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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 200.6 242.6 it is the complementary color RGB 43 54.4 12.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 200.6 242.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 200.6 242.6 shade: RGB 217 200.6 237.6, RGB 234 218.6 255, RGB 251 236.6 255, RGB 255 254.6 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 200.6 242.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 200.6 242.6 shade: RGB 212 200.6 242.6, RGB 195 182.6 223.6, RGB 178 164.6 204.6, RGB 161 146.6 185.6 and RGB 144 128.6 166.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 200.6 242.6 shade: RGB 212 201 243, RGB 224 201 243, RGB 235 201 243, RGB 243 201 239 and RGB 243 201 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 200.6 242.6 shade: RGB 212 201 243 and RGB 201 201 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 200.6 242.6 shade matches the following richer shades: RGB 212 201 243, RGB 210 196 248 and RGB 207 190 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 200.6 242.6 shade: RGB 212 201 243, RGB 215 206 237, RGB 217 212 232, RGB 220 217 227 and RGB 222 222 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 200.6 242.6 shade: RGB 201 212 243, RGB 201 201 243, RGB 212 201 243, RGB 223 201 243 and RGB 234 201 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 200.6 242.6 shade: RGB 159 134 227, RGB 186 167 235, RGB 212 201 243, RGB 239 235 250 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 200.6 242.6 shade: RGB 212 200.6 242.6, RGB 243 201 223 and RGB 207 243 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 200.6 242.6 shade: RGB 212 200.6 242.6, RGB 243 212 201 and RGB 201 243 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 200.6 242.6 shade: RGB 212 200.6 242.6, RGB 243 201 223, RGB 232 243 201 and RGB 201 243 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 200.6 242.6 shade: RGB 212 200.6 242.6, RGB 243 201 211, RGB 232 243 201 and RGB 201 243 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

Complementary color

CMYK 21 / 0 / 77 / 79

HEX #2B360C

RGB 43 54.4 12.4

HSL 76.29, 0.63%, 0.13%

LAB 20.89, -12.27, 23.79

 

CMYK 9 / 16 / 0 / 7

HEX #D9C8ED

RGB 217 200.6 237.6

HSL 266.59, 0.52%, 0.86%

LAB 83.17, 12.56, -16.17

 

CMYK 8 / 14 / 0 / 0

HEX #EADAFF

RGB 234 218.6 255

HSL 265.38, 1%, 0.93%

LAB 89.47, 11.91, -15.78

 

CMYK 2 / 7 / 0 / 0

HEX #FBECFF

RGB 251 236.6 255

HSL 286.96, 1%, 0.96%

LAB 95.19, 8.07, -7.12

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254.6 255

HSL 300, 1%, 1%

LAB 99.9, 0.21, -0.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

CMYK 13 / 18 / 0 / 12

HEX #C3B6DF

RGB 195 182.6 223.6

HSL 258.15, 0.39%, 0.8%

LAB 76.48, 12.31, -18.93

 

CMYK 13 / 20 / 0 / 20

HEX #B2A4CC

RGB 178 164.6 204.6

HSL 260.1, 0.28%, 0.72%

LAB 69.91, 12.69, -18.62

 

CMYK 13 / 21 / 0 / 27

HEX #A192B9

RGB 161 146.6 185.6

HSL 262.15, 0.22%, 0.65%

LAB 63.22, 13.1, -18.33

 

CMYK 14 / 23 / 0 / 35

HEX #9080A6

RGB 144 128.6 166.6

HSL 264.32, 0.18%, 0.58%

LAB 56.39, 13.55, -18.04

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 8 / 17 / 0 / 5

HEX #E0C9F3

RGB 224 201 243

HSL 272.86, 0.64%, 0.87%

LAB 84.01, 15.67, -17.72

 

CMYK 3 / 17 / 0 / 5

HEX #EBC9F3

RGB 235 201 243

HSL 288.57, 0.64%, 0.87%

LAB 84.95, 19.24, -16.22

 

CMYK 0 / 17 / 2 / 5

HEX #F3C9EF

RGB 243 201 239

HSL 305.71, 0.64%, 0.87%

LAB 85.53, 21.14, -13.15

 

CMYK 0 / 17 / 6 / 5

HEX #F3C9E4

RGB 243 201 228

HSL 321.43, 0.64%, 0.87%

LAB 85.21, 19.21, -7.77

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 17 / 17 / 0 / 5

HEX #C9C9F3

RGB 201 201 243

HSL 240, 0.64%, 0.87%

LAB 82.2, 8.38, -20.65

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 15 / 21 / 0 / 3

HEX #D2C4F8

RGB 210 196 248

HSL 256.15, 0.79%, 0.87%

LAB 81.82, 14.93, -23.82

 

CMYK 18 / 25 / 0 / 1

HEX #CFBEFD

RGB 207 190 253

HSL 256.19, 0.94%, 0.87%

LAB 80.28, 18.33, -28.86

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 9 / 13 / 0 / 7

HEX #D7CEED

RGB 215 206 237

HSL 257.42, 0.46%, 0.87%

LAB 84.33, 8.92, -14.13

 

CMYK 6 / 9 / 0 / 9

HEX #D9D4E8

RGB 217 212 232

HSL 255, 0.3%, 0.87%

LAB 85.84, 5.42, -9.21

 

CMYK 3 / 4 / 0 / 11

HEX #DCD9E3

RGB 220 217 227

HSL 258, 0.15%, 0.87%

LAB 87.19, 2.85, -4.55

 

CMYK 0 / 0 / 0 / 13

HEX #DEDEDD

RGB 222 222 221

HSL 60, 0.01%, 0.87%

LAB 88.44, -0.17, 0.48

 

CMYK 17 / 13 / 0 / 5

HEX #C9D4F3

RGB 201 212 243

HSL 224.29, 0.64%, 0.87%

LAB 84.98, 2.53, -16.44

 

CMYK 17 / 17 / 0 / 5

HEX #C9C9F3

RGB 201 201 243

HSL 240, 0.64%, 0.87%

LAB 82.2, 8.38, -20.65

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 8 / 17 / 0 / 5

HEX #DFC9F3

RGB 223 201 243

HSL 271.43, 0.64%, 0.87%

LAB 83.93, 15.35, -17.86

 

CMYK 4 / 17 / 0 / 5

HEX #EAC9F3

RGB 234 201 243

HSL 287.14, 0.64%, 0.87%

LAB 84.86, 18.91, -16.36

 

CMYK 30 / 41 / 0 / 11

HEX #9F86E3

RGB 159 134 227

HSL 256.13, 0.62%, 0.71%

LAB 61.63, 29.46, -43.98

 

CMYK 21 / 29 / 0 / 8

HEX #BAA7EB

RGB 186 167 235

HSL 256.76, 0.63%, 0.79%

LAB 72.28, 20.58, -31.6

 

CMYK 13 / 17 / 0 / 5

HEX #D4C9F3

RGB 212 201 243

HSL 255.71, 0.64%, 0.87%

LAB 83.04, 11.83, -19.29

 

CMYK 4 / 6 / 0 / 2

HEX #EFEBFA

RGB 239 235 250

HSL 256, 0.6%, 0.95%

LAB 93.74, 4.05, -6.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

CMYK 0 / 17 / 8 / 5

HEX #F3C9DF

RGB 243 201 223

HSL 328.57, 0.64%, 0.87%

LAB 85.08, 18.36, -5.32

 

CMYK 15 / 0 / 17 / 5

HEX #CFF3C9

RGB 207 243 201

HSL 111.43, 0.64%, 0.87%

LAB 92.39, -19.3, 16.43

 

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

CMYK 0 / 13 / 17 / 5

HEX #F3D4C9

RGB 243 212 201

HSL 15.71, 0.64%, 0.87%

LAB 87.17, 9.07, 9.4

 

CMYK 17 / 0 / 13 / 5

HEX #C9F3D4

RGB 201 243 212

HSL 135.71, 0.64%, 0.87%

LAB 92.25, -19.37, 10.49

 

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

CMYK 0 / 17 / 8 / 5

HEX #F3C9DF

RGB 243 201 223

HSL 328.57, 0.64%, 0.87%

LAB 85.08, 18.36, -5.32

 

CMYK 5 / 0 / 17 / 5

HEX #E8F3C9

RGB 232 243 201

HSL 75.71, 0.64%, 0.87%

LAB 94.09, -10.69, 19.05

 

CMYK 17 / 0 / 9 / 5

HEX #C9F3DC

RGB 201 243 220

HSL 147.14, 0.64%, 0.87%

LAB 92.44, -17.9, 6.61

 

CMYK 13 / 17 / 0 / 5

HEX #D4C8F2

RGB 212 200.6 242.6

HSL 256.29, 0.63%, 0.87%

LAB 82.93, 11.97, -19.24

 

CMYK 0 / 17 / 13 / 5

HEX #F3C9D3

RGB 243 201 211

HSL 345.71, 0.64%, 0.87%

LAB 84.76, 16.39, 0.61

 

CMYK 5 / 0 / 17 / 5

HEX #E8F3C9

RGB 232 243 201

HSL 75.71, 0.64%, 0.87%

LAB 94.09, -10.69, 19.05

 

CMYK 17 / 0 / 4 / 5

HEX #C9F3E9

RGB 201 243 233

HSL 165.71, 0.64%, 0.87%

LAB 92.75, -15.41, 0.32

 

Description

Color code: RGB 212 200.6 242.6 | qconv.com Color code: RGB 212 200.6 242.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 200.6 green and 242.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 200.6 242.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 17 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 17% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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