 29

HEX #B2B509

RGB 178 181 9

HSL 61.05, 0.91%, 0.37%

LAB 71.24, -17.86, 71.74

 

CMYK 1 / 0 / 100 / 36

HEX #A1A300

RGB 161 163 0

HSL 60.74, 1%, 0.32%

LAB 64.78, -16.31, 67.4

 

CMYK 1 / 0 / 100 / 43

HEX #909100

RGB 144 145 0

HSL 60.41, 1%, 0.28%

LAB 58.21, -14.61, 61.94

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 14 / 0 / 78 / 15

HEX #BAD930

RGB 186 217 48

HSL 71.01, 0.69%, 0.52%

LAB 81.99, -30.96, 72.98

 

CMYK 28 / 0 / 78 / 15

HEX #9DD930

RGB 157 217 48

HSL 81.3, 0.69%, 0.52%

LAB 80.18, -42.24, 70.67

 

CMYK 41 / 0 / 78 / 15

HEX #81D930

RGB 129 217 48

HSL 91.24, 0.69%, 0.52%

LAB 78.76, -52.11, 68.82

 

CMYK 53 / 0 / 78 / 15

HEX #65D930

RGB 101 217 48

HSL 101.18, 0.69%, 0.52%

LAB 77.64, -60.52, 67.38

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 0 / 0 / 77 / 95

HEX #0D0D03

RGB 13 13 3

HSL 60, 0.63%, 0.03%

LAB 3.43, -1.43, 3.88

 

CMYK 2 / 0 / 78 / 75

HEX #3F400E

RGB 63 64 14

HSL 61.2, 0.64%, 0.15%

LAB 26.03, -7.77, 28.9

 

CMYK 3 / 0 / 78 / 55

HEX #707319

RGB 112 115 25

HSL 62, 0.64%, 0.27%

LAB 46.68, -12.63, 45.84

 

CMYK 2 / 0 / 78 / 35

HEX #A2A624

RGB 162 166 36

HSL 61.85, 0.64%, 0.4%

LAB 65.81, -16.59, 61.24

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 78 / 0 / 61 / 15

HEX #30D954

RGB 48 217 84

HSL 132.78, 0.69%, 0.52%

LAB 76.61, -67.97, 52.51

 

CMYK 30 / 78 / 0 / 15

HEX #9830D9

RGB 152 48 217

HSL 276.92, 0.69%, 0.52%

LAB 43.94, 68.39, -66.69

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 78 / 1 / 0 / 15

HEX #30D6D9

RGB 48 214 217

HSL 181.07, 0.69%, 0.52%

LAB 78.3, -38.82, -13.27

 

CMYK 0 / 78 / 1 / 15

HEX #D930D6

RGB 217 48 214

HSL 301.07, 0.69%, 0.52%

LAB 53.73, 79.7, -48.7

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 78 / 0 / 61 / 15

HEX #30D954

RGB 48 217 84

HSL 132.78, 0.69%, 0.52%

LAB 76.61, -67.97, 52.51

 

CMYK 77 / 78 / 0 / 15

HEX #3230D9

RGB 50 48 217

HSL 240.71, 0.69%, 0.52%

LAB 33.57, 55.93, -84.11

 

CMYK 0 / 78 / 17 / 15

HEX #D930B4

RGB 217 48 180

HSL 313.14, 0.69%, 0.52%

LAB 52.02, 74.87, -31.78

 

CMYK 2 / 0 / 78 / 15

HEX #D4D92F

RGB 212 217 47

HSL 61.76, 0.69%, 0.52%

LAB 83.88, -20.31, 75.67

 

CMYK 78 / 0 / 38 / 15

HEX #30D987

RGB 48 217 135

HSL 150.89, 0.69%, 0.52%

LAB 77.28, -60.12, 28.76

 

CMYK 77 / 78 / 0 / 15

HEX #3230D9

RGB 50 48 217

HSL 240.71, 0.69%, 0.52%

LAB 33.57, 55.93, -84.11

 

CMYK 0 / 78 / 41 / 15

HEX #D93081

RGB 217 48 129

HSL 331.24, 0.69%, 0.52%

LAB 50.04, 69.01, -4.48

 

Description

Color code: RGB 212 217 47 | qconv.com Color code: RGB 212 217 47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 217 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 217 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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